80 Books Like The Schirmer Inheritance

The omniscient narrator in this classic novel speaks to the reader in a dispassionate present-tense voice that helps reinforce the satirical tone and immediacy of the novel. Dickens, who grew up in a debtor’s prison and included his bleak observations of life in a debtor’s prison in many of his great novels, used his fiction to shine a light on the social injustices of Victorian life. Bleak House shines much of that light on the punitive legal system (sound like today?), which Dickens exposed in some of his other novels as well. In thinking about the many theatrical and film adaptations made of this novel, we can see how much easier that work was due to the present tense writing, which creates the immediacy and suspense found in many great films.

I first read Josef K.'s haunting tale when I was a teenager. I hadn’t read anything by Kafka before and was initially quite frustrated because it wasn’t clear what the hell was going on, which, in retrospect, is rather the point.

I read this book again about five years ago and still found it a disturbing reflection on how society dehumanises the individual, often with no rhyme or reason, one might say Kafkaesque. Interestingly, I found it even more relatable as an adult.

This novel is in many ways the precise opposite of a “courtroom thriller.” The murder trial depicted is not upended by surprise evidence, witnesses do not blurt out confessions, and the outside world takes little notice of what is transpiring in the courtroom. But prosecutor Abner Coates is a memorable portrait of a man for whom the law has become an entire world. A powerful courtroom moment punctures Abner’s professional irony, when he imagines looking at himself through the eyes of the defendants, and he realizes that despite his good nature and intentions, to them he is a savage enemy trying to kill them.

Scottoline, a former big-firm litigator, has created Benny Rosato, the founder of an all-female firm of defense lawyers, as the master of the world of courts and jails. In Mistaken Identity, however, Benny defends an unexpected client—“Alice Connoly,” who is Rosato herself, a double claiming to be a long-lost twin. What follows raises the question of why (as the mysterious defendant asks) Alice is in jail while Rosato is free, secure, and successful. In a way, Mistaken Identity is a feminist version of The Trial--a fever dream of that same hellish world that Kafka saw beneath K.’s feet--the law, supernatural and inhuman, that waits to devour the innocent and the guilty alike.

Narrator Professor Hilary Tamar’s habits and character traits invite non-stop laughter; and yet amazingly the three young barrister characters are every bit as funny in an entirely different way. One of the barristers always carries the action; but Hilary is no Dr. Watson gasping at their brilliance; in every book, her perspicacity and specialist knowledge enable the murder motive to be unravelled and the murderer brought to justice.

These books are rich in comic dialogue, often given as indirect speech. Caudwell’s unique spin on technical legal language will have you laughing out loud. 

The storyline is enchanting. Without Hilary’s specialist knowledge of ancient Greek texts, there might well have been many more murders! And yet so cleverly is this charming novel plotted, that we almost feel her esoteric expertise is only what might be expected of any amateur sleuth worthy of the name.  

This is like a Dickens novel, but the characters are dragons rather than humans. All of the elements of a Victorian romance, such as obsession with manners and purity, are present, along with draconic elements like the heirs eating their dead father and parents killing off weak hatchlings. Social class and women’s rights are set in a culture of dragons!

In Regency England, the first-born son inherited the property, while the younger brothers had to choose between a handful of “genteel” professions such as the army, the navy, and the church. It was these younger sons (such as Jane Austen’s two sailor brothers), who fanned out across the globe and changed the world forever. We learn about their aspirations and frustrations as they struggle to get ahead in a world where promotion was based on patronage, not merit, and corruption was pretty much taken for granted. Muir gives us an appreciation of the hardships of Regency life, even for the privileged classes. I wish that more history was taught this way, with a lens on the economic drivers of human behavior. 

When I first sat down to write a novel about three sisters, step one was to reread King Lear which is about exactly that. The three sisters in Lear are quite different from mine. Among other things, they like each other much less. But for that delicate sisterly balance between so-glad-I-have-you-to-share-the-burdens-of-an-aging-parent and I-might-actually-have-to-kill-you, nothing beats King Lear.

Just wow. The siblings in this book are super-angry with their brother, whose addictions and reckless behavior racked up huge bills, eating through the joint inheritance they were all counting on to deal with their own bad (but perhaps less shameful) behaviors.

I loved the complexity of this book. The bad brother—and let’s be clear that he was definitely a piece of work—was such a scapegoat for everyone else’s issues. I loved learning about the characters’ hidden flaws, watching the hypocrisy unfold, and seeing them all work through their anger and their differing versions of their childhood.

It’s another reminder that people can grow up in the same house with the same parents and take vastly different routes in life. 

No one writes suspense like Ruth Ware! Her books are all compelling page-turners, and yes, she follows my magic formula. All of her heroines are young women who go from a stable existence to some sort of fish-out-of-water situation that creates suspense. In this book, the young narrator, down on her luck, decides to respond to a letter claiming she is an heiress. While she knows that the letter has been sent to her because she bears the same name as the real heiress, she decides to claim the family fortune, or whatever she can get, and then run away.

But when she is introduced to the mysterious family members and finds that there are skeletons in the ancestral closet, she starts to feel trapped. At this point, I am nestling in with the popcorn and Diet Coke because this is the evening’s entertainment. I love the way Ware pushes… show more.