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I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
“I ask for freedom for my book.” This was the plea the Ukrainian-Jewish writer and war correspondent Vassily Grossman sent to Premier Nikita Khrushchev after the manuscript of his novel, Life and Fate, was confiscated by the KGB.
Set during the Battle of Stalingrad, Life and Fate (in the tradition of Tolstoy) follows an enormous cast of soldiers, scientists, prisoners, bureaucrats, mothers, and children whose lives intersect as Grossman moves seamlessly from freezing trenches and shattered apartment blocks to extermination camps, interrogation rooms, and laboratories haunted by political fear.
What made the book unforgivable to Soviet censors was Grossman’s daring choice to portray Stalinism and Nazism not as ideological opposites, but as terrifying reflections of one another. Both are regimes built upon fear, conformity, and the crushing of individual freedom. Few books convey so powerfully both the scale of historical horror and the stubborn endurance of human dignity.
Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
Laurent Binet’s debut novel of “metafiction” draws its title from the chilling Nazi saying, “Himmler’s brain is called Heydrich” (Himmlers Hirn heißt Heydrich), a reference to Reinhard Heydrich, an architect of the Holocaust and one of the most terrifying figures in the Third Reich.
Known as “The Blond Beast,” Heydrich governed occupied Prague through terror, executions, and mass repression. His assassination by Czech resistance fighters in 1942 forms the heart of the novel.
Binet approaches this story in an entirely original way. Rather than hiding behind an omniscient narrator, he constantly steps into the narrative himself, revealing his anxieties, obsessions, research struggles, and doubts about how we write historical fiction. The result is a daring blend of thriller, memoir, history, and philosophical inquiry. The novel is gripping, unsettling, and fiercely intelligent, not only exploring the past but also how we write about it.
Two men have been enlisted to kill the head of the Gestapo. This is Operation Anthropoid, Prague, 1942: two Czechoslovakian parachutists sent on a daring mission by London to assassinate Reinhard Heydrich - chief of the Nazi secret services, 'the hangman of Prague', 'the blond beast', 'the most dangerous man in the Third Reich'. His boss is Heinrich Himmler but everyone in the SS says 'Himmler's brain is called Heydrich', which in German spells HHhH.
HHhH is a panorama of the Third Reich told through the life of one outstandingly brutal man, a story of unbearable heroism…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
Set on the island of Cephalonia during Italy’s occupation of Greece, Captain Corelli’s Mandolin explores the relationship between occupier and occupied and the enduring strength of the human spirit.
When Italy surrenders to the Allies, the Germans occupy the island, and the Italian forces must choose to fight or to resist. In the middle of these grand politics, an Italian captain, Corelli, has fallen in love with a Greek woman, Pelagia, the daughter of the local town doctor.
At its heart, the book is about the fundamental humanity of love and its power to transform people for good or ill. A subsequent film adaptation ignores the novel’s uglier episodes, brightening the story with the incandescent beauty of Penélope Cruz and a happy ending for the romantics in the audience that is far less poignant than the book’s denouement.
25TH ANNIVERSARY EDITION - WITH A NEW INTRODUCTION BY THE AUTHOR
'A true diamond of a novel, glinting with comedy and tragedy' Daily Mail
It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous - and a consummate musician.
When Pelagia, the local doctor's daughter, finds her letters to her fiance go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable.…
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
I’m a historian who studies conflict while teaching military professionals about geopolitics. For many of them, and for me, the Second World War is a period of enduring fascination. No conflict has forced humanity to confront its existence at a more fundamental level. No conflict has inspired more questions about our humanity and more reflection on the cost of war. The nature of the war was so extraordinary that many authors have felt the need to explore its questions through the lens of fiction. I read the books below because they use the power of fiction to help readers grapple with the realities of war—realities that are seared into our collective consciousness and mark us to this day.
Set in a world of “faded women” and “ragged boys” where “the price of human flesh was slumping from day to day,” Curzio Malaparte’s The Skin is a fictionalized autobiographical account of life in Southern Italy under the occupation of American forces.
An unforgettable read due to its relentless moral ambiguity, Malaparte refuses to portray anyone as innocent. Occupiers and occupied, victors and defeated, are all trapped within a world where traditional ideas of honor and civilization have disintegrated. His famous dedication to the “brave, good, and humble” American soldiers “who died in vain in the cause of European freedom” drips with ambiguity. Is he conveying sincere gratitude, bitter irony, or both simultaneously? The novel never provides easy answers.
At times grotesque, even hallucinatory, The Skin contains scenes so strange and horrifying they linger long after reading: banquets amid starvation, children transformed into commodities, entire social classes reduced to scavenging…
This is the first unexpurgated English edition of Curzio Malaparte’s legendary work The Skin. The book begins in 1943, with Allied forces cementing their grip on the devastated city of Naples. The sometime Fascist and ever-resourceful Curzio Malaparte is working with the Americans as a liaison officer. He looks after Colonel Jack Hamilton, “a Christian gentleman . . . an American in the noblest sense of the word,” who speaks French and cites the classics and holds his nose as the two men tour the squalid streets of a city in ruins where liberation is only another word for desperation.…
As someone who’s had a lifelong interest in psychology, especially abnormal psychology, I’ve always been fascinated the small destructions some people inflict on others – sometimes even on themselves. For me the greatest crime is not to kill someone but to reduce them by making their life uncomfortable or unwelcome. The ability to do this is what I would call a “negative skill.” It’s not easy, but some people do it uncannily well, and without caring. Perhaps because this is so alien to me, I remain riveted by stories that portray it, and some cases attempt to explain it. These are a few of those stories.
Pressburger is better known as half of the film duo Powell and Pressburger, but The Glass Pearls shows he missed a career when he went into film.
Karl Braun, the protagonist of this book, is an escaped Nazi living in London some years after the end of World War II. He attempts to have a life, but lives in constant fear of being found and rounded up (yes, the book is aware of this irony).
The “quiet cruelty” comes from the fact that, like it or not, Pressburger’s wonderful ability at portraying Braun’s interior and his fear make the reader invest in him.
You end the novel troubled to discover that you have sympathized with – even wished for the escape of – a Nazi.
For fans of The Passenger, this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss.
'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd
Nothing is more inviting to disclose your secrets than to be told by…
Tim Parks moved to Italy in 1981 and is still there today. He has written five bestselling books about the country, brought up three splendid Italian children and translated some of the country’s best-loved authors. There cannot be many foreigners more familiar with the country, its literature, its history and its people.
Among the greatest family memoirs of all time. Novelist, Natalia Ginzburg (née Levi) grew up in a big family in Turin between the wars. Her Jewish father was a famous and famously irascible scientist, her mother a charmer from the well-to-do bourgeoisie. The last of five, Natalia gives a sparkling picture of the loves, friendships and conflicts between her older brothers and sisters as Fascist Italy drifted toward war. Impossible not to laugh and cry, while at the same time getting a sense of the deeper forces driving Italian life.
A masterpiece of European literature that blends family memoir and fiction
An Italian family, sizable, with its routines and rituals, crazes, pet phrases, and stories, doubtful, comical, indispensable, comes to life in the pages of Natalia Ginzburg’s Family Lexicon. Giuseppe Levi, the father, is a scientist, consumed by his work and a mania for hiking—when he isn’t provoked into angry remonstration by someone misspeaking or misbehaving or wearing the wrong thing. Giuseppe is Jewish, married to Lidia, a Catholic, though neither is religious; they live in the industrial city of Turin where, as the years pass, their children find ways…
Glyn Harper has been researching and writing military history for over forty years. He is the author of numerous best-selling books on military history and is also an award-winning author of books for children and young adults. A former army officer, Glyn is New Zealand’s only Professor of War Studies.
The Day of Battle was Volume Two of Rick Atkinson’s acclaimed Liberation Trilogy. While all three volumes of this series are well worth reading, Atkinson was at his best in the second volume which deals with the much-neglected campaigns of Sicily and Italy. The doyen of British military history and a veteran of the Italian campaign, the late Sir Michael Howard wrote that The Day of Battle was ‘one of the truly outstanding records of the Second World War’. I think it is too.
In An Army at Dawn - winner of the Pulitzer Prize - Rick Atkinson provided a dramatic and authoritative history of the Allied triumph in North Africa. Now, in The Day of the Battle, he follows the strengthening American and British armies as they invade Sicily in July 1943 and then, mile by bloody mile, fight their way north. The Italian campaign's outcome was never certain; in fact, Roosevelt, Churchill and their military advisors engaged in heated debate about whether an invasion of the so-called soft underbelly of Europe was even a good idea. But once underway, the commitment to…
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
As a historian of the Allied bombing of Italy, I read a lot of depressing accounts of the suffering of Italian civilians. It was a relief to discover that fellow historian Erik Linklater, author of the official British history of the Italian campaign, had published a comic novel based on his wartime experiences.
Its hero is Private Angelo, the reluctant soldier who issues forth such gems as: “It has taken us a long time to lose the war, but thank heaven we have lost it at last, and there is no use in denying it.” Linklater doesn’t hide the war’s devastating toll or sugarcoat the occupation itself. “We are very grateful to you for coming to liberate us,” he has Angelo tell the Americans, “but I hope you will not find it necessary to liberate us out of existence.”
Angelo, a private in Mussolini's 'ever-glorious' Italian army, may possess the virtues of love and an engaging innocence but he lacks the gift of courage. However, due to circumstances beyond his control, he ends up fighting not only for Italy but also for the British and German armies.
With his patron the Count, the beautiful Lucrezia, the charming Annunziata, and the delightful Major Telfer, Angelo's fellow characters are drawn with humour, insight and sympathy, making the book a wittily satirical comment on the grossness and waste of war.
Eric Linklater, who served with the Black Watch in Italy in World…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.
A tragicomic novel about the toxic relationship between two couples who first met at medical school and whose paths cross again many years later.
Charlotte is married to Henry, a retired consultant pathologist. She abandoned her own medical training after a harrowing experience left her emotionally…
I am a multi-genre-inspired reader and writer. The story is what motivates my interest and captivates my attention. The connection I have to my love of WWII-inspired Historical Fiction is drawn from the sheer strength and perseverance that millions of people had to pull from in order to survive one of the darkest moments in humanity. As a writer, I wanted to bring stories to life – to entertain and inform.
The bravery and sacrifice of women in the Second World War is repeated in several European countries as families struggle to fight back and survive simultaneously. The novel spans over two decades as the author brings to life a young woman’s fight to survive and protect everything she loves. Although trapped in a turbulent time, the importance that rural Italian midwives during unimaginable circumstances is revealed in a touching and emotional manner. Under the Light of the Italian Moon shines a light on bravery, sacrifice, and humanity.
‘An enthralling, richly crafted story of bold women resisting destruction, death and fascism.’
- Robin Pickering-Iazzi, Professor of Italian and Comparative Literature, University of Wisconsin-Milwaukee
A promise keeps them apart until WWII threatens to destroy their love forever
Fonzaso, Italy, between two wars
Nina Argenta doesn’t want the traditional life of a rural Italian woman. The daughter of a strong-willed midwife, she is determined to define her own destiny. But when her brother emigrates to America, she promises her mother to never leave. When childhood friend Pietro Pante briefly returns to their mountain town, passion between them ignites while Mussolini…