100 Books Like The Spanish Inquisition

The whole of Spanish history is contentious, with hardly a fact not subject to challenge or attack. But slowly, clarity and understanding have come forth, and finally, in this volume, the extraordinary scholar Paul Preston gives us the facts about the campaigns of extermination in the Spanish Civil War. Anyone who wants a solid, grounded, informed understanding of this miserable time of slaughter needs this book. Painful reading, and all the more necessary for that.

These three women give us Al-Andalus in depth. They are scholars of prodigious learning. This book shows their gift for clear explanation and offers a rich selection of color illustrations that are not collected so cogently together in any other books about the period. It is a major achievement and a joy to read; indispensable for anyone who wants to understand the history of Spain.

Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.

The perfect book, beautifully written, for anyone who wants to understand Spain and Al-Andalus in the context of medieval European history. Most of us are taught the history of Medieval Europe to the strange exclusion of the brilliant culture of Al-Andalus, but it remains the case that the whole history of Europe cannot be understood without knowing the contributions of the convivencia across a very wide spectrum of subjects—commerce, mathematics, agriculture, philosophy, and medicine, to name a few. 

James Rollins weaves wild and wonderful tales throughout this series, but this book struck me at my core with the facts he used. Would you find it odd that the Catholic Church canonized a witch? What lengths would an organization, religious or otherwise, go to rule humanity? A being that can use information to save humanity may not be alive at all. Or is it alive? Is she alive? Would a religious organization want an AI to control their agenda, or would they want to destroy it because it could become God like? That entity may have other plans. All these questions were weaved into a wonderful story that at times had me wanting the AI to win. At the same time, I was frightened it would.

This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.

The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.) 

Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history. 

What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.

Not only did we fall head-over-heels in love with Spain, but we also developed a love of Spanish food. The village ladies gave us recipes scribbled on the backs of envelopes which we often lost, so this book by the delicious Omar Allibhoy holds a permanent place on our bookshelf now. Believe me, his croquetas de jamón are to die for, and I agree with the reviewer who claims that Omar changed the way she cooks tortillas forever. The photos of the finished dishes are arty and attractive and (cough, cough) there are plenty of Omar himself which are also pretty easy on the eye. If you don’t believe me, check him out on YouTube.

A few weeks ago, I got an email from John Julius Reel asking to blurb his new book My Half Orange. I read it and happily endorsed it. Reel moved to Seville from his native New York in his late 30s. Recovering from a broken relationship, he was adrift. Reel met his Andalusian wife—his half-orange—and in short order, they moved in together and had two sons.

Like other ex-pats, Reel bridges two cultures. His parents live in New England, and his wife’s Spanish family lives close— perhaps too close—to Reel, his wife, and his children. Published this year, My Half Orange is the latest addition to “ex-pats” in Spain.  

When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.