Books like The Slaves of Solitude — picked by fans

A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.

A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.

My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.

My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.

I started my motherhood journey when I was barely out of my teens. For the next two decades, I only knew myself as a wife and mother. As my brood of five children grew into adults, I found myself poorly equipped to parent independent Gen X and Z’ers. Then, at 46 years of age, when perimenopause hit me like a hurricane, I found myself evolving into another woman altogether. The good news was – I really liked her! I hope you enjoy these books about mid-life women parenting adult children and rediscovering themselves in the never-ever-done-aftermath of motherhood.

I love to make people laugh and cry and I love to read novels like this too, as I find they reflect life’s ups and downs so well. I like to read books that take me by the hand into a character’s world and leave me with more compassion and understanding towards the human race. As well as my novel called Are My Roots Showing?, I have done lots of stand up comedy and have some funny films on my YouTube channel (search Karola Woods) that I hope you can enjoy too. I studied physical theatre, mask and clown at Jacques Lecoq Theatre School in Paris. 

One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way. 

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.

I grew up in Alabama studying a curriculum full of Twain and Faulkner. I’ll never forget opening To Kill a Mockingbird and reading about a girl from Alabama written by a woman from Alabama. I wanted to be Scout Finch and write like Harper Lee. That’s the power of a good story – creating relatable characters that let readers imagine a different version of their lives. The books listed here feature strong, southern female characters written by talented, female writers. I feel inspired by their journeys and heartbroken by their struggles. I only wish they were real people so that we could share a pitcher of sweet tea and chat like old friends.