Books like The Strength of the Few — picked by fans

As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.

As a Gen Xer I came of age when Dungeons & Dragons was taking young imaginations by storm and creating an entirely new type of gamer. I grew up in a small town in the northwoods of Wisconsin and spent my days imagining fantasy worlds in the woods and playing D&D when the weather made the outdoors inhospitable. Those adventures of the mind are the key inspiration for my writing and the Loresmith series, which concludes with Bound By Sword and Spirit, is my love letter to D&D. I still play and am currently DMing a campaign with my family. It’s my niece’s first time playing – such a treat!

Telescopes, microscopes, computer modeling–these exist because some things are easier to study when you change their shape. That’s how we learned about planets, germs, and the economy. Enlarging, shrinking, and filling in details lets us examine and understand. I think literature can do the same thing with ideas. Asking ‘what if?’ lets us probe things we can’t with our gadgets. Concepts. Hypotheticals. A story that pulls a big idea like taffy? That is a treat. I’ve got five in this dish.

I have loved dystopian books ever since my mom handed me The Giver when I was in the fourth grade. My high school English teacher ignited this passion further when she suggested I read Fahrenheit 451 during Banned Books Week. I would later pursue this interest in university when I wrote my thesis on the political use of language in dystopian literature. Now, my love for the genre motivates me to write dystopian books of my own. This list includes the most engaging and evocative dystopian books I urge every twenty-something to read–if only so I can talk about them with more people!

I advise private and public sector clients on the unlocking of value from public assets. After a few years in investment banking in Asia and Europe, I was asked to lead the comprehensive restructuring of Sweden’s USD70bn national portfolio of commercial assets—the first attempt by a European government to systematically address the ownership and management of government enterprises and real estate. This experience has allowed me to work in over thirty countries and serve as a Non-Executive Director. Ultimately sharing the collective experience in two books written together with Stefan Fölster—The Public Wealth of Nations—which was awarded The Economist and Financial Time’s best book of the year, as well as The Public Wealth of Cities.

Vampires are the coolest monsters. Change my mind. Actually, forget it – you can’t change my mind. Because I’m right. I have always – I mean always – loved vampires. Reading about them, watching them – all the things. The first time I read Interview with a Vampire changed me forever as a human. There’s something so universally appealing about these immortal bloodsuckers. Maybe it’s because they stay forever young. Or maybe it’s because they look like humans, therefore, they can often hide (or lurk) in plain sight. As an author of my own monster stories, I find them inspiring. So, here’s a list of my recent favs that you can sink your own teeth into. 

I fell in love the first time I ever picked up a fantasy novel. Suddenly a whole world of imagination and magic opened up in my head and I’ve been an avid reader and writer ever since. Competitions show up time and again in YA novels (from The Hunger Games to Red Rising), and I think it’s because they provide a good frame for stories about growing up, progress, or ambition. There are high stakes baked in and that makes for an exciting read. I hope you enjoy these books!

I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.

Masks have been fascinating to me for a long time, in both the literal and metaphorical sense. Whether by choice or not, the masks we wear say a lot about us. It’s also interesting to me how they can represent freedom or captivity, depending on context. At a masquerade, that anonymity provides a sense of freedom, a chance to act like someone you’re not, or the courage to act braver. But when forced into a role or status that comes with certain masks, you can be trapped, forced to act a certain way. The range gives us so much to work with. 

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?