Here are 96 books that The Secret History of the Pink Carnation fans have personally recommended if you like
The Secret History of the Pink Carnation.
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Ever since I watched my first K-drama, Heartstrings, on Netflix in 2011 I’ve become fascinated with Korean Pop Culture. I created one of the largest K-drama discussion groups on Facebook (KDA: Kdrama Anonymous) and published seven K-pop and K-drama-related Novellas. I traveled to Korea with my family in 2017 and was a panelist at Kcon in 2018. My passion for Korean Pop Culture has ventured into Webtoons and I often spend my time there catching up on all my favorite stories. I truly love Korean Culture and I’m happy to have participated in even a small part of it.
It might not be Korean, but the same feeling is there. So many fangirls dream of visiting their favorite stories—and the main character Jane—in the book Austenland gets to do just that. When Jane’s grandmother buys her a trip to Austenland—the place where any girl’s Jane Austen dream can come true, she feels rude turning it down. Although, she’s enamored by men wearing smart coats andcravats, she’s also keenly aware of how fake everything is. It only takes a few days, however, to get swept up in the realness of the scene. A fangirl can hardly control her desire to be in her favorite book. This adorable and funny romance is exactly my cup of tea.
Jane is a young New York woman who can never seem to find the right man-perhaps because of her secret obsession with Mr. Darcy, as played by Colin Firth in the BBC adaptation of Pride and Prejudice. When a wealthy relative bequeaths her a trip to an English resort catering to Austen-obsessed women, however, Jane's fantasies of meeting the perfect Regency-era gentleman suddenly become more real than she ever could have imagined. Is this total immersion in a fake Austenland enough to make Jane kick the Austen obsession for good, or could all her dreams actually culminate in a Mr.…
The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.
Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
When I first came upon Sarah Shoemaker’s novel, I felt myself issuing a silent challenge: Can the author really inspire my sympathy for the gruff and tormented hero of Charlotte Brontë’s Jane Eyre? While I’d always loved the atmospheric moodiness of the novel and could empathize to a degree with Jane Eyre herself, Mr. Rochester’s dark, brooding, and secretive nature made me uneasy, and I wasn’t quick to find him as endearing as some other classic literary heroes. However, it was fascinating to be brought into the point of view of this particular Edward Fairfax Rochester! I appreciated experiencing the world of the novel as he might have perceived it and found the detailed background on his life to be an enjoyable addition.
"A CRACKING-GOOD READ!"-- People, Best New Books A deft and irresistible retelling of Charlotte Bronte´s beloved classic Jane Eyre--from the point of view of the dashing, mysterious Mr. Rochester himself. For 170 years, Edward Fairfax Rochester has stood as one of literature's most complex and captivating romantic heroes. Sometimes cruel, sometimes tender, Jane Eyre's mercurial master at Thornfield Hall has mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontv´'s masterpiece for generations. But his own story has never been told. We first meet this brilliant, tormented hero as a motherless boy roaming Thornfield's lonely corridors. On the morning of Edward's…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
Having been a huge fan of Kwan’s incredibly popular Crazy Rich Asians, I was already inclined to like this new book. Once I realized it was directly inspired by one of my longtime favorites, E.M. Forster’s A Room with a View (which I’d loved enough to write a modernization based on the original novel as well), I was immediately interested to see how Kwan would handle it. The comedy of manners and the exploration of cultural values and differences were the most intriguing aspects of the story to me. The focus on the ultra-wealthy—and all the toys and privileges that come with it—was less appealing, but it was still a thought-provoking element, given the context of the characters’ lives. Definitely worth checking out!
THE ICONIC AUTHOR OF THE BESTSELLING PHENOMENON CRAZY RICH ASIANS RETURNS WITH THE GLITTERING TALE OF A YOUNG WOMAN WHO FINDS HERSELF TORN BETWEEN TWO MEN.
'Your perfect summer read' Daily Mail
'Delightful' Independent
'Laugh-out-loud funny' Sunday Mirror
When Lucie Tang Churchill meets George Zao at a lavish wedding in Capri, she can't stand him. She can't stand that he gallantly offers to trade hotel rooms with her so she can have a sea view, that he knows more about the island than she does, and worst of all, that he kisses her in the darkness of the ancient ruins.…
I was born a bookworm. As a kid, I’d read daily—for hours and with wild abandon—across authors and genres. But I always had a special love of British classics: Shakespeare, Forster, the Brontës, tales featuring lords, ladies, and English heroes like the Scarlet Pimpernel. When I first encountered Jane Austen, I was a high-school freshman. Her writing forever changed my perspective and, thus, my life. I went on to devour all of her books, and later, to study her work for a summer at Oxford University. I visited her old haunts, too, like Bath and Chawton, and remain charmed by her stories and inspired by her when I write my novels.
There simply aren’t enough romances that focus on older main characters, so I particularly loved that this funny, Shakespeare-inspired love story had a 60-year-old divorced heroine and an equally mature widower hero. The protagonists are rival florists in Boston, and their families have been embroiled in a feud that has spanned several generations. Watching the way this novel played out—especially with so many meddling family members!—was great fun. And if, like me, you always wished the original Romeo and Juliet could have, maybe, been transformed into a comedy with a happier ending, Jeanne Ray’s light, modern romance just might be for you.
Romeo Cacciamani and Julie Roseman are rival florists whose families have hated each other for as long as anyone can remember, yet no one can remember why. When the two meet at a small business owners' seminar, an intense and unwavering attraction blooms between them. Unsure of what fate has in store, but deeply in love, Julie and Romeo are not about to let something as silly as a generations-long feud stand in their way. That is, until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred…
When I was a small child I used to stare long and hard at playing cards, absorbed in the mediaeval-ish drawings and with the feeling that they were trying to tell me something beyond the obvious; which was that they simply represented numbers and suits for the purpose of playing Whist or Rummy or whatever. Gradually I learned that the instinct was true, that ordinary playing cards have long been used for fortune-telling and are related of course to Tarot cards, which take the divination angle to a whole other level (and conversely can equally, if rather frivolously, be used for playing Poker if you leave out the Major Arcana cards).
This book was my first introduction to One-dimensional Chess. I assumed the idea was as ridiculous as other impossible games in the story, such as Spotless Dominoes, but then it occurred to me that maybe not.
I devised a version with a King, Queen, Knight and three or four pawns facing each other along a single line of spaces and amazingly it does kind of work, though it is probably more of a puzzle than a game. I later learned that there are many other versions of One-dimensional Chess devised by chess fanatics over the years.
Apart from that, the story is a thought-provoking triple fantasy that plays with the notion that perhaps life itself is just a game, a puzzle we have to solve before we can move on.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
I’m a woman. Laughing, crying, and swooning are all things I know intimately—sometimes heart-achingly. I’m living my life with my heart open, learning to be unashamedly me. That means I love, sometimes recklessly. That meant I hurt, sometimes more than anyone could know. And that means I swoon, not only for romance but also for the beauty of this “wild and precious life.” My recommended novels take you through all the feels. My own novels use my roots in Nashville, TN. Family and music are key. But more than that, my books are about learning to love yourself. I’ve learned personally that that’s the true happily ever after.
Swear on This Life is not your typical romance—and I absolutely love it. It’s a soul journey to heal childhood wounds. It’s a “the one who got away” love story. It’s heart-wrenching and elating.
It feels like real life.
(But you do get the HEA!)
Renee Carlino doesn’t stick to the formula for romance novels in the traditional sense, but her writing is still safely classed in the genre. That’s why I love it. It’s not fluff (don’t get me wrong, I love fluffy romcoms as well!) and it’s not a guy with 8-pack abs (also love those heroes!). Carlino writes about vulnerable humans daring to feel even though they know that love, like life, comes with hurt.
Don’t grab Swear on This Life when you need a lighthearted read. Grab it when you want to sit in your feels. I think you’ll love it!
From bestselling author Renee Carlino, a warm and witty novel about a struggling writer who must come to grips with her past, present, and future after she discovers that she's the inspiration for a pseudonymously published bestselling novel. When a bestselling debut novel from mysterious author J. Colby becomes the literary event of the year, Emiline reads it reluctantly. As an adjunct writing instructor at UC San Diego with her own stalled literary career and a bumpy long-term relationship, Emiline isn't thrilled to celebrate the accomplishments of a young and gifted writer. Yet from the very first page, Emiline is…
Since childhood, Lady Juliana has depended on her allure for survival. So when a sudden, debilitating illness robs her of her looks, her sense of her place in the world is shattered. The court that once idolized her spurns her. Who is she, if not the siren of men’s dreams?
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
Growing up in a violent household drove me to find refuge in books and libraries. By vicariously experiencing other lives, I found inspiration in strong heroines. I am continuously attracted to stories where women who are victims of crime or injustice fight back with grit, brains, and strategy to win. That being said, in a worldly society that demands conformity in behavior and thought, the outsider—that independent thinker who embraces her individuality and faith—is my very favorite kind of heroine. The outsider heroine is also the kind I create in my books to inspire women to complain less and achieve more.
I'm hooked on the fabulous, memorable characters, fast-paced action, and snappy dialogue.
Grad student Jessica James is having a killer year. Living rent-free in her advisor's office attic, she breaks into her advisor's office at night to discover she's not the only one who hates the Distinguished Professor of Philosophy, Baldrick Wolfgang Schumtzig.
Jessica James joins the ranks of strong women sleuths. She and her living-on-the-fringe pals investigate "Wolf's" death while dodging frat boys, gamblers, and the police. The narrative voice is sarcastic and quick-minded.
She wants her degree. But she just became a suspect of first-degree murder...
"The Jessica James Mysteries are edgy, thrilling, and simply captivating."--Chicago Tribune
Jessica James is broke and counting down the days until she can defend her philosophy thesis. Desperate to get out of her grubby attic digs, she and her friends break into her professor's office... only to find her adviser dead in the tub. Scoping the crime scene for clues, she leaves evidence that makes her both a suspect and a target.
Suspecting the school's Russian janitor of doing more than sweeping the floors,…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
I fall hard for novels about intense friendships and loyalty. I’ve never been to Korea, but it was easy for me to relate to the protagonist, Jung Yoon, whose personal growth is influenced by her study of European culture, much as my own immersion in Latin American culture continues to inform my life.
Here again, a gap in most Americans’ knowledge gets filled in. Shin’s haunting and poetic novel offers a bracing account of the student protests in South Korea in the ’80s, with repression, deaths, and disappearances at the hands of the US-supported dictatorship. The politics are eye-opening, but just a backdrop to the characters’ pursuit of love, friendship, intellectual development, and the tender way they must mourn many other losses as they grow up and apart.
Both a coming-of-age story and a love story, I'LL BE RIGHT THERE follows four friends who meet in the 1980s, at university in Seoul. Times are tough - South Korea is still a military dictatorship - and the group cling to each other, falling in and out of love. As they face personal loss and political uncertainty their paths diverge - mysterious deaths occur and secrets are revealed. Steeped in heartache, this novel is a delicate examination of youthful passions, tragedy, and political turmoil Like PLEASE LOOK AFTER MOTHER, I'LL BE RIGHT THERE combines utterly universal, resonant themes with an…
Patricia Hruby Powell’s former careers include dancer/choreographer, storyteller, and librarian. She is the author of the YA documentary novel Loving vs. Virginiawhich is on ALA, NCTE, Indie Pics, and Kirkus ‘best books lists’. From a young age, her parents instilled in her a social conscience and a will to try to right injustice. She attempts to do this, in part, by writing books that might shine a light on injustice, for young readers, such that they will care and perhaps become activists—for whatever impassions them. Her books have earned Sibert, Boston Globe-Horn Book, International Bologna/Ragazzi, Parent’s Choice Honors among others.
A collaborative book written in verse by award-winning Debbie Levy and JoAnn Allen Boyce who was one of twelve African American students who desegregated Clinton High School in eastern Tennessee in 1956. Brown vs. Board of Education ruled to integrate schools in 1954, but integration didn’t happen easily or quickly. We tend to know more about the Little Rock Nine of 1957 because national journalists published what became iconic photos of the tense struggle of courageous Black teenagers breaking through white hostility to attend a white high school. The earlier event in Tennessee was equally fraught (but less photographed). To have Boyce’s memory of events and her ability to articulate her feelings and Levy’s lyrical bent makes this an enlightening read.
Recipient of a Robert F. Sibert Informational Book Honor Winner of the 2019 Boston Globe-Horn Book Award for Nonfiction 2020 National Council for the Social Studies Carter G. Woodson Honor Recipient A NYPL Top Ten of 2019 A Kirkus Reviews Best Book of the Year
In 1956, one year before federal troops escorted the Little Rock 9 into Central High School, fourteen year old Jo Ann Allen was one of twelve African-American students who broke the color barrier and integrated Clinton High School in Tennessee. At first things went smoothly for the Clinton 12, but then outside agitators interfered, pitting…
