Here are 97 books that The Secret History of the Pink Carnation fans have personally recommended if you like
The Secret History of the Pink Carnation.
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Ever since I watched my first K-drama, Heartstrings, on Netflix in 2011 I’ve become fascinated with Korean Pop Culture. I created one of the largest K-drama discussion groups on Facebook (KDA: Kdrama Anonymous) and published seven K-pop and K-drama-related Novellas. I traveled to Korea with my family in 2017 and was a panelist at Kcon in 2018. My passion for Korean Pop Culture has ventured into Webtoons and I often spend my time there catching up on all my favorite stories. I truly love Korean Culture and I’m happy to have participated in even a small part of it.
It might not be Korean, but the same feeling is there. So many fangirls dream of visiting their favorite stories—and the main character Jane—in the book Austenland gets to do just that. When Jane’s grandmother buys her a trip to Austenland—the place where any girl’s Jane Austen dream can come true, she feels rude turning it down. Although, she’s enamored by men wearing smart coats andcravats, she’s also keenly aware of how fake everything is. It only takes a few days, however, to get swept up in the realness of the scene. A fangirl can hardly control her desire to be in her favorite book. This adorable and funny romance is exactly my cup of tea.
Jane is a young New York woman who can never seem to find the right man-perhaps because of her secret obsession with Mr. Darcy, as played by Colin Firth in the BBC adaptation of Pride and Prejudice. When a wealthy relative bequeaths her a trip to an English resort catering to Austen-obsessed women, however, Jane's fantasies of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Is this total immersion in a fake Austenland enough to make Jane kick the Austen obsession for good, or could all her dreams actually culminate in a Mr.…
The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.
Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
When I first came upon Sarah Shoemaker’s novel, I felt myself issuing a silent challenge: Can the author really inspire my sympathy for the gruff and tormented hero of Charlotte Brontë’s Jane Eyre? While I’d always loved the atmospheric moodiness of the novel and could empathize to a degree with Jane Eyre herself, Mr. Rochester’s dark, brooding, and secretive nature made me uneasy, and I wasn’t quick to find him as endearing as some other classic literary heroes. However, it was fascinating to be brought into the point of view of this particular Edward Fairfax Rochester! I appreciated experiencing the world of the novel as he might have perceived it and found the detailed background on his life to be an enjoyable addition.
"A CRACKING-GOOD READ!"-- People, Best New Books A deft and irresistible retelling of Charlotte Bronte´s beloved classic Jane Eyre--from the point of view of the dashing, mysterious Mr. Rochester himself. For 170 years, Edward Fairfax Rochester has stood as one of literature's most complex and captivating romantic heroes. Sometimes cruel, sometimes tender, Jane Eyre's mercurial master at Thornfield Hall has mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontv´'s masterpiece for generations. But his own story has never been told. We first meet this brilliant, tormented hero as a motherless boy roaming Thornfield's lonely corridors. On the morning of Edward's…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
Having been a huge fan of Kwan’s incredibly popular Crazy Rich Asians, I was already inclined to like this new book. Once I realized it was directly inspired by one of my longtime favorites, E.M. Forster’s A Room with a View (which I’d loved enough to write a modernization based on the original novel as well), I was immediately interested to see how Kwan would handle it. The comedy of manners and the exploration of cultural values and differences were the most intriguing aspects of the story to me. The focus on the ultra-wealthy—and all the toys and privileges that come with it—was less appealing, but it was still a thought-provoking element, given the context of the characters’ lives. Definitely worth checking out!
THE ICONIC AUTHOR OF THE BESTSELLING PHENOMENON CRAZY RICH ASIANS RETURNS WITH THE GLITTERING TALE OF A YOUNG WOMAN WHO FINDS HERSELF TORN BETWEEN TWO MEN.
'Your perfect summer read' Daily Mail
'Delightful' Independent
'Laugh-out-loud funny' Sunday Mirror
When Lucie Tang Churchill meets George Zao at a lavish wedding in Capri, she can't stand him. She can't stand that he gallantly offers to trade hotel rooms with her so she can have a sea view, that he knows more about the island than she does, and worst of all, that he kisses her in the darkness of the ancient ruins.…
Since childhood, Lady Juliana has depended on her allure for survival. So when a sudden, debilitating illness robs her of her looks, her sense of her place in the world is shattered. The court that once idolized her spurns her. Who is she, if not the siren of men’s dreams?
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
There simply aren’t enough romances that focus on older main characters, so I particularly loved that this funny, Shakespeare-inspired love story had a 60-year-old divorced heroine and an equally mature widower hero. The protagonists are rival florists in Boston, and their families have been embroiled in a feud that has spanned several generations. Watching the way this novel played out—especially with so many meddling family members!—was great fun. And if, like me, you always wished the original Romeo and Juliet could have, maybe, been transformed into a comedy with a happier ending, Jeanne Ray’s light, modern romance just might be for you.
Romeo Cacciamani and Julie Roseman are rival florists whose families have hated each other for as long as anyone can remember, yet no one can remember why. When the two meet at a small business owners' seminar, an intense and unwavering attraction blooms between them. Unsure of what fate has in store, but deeply in love, Julie and Romeo are not about to let something as silly as a generations-long feud stand in their way. That is, until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred…
When I was a small child I used to stare long and hard at playing cards, absorbed in the mediaeval-ish drawings and with the feeling that they were trying to tell me something beyond the obvious; which was that they simply represented numbers and suits for the purpose of playing Whist or Rummy or whatever. Gradually I learned that the instinct was true, that ordinary playing cards have long been used for fortune-telling and are related of course to Tarot cards, which take the divination angle to a whole other level (and conversely can equally, if rather frivolously, be used for playing Poker if you leave out the Major Arcana cards).
This book was my first introduction to One-dimensional Chess. I assumed the idea was as ridiculous as other impossible games in the story, such as Spotless Dominoes, but then it occurred to me that maybe not.
I devised a version with a King, Queen, Knight and three or four pawns facing each other along a single line of spaces and amazingly it does kind of work, though it is probably more of a puzzle than a game. I later learned that there are many other versions of One-dimensional Chess devised by chess fanatics over the years.
Apart from that, the story is a thought-provoking triple fantasy that plays with the notion that perhaps life itself is just a game, a puzzle we have to solve before we can move on.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
It was almost by accident that I became who I turned out to be as a professional, a developmental scientist interested in how early-life experiences shape who we become. Had someone asked me when I graduated from high school what were the chances of me becoming a scientist and teacher, I would have answered “zero, zero”! During my now 40+ year academic career I've come to appreciate how complex the many forces are that shape who we become. There's no nature without nurture and no nurture without nature. This emergent realization led me to learn about and study many aspects of developmental experience, like parenting and peer relations, and the role of genetics and evolution.
Whether and how childhood adversity shapes human development is a question that has long intrigued scientists and citizens.
This book tells the story of a great sociologist mining archival data about children who grew up during economically troubled times in America in order to underscore how the past is—and is not—prologue. Perhaps its greatest contribution is in illuminating the environmental conditions and life experiences that determined whether children eventually thrived or failed. In so doing, this work shaped the field of developmental studies, including my own work, for decades to come.
Explores the familial and intergenerational implications and consequences of drastic socio-economic change, as experienced by Oakland, California residents born in 1920-21
Pregnant out of wedlock, sixteen-year-old Annie Moore is sent to live at a convent for fallen women. When the nuns take her baby, Annie escapes, determined to find a way to be reunited with her daughter. But few rights or opportunities are available to a woman in the 1860s, and…
Patricia Hruby Powell’s former careers include dancer/choreographer, storyteller, and librarian. She is the author of the YA documentary novel Loving vs. Virginiawhich is on ALA, NCTE, Indie Pics, and Kirkus ‘best books lists’. From a young age, her parents instilled in her a social conscience and a will to try to right injustice. She attempts to do this, in part, by writing books that might shine a light on injustice, for young readers, such that they will care and perhaps become activists—for whatever impassions them. Her books have earned Sibert, Boston Globe-Horn Book, International Bologna/Ragazzi, Parent’s Choice Honors among others.
A collaborative book written in verse by award-winning Debbie Levy and JoAnn Allen Boyce who was one of twelve African American students who desegregated Clinton High School in eastern Tennessee in 1956. Brown vs. Board of Education ruled to integrate schools in 1954, but integration didn’t happen easily or quickly. We tend to know more about the Little Rock Nine of 1957 because national journalists published what became iconic photos of the tense struggle of courageous Black teenagers breaking through white hostility to attend a white high school. The earlier event in Tennessee was equally fraught (but less photographed). To have Boyce’s memory of events and her ability to articulate her feelings and Levy’s lyrical bent makes this an enlightening read.
Recipient of a Robert F. Sibert Informational Book Honor Winner of the 2019 Boston Globe-Horn Book Award for Nonfiction 2020 National Council for the Social Studies Carter G. Woodson Honor Recipient A NYPL Top Ten of 2019 A Kirkus Reviews Best Book of the Year
In 1956, one year before federal troops escorted the Little Rock 9 into Central High School, fourteen year old Jo Ann Allen was one of twelve African-American students who broke the color barrier and integrated Clinton High School in Tennessee. At first things went smoothly for the Clinton 12, but then outside agitators interfered, pitting…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.
I'm hooked on the fabulous, memorable characters, fast-paced action, and snappy dialogue.
Grad student Jessica James is having a killer year. Living rent-free in her advisor's office attic, she breaks into her advisor's office at night to discover she's not the only one who hates the Distinguished Professor of Philosophy, Baldrick Wolfgang Schumtzig.
Jessica James joins the ranks of strong women sleuths. She and her living-on-the-fringe pals investigate "Wolf's" death while dodging frat boys, gamblers, and the police. The narrative voice is sarcastic and quick-minded.
She wants her degree. But she just became a suspect of first-degree murder...
"The Jessica James Mysteries are edgy, thrilling, and simply captivating."--Chicago Tribune
Jessica James is broke and counting down the days until she can defend her philosophy thesis. Desperate to get out of her grubby attic digs, she and her friends break into her professor's office... only to find her adviser dead in the tub. Scoping the crime scene for clues, she leaves evidence that makes her both a suspect and a target.
Suspecting the school's Russian janitor of doing more than sweeping the floors,…
Whenever in Oxford, I feel I’ve come “home.” It’s a magical city steeped in beauty, history, literature, culture, and fascinating people. I’ve been blessed to have taken graduate courses at the University, participated in numerous conferences, brought tour groups, lived “in college,” and conducted walking tours of the town. My familiarity with the city enabled me to write the original chapter on Oxford for Rick Steves’ England guidebook, and it’s where I set my fictional series, The Oxford Chronicles. When I can’t be there in person, I love to visit vicariously through good books. I hope these novels will enable you to experience some of the magic of Oxford too.
Having studied, taught, and written about C.S. Lewis, I’m steeped in all things Lewis and Oxford. And yet, Patti Callahan’s story-telling gift enables me to transcend the facts I know about Lewis into the realm of experience.
I can live the stories of Lewis’s childhood, war, and university years, and conversion through the vivid imagination of the fictional lad George, seeing through his eyes glimpses of where Lewis found inspiration for the Narnian tales.
The split narrative between the first person of George’s older sister Megs and the 3rd person of Lewis’s life is masterfully seamless, while Patti’s prose is lyrical and haunting. The poignant frame narrative of wee George’s struggle with heart failure and his sister’s desperation to help him with Lewis’s stories moves me deeply.
Now available in trade paper with an eye-catching new cover from the bestselling author of Becoming Mrs. Lewis: College student Megs Devonshire sets out to fulfill her younger brother George's last wish by uncovering the truth behind his favorite story. What transpires is a fascinating look into the bond between siblings and the life-changing magic of stories.
1950: Margaret Devonshire (Megs) is a seventeen-year-old student of mathematics and physics at Oxford University. When her beloved eight-year-old brother asks Megs if Narnia is real, logical Megs tells him it's just a book for children, and certainly not true. Homebound due to…