51 Books Like The Secret Lives of Color

I can't recommend this book highly enough, and here's why: it completely shattered my misconceptions about originality in the creative process. Kleon's candid and approachable narrative made me realize that all art is, in some form, a reinterpretation or recombination of what already exists.

This book came into my life at a pivotal moment, just when I was grappling with the dreaded "impostor syndrome" and the paralyzing belief that everything I created needed to be unprecedented. Kleon's perspective is liberating. He argues that embracing influences and integrating them into your work is not only acceptable but essential for creativity. 

I had never really given much thought to counting until I read this book, but in the very first chapter, Stone made me rethink everything I thought I knew about “one fish, two fish, red fish, blue fish.” She shows that every time we count, we’re making cultural assumptions. For example, what counts as a fish? And what makes the color of the fish more relevant than other features? Counting reveals that while these choices may seem intuitive, basic, and meaningless, they have very real impacts on people’s lives. Especially when we use numbers to measure things like merit, poverty, race, and productivity, those fundamental assumptions matter more than we care to admit.  

This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously. 

The French historian Michel Pastoureau is the master of finding topics you never knew could have a history. His research spans from the history of blue to the history of the bear, and everything he writes makes you see the world with new eyes. One of my favorites is this slim volume about the history of stripes. Pastoureau explains why stripes were associated with the devil in the Middle Ages, why sailors and swimmers took to stripes, and why cultural preferences have shifted from horizontal stripes to vertical stripes and back again. He convincingly shows that the history of the stripe is really a history of the impulse to contain social groups and people.

A sensual cultural history mixed with economic history, specifically the rise of capitalism, Schivelbusch launches an interesting argument—that one particular substance, or taste, has often defined the zeitgeist of whole nations for definitive periods. This book is wide-ranging and general in its treatment of alcohol, as well as several other drinks and spices. There are excellent imaginative connections made, and the book invites thinkers to think deeply and broadly about the meaning of intoxicants in history and in their own lives.

In my work, I try to combine my love for brilliant visuals and my fascination for complex scientific topics. You can easily guess why the National Geographic Magazine has always been one of my favourites. Its first issue appeared in 1888, and from an early stage, NatGeo’s editors have made extensive use of excellent infographics and photography alongside their stories. For this book, National Geographic has teamed up with Taschen to assemble a marvellous collection of the best infographics ever published in the magazine. Attention: This is highly inspiring and – quite literally – a heavyweight.

Maps are the most ancient type of infographic we know, and that comes as no surprise. Spatial navigation is one of the most important evolutionary skills that both animals and humans have developed. Recording this knowledge in maps requires both a thorough scientific understanding and considerable artistic skills. This beautiful coffee table book is a mind-blowing and timeless trip through the field of cartography. It charts the development from pre-historic maps carved in stone all the way to recent brain scans from the Human Connectome Project. Give me this book and I’ll be lost browsing through its visual treasures for several days.

Over a single year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, exchanged hand-drawn postcards to chart the granular details of their lives using clusters, plots, and graphs. We featured the outpourings of these talented “information designers” in a 2016 Science Museum exhibition on big data and these striking images, in turn, paved the way for their book, Dear Data, which provides a remarkable portrait of these artists. An intimate and human take on big data that invites us all to ponder how to represent our own lives.   

W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.

I recently saw a clip of Rick Rubin talking about art and AI. To paraphrase, he explains that he’s interested in artists because of their point of view. AI has no point of view. I watched him speak so eloquently (and so simply) about something I have tried to put words to for months. 

Creativity is akin to magic. It’s what sparks joy. It’s what makes you remember the details you do. What makes creativity powerful isn’t polish, but presence. Part of that story is the ability to notice, to feel, to pay attention to what most people rush past and capture it, if only for a moment. 

In The Creative Act, Rick Rubin distills that instinct into a way of being. He reminds us that creativity is a birthright. A way of moving through the world with sensitivity and curiosity. Rubin’s words are art in and of themselves.… show more.