Here are 100 books that The Spanish Inquisition fans have personally recommended if you like
The Spanish Inquisition.
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I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
The whole of Spanish history is contentious, with hardly a fact not subject to challenge or attack. But slowly, clarity and understanding have come forth, and finally, in this volume, the extraordinary scholar Paul Preston gives us the facts about the campaigns of extermination in the Spanish Civil War. Anyone who wants a solid, grounded, informed understanding of this miserable time of slaughter needs this book. Painful reading, and all the more necessary for that.
Evoking such classics as Anne Applebaum's Gulag and Robert Conquest's The Great Terror, The Spanish Holocaust sheds light on one of the darkest and most unexamined eras of modern European history. As Spain finally reclaims its historical memory, a full picture can now be drawn of the atrocities of Franco's Spain-from torture and judicial murders to the abuse of women and children. Paul Preston provides an unforgettable account of the systematic terror carried out by Spain's fascist government.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
These three women give us Al-Andalus in depth. They are scholars of prodigious learning. This book shows their gift for clear explanation and offers a rich selection of color illustrations that are not collected so cogently together in any other books about the period. It is a major achievement and a joy to read; indispensable for anyone who wants to understand the history of Spain.
A dynamic vision of medieval Castilian culture and the Arabic, Hebrew, and Latin strands that are woven into its fabric
Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
Incomparable. In the long effort by scholars to establish the facts about the brilliant period of Al-Andalus—711-1492—this book is a breakthrough and a marvel. Salma Khadra Jayyusi assembled the leading scholars in the field on a whole host of subjects, and the two volumes have everything from meditations on broad historical themes to detailed accounts of book-making, ceramics, and techniques of dyeing and weaving silk. No serious reader of the history of Spain should have to live without these two extraordinary volumes.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a writer who lived in the city of Granada for almost four years, in the uncanny barrio of the Albayzin. The daily blessings of life there are powerful and cumulative, and I wrote a book in honor of such luminosity; and I wrote it, as well, because most of us have been lied to about Spanish history. But the truth, like the poetry of Garcia Lorca, cannot be suppressed. In my sojourn in Spain, and in my visits over the years, I have found Granada to be a treasure-house of stories and poetry; and in flamenco singing, the home of one of the most powerful art-forms of music in the world.
The perfect book, beautifully written, for anyone who wants to understand Spain and Al-Andalus in the context of medieval European history. Most of us are taught the history of Medieval Europe to the strange exclusion of the brilliant culture of Al-Andalus, but it remains the case that the whole history of Europe cannot be understood without knowing the contributions of the convivencia across a very wide spectrum of subjects—commerce, mathematics, agriculture, philosophy, and medicine, to name a few.
Resonating as profoundly today as when it was first published to widespread critical acclaim a decade ago, God's Crucible is a bold portrait of Islamic Spain and the birth of modern Europe from one of our greatest historians. David Levering Lewis's narrative, filled with accounts of some of the most epic battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished-a beacon of cooperation and tolerance-while proto-Europe floundered in opposition to Islam, making virtues out of hereditary aristocracy, religious intolerance, perpetual war and slavery. This masterful history begins with the fall of the Persian and Roman empires, followed by the…
I’ve spent decades showing people the beauty of space in my telescope, and volunteering for a college/park observatory, and NASA’s JPL Solar System Ambassador program here in Kentucky. My question – was it a waste of time? I should have been selling humanity on love and setting aside hatred. What is the point of dreaming of going to the stars if we are only going to take the same hatred with us. I write to cry my thoughts into words and attempt in some small part to bring hope that we can leave hatred behind, embrace diversity, and use the wonders of science to colonize our solar system and beyond.
James Rollins weaves wild and wonderful tales throughout this series, but this book struck me at my core with the facts he used. Would you find it odd that the Catholic Church canonized a witch? What lengths would an organization, religious or otherwise, go to rule humanity? A being that can use information to save humanity may not be alive at all. Or is it alive? Is she alive? Would a religious organization want an AI to control their agenda, or would they want to destroy it because it could become God like? That entity may have other plans. All these questions were weaved into a wonderful story that at times had me wanting the AI to win. At the same time, I was frightened it would.
In the race to save one of their own, Sigma Force must wrestle with the deepest spiritual mysteries of mankind in this mind-expanding adventure from the #1 New York Times bestselling author, told with his trademark blend of cutting edge science, historical mystery, and pulse-pounding action.
Arriving home on Christmas Eve, Commander Gray Pierce discovers his house ransacked, his pregnant lover missing, and his best friend's wife, Kat, unconscious on the kitchen floor. With no shred of evidence to follow, his one hope to find the woman he loves and his unborn child is Kat, the only witness to what…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Where many people would see an empty package of Oreos, I see the remains of a lost civilization, an artifact crafted galaxies away by beings who flit in and out of existence in order to build rainbows for lonely children and who have left the empty bag, filled with dog poop, flaming on someone’s front step and are laughing uncontrollably as the person stomps on it to put it out. I want to find authors who see more than the bag of Oreos. I want them to be wildly imaginative and to paint what they see with cleverness and humor. I try to do the same.
Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history.
What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.
This is the first novel in what has become one of the most popular series in contemporary Science Fiction, now back in print from Tor. In the twenty-fourth century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company. One of these is Mendoza the botanist, who is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden. Her quest is jeopardized by Nicholas Harpole, who stirs unfamiliar emotions within her about her…
Born and raised in New Zealand, about as far from the Roman world as one can get, I got hooked on history as a child and began university life as an ancient and medieval double major, studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach about many different aspects of that transformation and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London.
The Visigothic kingdom of Spain was long dismissed in older books as a barbaric backwater, the darkest point of the so-called Dark Ages. Yet it was, in truth, a vibrant cultural centre for more than two centuries, until falling to the forces of Islam in 711. Hillgarth’s fascinating book gives an excellent short survey of Visigothic history, and then explores how the legends surrounding the Goths were developed and exploited by later Spanish generations, from the Christian Reconquista and the sixteenth-century Golden Age to modern times. This creation of an idealized Gothic past provided inspiration and a sense of identity in Spain, in sharp contrast to Italy where the Goths were depicted during the Renaissance as the savage destroyers of classical civilization.
This book explores one of the central myths of Spain: the idea that Spanish culture arose from that of the Visigoths. It begins with a sketch of Visigothic history, then proceeds to explore attitudes towards the Goths and legends and myths that developed around them from late antiquity to the twentieth century; such ideas proved influential among those who saw the Goths as their spiritual, if not literal, ancestors. The focus is on the myth of the Goths as expressed in literature of a broadly historical nature; many authors have played a significant role in forming and shaping this myth,…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.
For some historians, medieval Iberian society was one marked by peaceful coexistence and cross-cultural fertilization; others have sketched a harsher picture of Muslims and Christians engaged in an ongoing contest for political, religious, and economic advantage culminating in the fall of Muslim Granada and the expulsion of the Jews in the late fifteenth century. The reality that emerges in Medieval Iberia is more nuanced than either of these scenarios can comprehend. Now in an expanded, second edition, this monumental collection offers unparalleled access to the multicultural complexity of the lands that would become modern Portugal and Spain.
The documents collected…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
This is a book that made me think again about the ‘Moorishness’ of Spain.
How to square the repression and ultimate expulsion of people of Muslim origin in the early sixteen hundreds with the obvious delight taken in aspects of their material culture such as architecture, fashion, and horsemanship, not to mention the sympathetic portrayal of Moorish characters in sixteenth-century Spanish literature?
It’s a well-argued book full of fascinating examples which examine and enlighten this paradox.
In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus.
