Here are 90 books that The Secret History of the Mongol Queens fans have personally recommended if you like
The Secret History of the Mongol Queens.
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I have had the privilege to teach the history of political theory from Plato to today for decades and to discuss texts such as the five I mentioned with very gifted students. No matter how often I return to such works, I always find something new in them and it is a pleasure to see how students learn to love reading for themselves what can be daunting works, once they overcome the fear of opening the great works and the initial challenge of seventeenth- and eighteenth-century prose.
Even though Adam Smith is often said to be the father of all that is good or bad about capitalism very few people have read his famous Wealth of Nations. Why? Well, 1) they think they already know what’s in it: no government intervention in the economy, thank you. 2) It is two volumes. 3) It must be very dreary because it is about economics, and 4) they are not good at economics or math.
But read it for yourself, and you will find that it is readable, nuanced, and you can skip the bits that you can’t make out, enjoy the examples, and decide for yourself what he actually argued and whether you agree with it or not.
An Inquiry into the Nature and Causes of the Wealth of Nations, generally referred to by its shortened title The Wealth of Nations, is the magnum opus of the Scottish economist and moral philosopher Adam Smith. First published in 1776, the book offers one of the world's first collected descriptions of what builds nations' wealth, and is today a fundamental work in classical economics. By reflecting upon the economics at the beginning of the Industrial Revolution, the book touches upon such broad topics as the division of labour, productivity, and free markets.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
Rong’s Wolf Totem is not a typical Cultural Revolution book, and its focus is on relationships between humans and the wildlife of the grasslands. The protagonist is an urban youth, who’s a Han (the majority ethnic group in China), sent to inner Mongolia for “reeducation.” While trying to raise a wolf cub captured from the wild, he encounters a cultural clash between the Han Chinese and the locals, learns about the wolf and other wildlife, and reflects on history, nature, and humanity.
Beijing intellectual Chen Zhen volunteers to live in a remote settlement on the border of Inner and Outer Mongolia, where he discovers life of apparent idyllic simplicity amongst the nomads and the wild wolves who roam the plains. But when members of the People's Republic swarm in from the cities to bring modernity and productivity to the grasslands, the peace of Chen's solitary existence is shattered, and the delicate balance between humans and wolves is disrupted. Only time will tell whether the grasslands' environment and culture will ever recover...
Wolf Totem has been a sensation ever since it shot to…
Growing up in postwar Germany, I have always been fascinated by how people survive wars emotionally and retain their humanity. In my extensive research for Captives, I came across an account of a German soldier in North Africa, whose tank had been hit and was engulfed in flames. A human torch, he jumped from the tank, expecting to be killed by British soldiers who were nearby. Instead, they rolled his body in the sand to extinguish the flames and called a medic, saving his life. This act of humanity moved me and inspired me to make the preservation of one’s humanity in war the central theme in my novel.
Yuri Zhivago, a physician and a poet—strives to adhere to his ideals of integrity throughout his tragic life—though not always successfully. His medical skills allow him to heal others, and his poetry lets him explore truth in the volatile world of the Bolshevik Revolution and the Russian Civil War.
Although he is in love with Lara, a married woman with whom he has a passionate affair, his sense of duty and honor allow him to remain devoted to his wife, Tonya.
His belief that humans should be true to themselves and maintain independent thoughts ultimately makes him a target for the Bolsheviks.
As a writer who believes in the importance of truth—and as a flawed human being who makes mistakes and regrets them—I relate to Yuri.
First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms,…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I'm a Mongolian woman deeply interested and engaged in politics, human rights and history. Until I reached 25, my country was a communist state and I wasn't allowed to learn many things including foreign language other than Russian. Life, school, and books surrounding me had not only legal but also very strong ideological restrictions dictated by communism. As the most attractive melodies were ‘banned music’ and most beautiful love songs were ‘banned songs’, I grew up hungry to learn the true stories hidden behind all the bans. Later, I decided to write historic fiction on the important stories that were not taught to us in schools but necessary for Mongolians and the world to understand.
Many people became shamans. Suddenly. Was it related to democracy and freedom and the end of cultural censorship in Mongolia, or was it related to the growing magical energy of some localities? Mandukhai, a Mongolian anthropologist tries to find an answer to such a phenomenon and discovers that shamans are related not just to magic, but to the tragic past of Mongolia’s rural communities. This is a serious read for those interested in history, political influence on indigenous culture, anthropology, magic, gender, and Mongolia’s nomadic lifestyle.
The collapse of socialism at the end of the twentieth century brought devastating changes to Mongolia. Economic shock therapy - an immediate liberalization of trade and privatization of publicly owned assets - quickly led to impoverishment, especially in rural parts of the country, where Tragic Spirits takes place. Following the travels of the nomadic Buryats, Manduhai Buyandelger tells a story not only of economic devastation but also a remarkable Buryat response to it - the revival of shamanic practices after decades of socialist suppression. Attributing their current misfortunes to returning ancestral spirits who are vengeful over being abandoned under socialism,…
I am an associate professor at Nottingham Trent University and my interest in the Mongols first began many years ago during my MA at Royal Holloway University. I had always been interested in the historic relationships between nomadic and agricultural societies, but what I found fascinating about the Mongols was the sheer speed and range of their expansion—how could they have conquered the greater part of the Asia within only a few decades? Exploring how the Mongols grappled with the realities of ruling such a vast imperium remains a very thought-provoking issue, so too is the question of how the peoples they overthrew accommodated themselves to Mongol rule.
The governance and administration of the Mongol Empire was an unimaginably complex exercise. Faced with endless factional rivalries as well as the need to erect and enforce the empire’s authority over a vast span of territory, the challenge of ruling the empire was truly formidable. In Women and the Making of the Mongol Empire, Anne Broadbridge examines the central role played by leading women in shaping Mongol society and its armies, thereby drawing out the sinews of power driving this vast imperium.
How did women contribute to the rise of the Mongol Empire while Mongol men were conquering Eurasia? This book positions women in their rightful place in the otherwise well-known story of Chinggis Khan (commonly known as Genghis Khan) and his conquests and empire. Examining the best known women of Mongol society, such as Chinggis Khan's mother, Hoe'elun, and senior wife, Boerte, as well as those who were less famous but equally influential, including his daughters and his conquered wives, we see the systematic and essential participation of women in empire, politics and war. Anne F. Broadbridge also proposes a new…
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
If I have a Roman Empire, it’s this series. I think about the triplets of Fennbirn regularly.
This book follows three triplets who are fated to kill each other so one may wear the crown. I loved the way Blake peeks inside each of the sister’s heads and writes this complicated dynamic between them. I mean, the fact that they’re sisters and they have to kill each other is the baseline for complications.
It is dark and visceral, and I truly felt like I was with each sister when their POV came up.
Three Dark Crowns is a heart-stopping fantasy from Kendare Blake, acclaimed author of Anna Dressed in Blood.
In every generation on the island of Fennbirn, a set of triplets is born: three queens, all equal heirs to the crown and each possessor of a coveted magic. Mirabella is a fierce elemental, able to spark hungry flames or vicious storms at the snap of her fingers. Katharine is a poisoner, one who can ingest the deadliest poisons without so much as a stomach-ache. Arsinoe, a naturalist, is said to have the ability to bloom the reddest rose and control the fiercest…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I've been fascinated by the concept of women warriors ever since I was a nerdy kid who read every biography of famous women I could get my hands—and I've been collecting their stories almost as long. Today I write historical non-fiction that puts women back into the story, whether it's women warriors, civil war nurses, or groundbreaking journalists. The impact of this can be profound. When we re-introduce overlooked populations into history, we get a very different story.
In many ways, Antonia Fraser's Warrior Queens spurred my long-term interest in women warriors. Fraser not only introduced me to historical women I had never heard of, but to the idea that women had fought as a normal part of the army in far more epochs and far more civilizations than is normally appreciated. Fraser looks at her warring queens as a group as well as individually, trying to understand the tropes that (mostly male) historians have used both to make them bigger than life and to demean them as women. A fascinating read that has held up well over time.
In this panoramic work of history, Lady Antonia Fraser looks at women who led armies and empires: Cleopatra, Isabella of Spain, Jinga Mbandi, Margaret Thatcher, and Indira Gandhi, among others.
Queens and queenship is a topic that has fascinated me since childhood when I first read about women like Cleopatra and Eleanor of Aquitaine. They ignited a passion to learn about the lives of royal women which led me from the ancient Mediterranean to medieval Europe, on into the early modern era, and has now gone truly global. I am particularly passionate to draw out the hidden histories of all the women who aren’t as well-known as their more famous counterparts and push for a fully global outlook in both queenship and royal studies in the works I write and the journal and two book series that I edit.
This is a weighty tome at well over 500 pages but well worth the investment as this edited collection is bursting with case studies of royal women from ancient Egypt and Mesopotamia to the end of Imperial Rome. The editors have brought together a large group of experts to offer chapters on groups of women, issues in an ancient monarchy such as Egyptian brother-sister marriages, and the representation of royal women in ancient sources, historiography, and modern popular culture. Cleopatra and the ancient world was my original gateway into queens and queenship—there are plenty of interesting women to inspire anyone to learn more about the pivotal role they played in the development of monarchy in the ancient world.
This volume offers the first comprehensive look at the role of women in the monarchies of the ancient Mediterranean. It consistently addresses certain issues across all dynasties: title; role in succession; the situation of mothers, wives, and daughters of kings; regnant and co-regnant women; role in cult and in dynastic image; and examines a sampling of the careers of individual women while placing them within broader contexts. Written by an international group of experts, this collection is based on the assumption that women played a fundamental role in ancient monarchy, that they were part of, not apart from it, and…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
The first time I read this book I couldn't put it down. I read it in a single day. Every time I've read it since it's been the same. I'm just sucked into the voice and the story and I never want it to end. I've loved Egypt almost all my life and The Heretic Queen is one of the best Egyptian Historical Fiction novels I have ever read. To me, storytelling is about the journey, about the change in the voice as the character ages, about overcoming the hardships of life, and hoping for the future when the story ends. This book covers all of those and more.
In ancient Egypt, a forgotten princess must overcome her family's past, and remake history. The winds of change are blowing through Thebes. A devastating palace fire has killed the 18th dynasty's royal family - all with the exception of Nefertari, niece of the reviled former queen Nefertiti. The girl's deceased family has been branded as heretical, and no one in Egypt will speak their names. A relic of a previous reign, Nefertari is pushed aside, an unimportant princess left to run wild in the palace. But all of this changes when she is taken under the wing of pharaoh's aunt,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and…
