Books like The Song of Hartgrove Hall — picked by fans

An epistolary novel written as a letter from an elderly German man explaining his time as a soldier on the Eastern Front to his grandson. The novel has both the immediacy of a wartime narrative and the introspection of a memoir. “Eat now, sleep now, march now, follow your leader — that’s what they’d demanded of us; we’d followed, and they’d led us into disaster,” the narrator says as he describes his own predicament, but it serves to explain the horrors of the regime as a whole. It resonated for me personally, highlighting the silence and shame that surrounds the experiences of so many Germans who were young adults during WW2. Starritt is half-Scottish and half-German, and We Germans was inspired in part by his grandfather’s time on the Eastern Front. The novel was the recipient of the Dayton Peace Prize.

I absolutely love the magical, fantastical, and treacherous world that Brand Mull created in this book. The story of Kendra and her brother Seth being shipped off to their grandparents, who they hardly know, in a very strange place they've never been and rules that don't make sense, creates that perfect recipe for discovery, mishap, and victory.

We've seen this format before, but this time it feels different. I especially love the way the siblings work together, each with special gifts that get them both in and out of trouble along the way, not to mention the way the creatures in this book are portrayed with creativity and a little darkness that's very unexpected and incredibly entertaining. 

A badly disciplined, poorly educated gang of young Nepalis, part of a separatist guerrilla insurgency, reminded me of my militant leftist former comrades.

If the Nepali boys' self-image borrowed from action-hero films, ours took inspiration from political tracts (and movies), perhaps more literate but no less cartoonish. (A real insurgency in Nepal, in the 1980s, failed. Ours, in the U.S. in the 1960s and '70s, failed too.)

The guerrillas provide one of the novel's interconnected story lines and sympathetic sets of characters. The place is a dreamily lush Himalayan locale. But the "inheritance," the legacy of colonialism—class division, poverty, alienation—renders it grim and all of its inhabitants' dreams perpetually frustrated. 

Sadia Shepard is the child of a white Protestant father from Colorado and a Muslim mother from Pakistan, who grew up outside Boston. In her visionary and moving memoir, she embarks on a search for her Bene Israel roots when her maternal grandmother, who she thought was a Muslim from Pakistan like everyone else in their family, tells her that her real name is Rachel Jacobs.

She hears about the Bene Israel community and reads about their origins. It's a fascinating account of a cross-cultural childhood, a journey to India to explore her grandmother’s family tree, discovering the secrets of her grandparents’ marriage, encountering the complicated history of India and Pakistan and the Partition, and at the same time, making sense of her complex influences and legacy. The author undertakes journeys on several levels that delve into her family history, her ancestors, her grandmother’s story, and her own identity.

What… show more.

This is a love story to grandparents everywhere but what I find interesting is that this story features the grandfather as the main character, and not the child. I love this story because it shows the grandfather being humble and feeling blessed as he does not quite understand why his grandchildren believe him to be the greatest at everything - for surely he is no Mozart when it comes to music, or Picasso when it comes to drawing. Even when his grandchildren exclaim he is the greatest storyteller, the grandfather looks back at those who came before him and taught him to tell stories, and lead a seder, and gives his ancestors the credit.

I absolutely love how the grandfather grapples with whether to tell the grandkids all of this - that he is really not that special at all - but then realizes that it is the LOVE that… show more.

Jojo Moyes is better known for writing romance than pony books, but The Horse Dancer has all the ingredients for the perfect pony book: a troubled but talented teen, a beautiful horse, and a dream of being the best.

Fourteen-year-old Sarah wants to follow in her grandfather’s footsteps and join Le Cadre Noir French classical riding academy, but her hopes are dashed when her beloved grandfather falls gravely ill.

Suddenly alone in the world, Sarah is taken in by lawyer Natasha and her estranged husband Mac. Unfortunately, she omits to tell them she is the owner of a thoroughbred dancing horse called Boo. 

When Sarah rashly decides to run away to France with Boo I couldn’t help rooting for the pair.

This is a story of courage and determination that had me gripped from the first page to the last.

One night, Cosmo’s grandfather—who has started to forget things—gives him a key and tells him to go to Blackbrick, a crumbling estate on the edge of town. When Cosmo arrives there in the middle of the night and unlocks the front gate, he finds himself stepping back in time—and making friends with his fifteen-year-old grandfather. Back to Blackbrick is about time travel. It’s about love. It’s about learning to live with loss. It’s quietly tender and deeply emotional. And it’s one of the most life-affirming books I’ve ever read.

I read all of Blackwood’s novels and stories when researching my first biography, on the life of Caroline Blackwood. This is the one that stayed with me, Blackwood’s semi-autobiographical novella of Dunmartin Manor, housing three generations of Websters and Dunmartins. From the cold cruelty of the narrator’s great grandmother, to the fairy-like madness of her grandmother, and the tragedy of her fun-loving but suicidal Aunt Lavinia, all seem like extensions of the mansion—a decaying, grand old house, freezing in the winter, sweltering in the summer, and given to flooding. Like the house itself, the characters are trapped by the weight of their own Anglo-Irish, aristocratic history. No conflagration here, except for the cremation of Great Granny Webster.

A non-fiction recommendation this time, and a recent release.

Hennigan’s essay collection is a beautifully written account of the final years, and opaque recollections, of her grandmother Phil, who spent much of her life in various psychiatric institutions.

I have been interested in this theme for years – Ireland, in the first decades after independence from Britain, has some of the highest rates of citizen incarceration in the world: prisons, borstals, orphanages, magdalen laundries, and psychiatric hospitals both provided employment and regulation and also kept a whole population of ‘problem’ people out of sight).

This fact, and its repercussions in culture today, fascinate me, and Hennigan’s gentle and loving consideration of Phil’s trauma, loneliness, mania, and the maternal lineage it involves (her own mother was institutionalized) is also an angry illustration of just how badly women and the working class have been treated here.

A life in the wild entails sacrifice in addition to romance.

Few readers would think of Wallace Stegner’s 1971 Pulitzer Prize winner as a book about the mountains. Its narrator is an elderly man confined to a wheelchair who spends his days researching a biography. Yet his fascinating subject is his frontier-era grandmother, Susan Burling Ward, who gave up a life among sophisticates on the East Coast to follow her husband, a geological engineer, into the mountains of the West. There she found beauty and adventure, but also isolation from the culture and society she had left behind. Are the mountains enough to sustain us without such things?

I read this book in the year after my father died; it was one of his favorites and tied together many of his own interests: genealogy, research, books, family, and the outdoors. Angle of Repose is a long novel and the characters… show more.