Books like The Stainless Steel Rat — picked by fans

One of the most prolific thriller writers of the early 20th century, Edgar Wallace wasn't alone in writing speculative fiction employing new technology that reflected concerns over the First World War. He wasn't alone in fearing biological weapons as in the Green Rust in which Germany planned to use to release germs that would wipe out much of earth's wheat, giving Germany domination after their surrender at the end of the Great War.

The biological weapon in the Green Rust wasn't Wallace's first use of a concept that would be employed countless times ever since; his 1913 The Fourth Plague had an Italian gang called the Red Hand blackmailing England with their own biological threat much in the spirit of what Blofeld and his Spectre would try out in the thrillers of Ian Fleming.

Later, Wallace’s Little Green Man and Other Stories also anticipated the technology of the future, including… show more.

The most influential spy novelist of them all, John Buchan, had the Germans planning to disable the British army with anthrax germs. While an admittedly small part of all the various plots in the complex novel, Buchan’s Richard Hannay touched all the bases in the five books in which he starred. For another example, in 1924 The Three Hostages, international demigods stirred up trouble with brainwashing and hypnotism. This device was a popular weapon employed by the likes of Fu Manchu.

William Le Queux’s Duckworth Drew was a secret agent working for British embassies around Europe reporting to the Marquis of Macclesfield, the Secretary of State for Foreign Affairs. Like many such agents to follow, he worked in diplomatic and aristocratic circles with finesse and had considerable luck with the ladies.

In short stories like “The Secret of the Submarine,” Drew starred in adventures that were precursors to later yarns focused on new technology as when he encountered an "electronic eye," an Italian device that detonated mines. Such playfulness with then cutting-edge tech reflected the author’s interest in merging adventure with weaponized science.

Artemis feels underrated compared to Weir’s other books, but has his signature style—hard sci-fi delivered as amusing and accessible first-person banter.

It speculates on what life might look like in the Moon’s first city through the perspective of a brilliant yet somewhat selfish and immature female protagonist, Jaz, which only makes her more interesting to follow. She pulls off a dangerous, scientifically plausible heist and uncovers a hidden secret.

I listened to the audiobook, and Rosario Dawson’s narration was incredible.

The perfect example of the anti-hero somewhat reluctantly taking on the responsibility and, in the end, realizing that who he thought was protecting him, were happy to leave him die, if needed. Harry (unnamed in the book) became the perfect anti-hero who wins through.

Deighton always wrote and understood that actions by simple people could rise calamitous events. In his books he writes of simple, brave, actions which, when viewed from the conclusion of events only then, are realized as globally pivotal.

Museum heists in space! But also so much more.

Maya is a former art thief who is asked to do one last job: steal a valuable artefact to help save an alien species from extinction. But while doing so, she may also condemn humanity. What emerges is a story about a touching friendship between two characters from different species and a varied found family.

I enjoyed the world building with its fascinating planets, species, and cultures, and the exploration of themes of cultural appropriation and anticolonialsm.

If you enjoy Star Wars but wish it had more Han and more heists—this is for you.

Destroying the Death Star doesn’t rid Han Solo of his debt to Jabba the Hutt, so, in this book, he signs up to a dubious con job and finds himself deep over his head. I loved that in addition to fan favourites like Han and Lando, the heist crew features several new and interesting female characters.

The plot is full of twists and betrayals. And the tone balances Han’s trademark charm, cynicism, and optimism. The audiobook narration was great.

​​A con man with a quantum intellect assembles a team of other bizarre post-humans—including AI and genetically engineered characters—to pull off a heist that could start a galactic-scale war or help these new species find meaning.

I love that the book incorporates pretty complex elements, like quantum mechanics, genetic engineering, and unique societies with plausible far-future world-building, yet the heist story at the heart of it is fun, accessible, and occasionally humorous.

David Crist is the historian of the U.S. Joint Chiefs of Staff—and the son of former CENTCOM Commander, General George B. Crist.  He knows this subject backwards and forwards and brings to light any number of topics that I had only ever seen discussed in the classified world. But he does so with the perspicacity of a military historian and the insight of a superb military analyst. Most people simply do not know about the many close calls and bloody clashes there were between the U.S. and Iran during this era, and Crist’s book fills that important gap. Moreover, this is a fascinating example of a protracted, low-intensity or “hybrid” conflict with a canny and determined foe and so it has no end of lessons to teach. 

The history of the CIA features many fascinating personalities and there are several excellent spy biographies, Thomas Powers on Richard Helms, for example, or Randall Woods on William Colby. But the most complex and compelling of all figures in the Agency’s past must surely be the legendary head of counterintelligence, James Angleton. Again, there are numerous works on Angleton and his obsessive hunt for a top-level Soviet agent in the CIA, but I enjoyed and benefited most from Tom Mangold’s Cold Warrior, an astonishingly detailed and penetrating portrayal of America’s real-life George Smiley.