Here are 65 books that The Serpent of Venice fans have personally recommended if you like
The Serpent of Venice.
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I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
Embracing the absurdist nature of this work (which is, of course, a play vs. a novel) is key to both understanding and enjoying it. I personally love how the story holds a mirror up to one of the central themes in Hamlet. The moral question of “should he act?” is replaced by the more existential question: are they (R & G) even capable of acting? Is control of one’s life even an option?
The destiny vs. free will debate rings strong throughout, resonating with anyone like me who often wonders if outside forces are in charge. With wit and charm, this story can have you contemplating those aspects of your life in which you are more pawn than you’d like to be.
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
This retelling of King Lear from the point of view of the king’s jester (or “Fool”) named Pocket is a fun read, but prepare yourself. If you’re not into bawdy humor, stay away. Personally, I found the vulgar irreverence funny, and seeing the tragic events of the original happen around this character who isn’t really affected by any of it gave the story a unique perspective.
This book is like Shakespeare told by Monty Python after the iconic troop is given the okay to proceed with a hard R-rating. The humor plays in both the small moments and the larger, thematic ones.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!'
So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams.
Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I still remember reading this book, which takes place on a farm in Iowa. It was my first glimpse of the idea that something so epic could be set in a place that I thought of as so boring.
Smiley's retelling of King Lear is one for the ages and a good lesson that greatness is only limited by your imagination, not your geography.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
This is the part of the Bible they don't want you to read. Lucifer is God’s attempt at perfection. But Lucifer betrays God to live among the mortals on Earth, making enemies of God and God’s many followers.
Lucifer is just like you and me, looking for love in all…
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
What I like most about this book is its richly painted characters. The Hamlet parallel serves only as a well-crafted backdrop, and there are virtually zero instances of “clever, matchy-matchy” with Shakespeare’s text. (I hate that. Can you tell?) This book actually is clever (no quotes) in addressing themes of life, mortality, and love.
This story goes beyond Hamlet to enlist the services of other recognizable characters like Macbeth’s three witches. All of this is done with impressive craft and style. I didn’t even mind that it is, at its core, a love story, mainly because love is portrayed as a cog in a wheel that features other themes and how they are all interconnected.
In this lush, magical, queer, and feminist take on Hamlet in modern-day New York City, a neuro-atypical physicist, along with his best friend Horatio and artist ex-fiancé, Lia, are caught up in the otherworldly events surrounding the death of his father.
Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead—but on purpose or by accident? The question rips him apart.
Unable to face alone his mother's ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn't seen since their relationship changed forever from…
I love thrillers that give you something to think about, keep you on the edge of your seat and take you to new places. And, although I also like Daniel Silva and Lee Child and Tess Gerritsen et al, I love to find new voices in the thriller genre, especially ones (like mine) that haven’t become household names. And I am especially drawn to thrillers with great prose and great characters. Try some of the books I recommended. You will not be sorry.
I only read this book after watching The American, the movie (starring George Clooney) that was based on this book. And although I loved the movie, the book was even better. I love to travel, especially to Italy, and reading the book is the next best thing to going there.
The prose is elegant, bordering on poetic, and there is an underlying psychological tension that kept my stomach acid bubbling. And being a genre-bending kind of writer, I love to read books that bend genres. This is a thriller, yes, but it also reads like a memoir or literary fiction. Try it.
BASIS FOR THE MAJOR MOTION PICTURE THE AMERICAN, STARRING GEORGE CLOONEY AND DIRECTED BY ANTON CORBIJN
The locals in the Italian village where he lives call him Signor Farfalla--Mr. Butterfly--for he appears to be a discreet gentleman who paints rare butterflies. But as inconspicuous as Farfalla tries to make himself, his real profession is deadly, unbeknownst to the sometime brothel worker, Clara, with whom he sleeps.
Of a certain age, and as his feelings for Clara intensify, Farfalla has resolved to make his next job his last--all the while sensing a treacherous circle closing in on him.
I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.
If Oreskes & Conway documented the historical trend, Michaels shows what the daily battle over the implications of science for governance is like from within. As former Assistant Secretary for Labor for OSHA, he recounts the never-ending combat over how science is generated and interpreted when it comes to the safety and comprehension of the American public. From dark money to hired guns to compromised scientists, he puts names and faces to the war on science, with truth as the first casualty.
America is a country of everyday crises - big, long-spanning problems that persist, mostly unregulated, despite their toll on the country's health and vitality. And for every case of government inaction on one of these issues, there is a set of familiar, doubtful refrains: The science is unclear. The data is inconclusive. Regulation is unjustified. It's a slippery slope.
Is it?
The Triumph of Doubt traces the ascendance of science-for-hire in American life and government, from its origins in the tobacco industry in the 1950s to its current manifestations across government, public policy, and even…
Blood From a Rose is a collection of light horror and dark fantasy with a dollop of humor that takes the reader into the dark spaces between dusk and dawn, serving up dark fantasy, paranormal and supernatural short fiction. An exploration of our shadow sides, things that go slurp in…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
I love this book because it’s a story about ordinary people. But it’s a true story.
It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.
I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer's day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
Lady Audley’s Secret—another famous example of a Sensation novel or a thrilling tale with a central secret—kept me turning the pages into the middle of the night. Like Wilkie Collins, Braddon was an immensely popular novelist in the 1860s, churning out potboiler after potboiler and raking in a nice profit along the way.
“A book without a murder, a divorce, a seduction, or a bigamy is not apparently considered worth either writing or reading,” observed Fraser’s Magazine in what sounds to me like priggish disapproval. But I sympathize with those avid readers of the day—many of them women who were denied agency and full personhood.
Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.
Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she's worked for. To maintain her facade, she plots and…
I love to write about crime. I have no idea why. I don’t have any real-life experience of crime. Honest. I enjoy setting books in the places that I love to visit. So Edinburgh, Amsterdam, Barcelona, and Nice all feature strongly here. And so far, the two novels I’ve written of which one is available on Amazon, have had strong female protagonists. I guess I find it interesting for a woman to take on a bunch of nasty men. And I studied art and the history of art at college, so everything I have written in terms of novels has been in the world of stolen art.
Apply Tree Yard is along the lines of The Girl On The Train. A deeply flawed main character. Someone who’s done something she shouldn’t have. As her life hangs in the balance in a courtroom, everything depends on her remembering how and why she had sex with a random man.
Soon To Be a STARZ Mini-Series, Starring Emily Watson
Yvonne Carmichael sits in the witness box. The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she is a suspect, squirming under florescent lights and the penetrating gaze of the alleged accomplice who is sitting across from her, watching: a man who is also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. It is a tale of sexual intrigue and ruthless urges—and…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
As a licensed mental health professional, I once had a client claiming to be demonically possessed, and requested that I get an exorcist to drive the evil spirits out of her body. Instead, I utilized a therapeutic approach to challenge “irrational” beliefs. The problem was gone. I realized that people were prone to strange beliefs and started to read and listen to “experts” who were skeptical in nature. To my surprise, I saw Carl Sagan distinguishing astrology (pseudoscience) from astronomy (science). His talk was clear, convincing, and logical. I was hooked.
Instead of “writing” this book on each subject myself, chapters are written by the most noted experts in the field of the subject matter. Some of the topics include claims of astrology, psychic ability, alternative medicine, after-death communication, psychotherapy, and pseudoscience. Mostly, I’ve never seen people so excited to study critical thinking as when the subject matter involves the paranormal.
Pseudoscience and Deception is a compilation of some of the most eye-opening skeptical articles pertaining to extraordinary claims and pseudoscience. The articles explore paranormal, extraordinary, or fringe-science claims and reveal logical explanations or outline the deceptive tactics involved in convincing the vulnerable. Topics include claims of astrology, psychic ability, alternative medicine, after-death communication, psychotherapy, and pseudoscience. The contributors to this book are among the most accomplished critical thinkers, scientists, and educators in the world and tackle their respective topics from a rational, logical, and skeptical perspective. Most students are seldom excited to study "critical thinking"-with the exception of allegedly paranormal…
