100 Books Like The Sagas of Icelanders

Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.

I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.

While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.

Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly… show more.

No contemporary Icelandic literature without crime. Despite being one of the safest countries on the planet with hardly any crime, Icelandic crime authors are among the most successful representatives of Scandinavian noir, and Yrsa is the undisputed queen of Icelandic crime. While mostly know for her series featuring investigator Thóra Gudmundsdóttir, I Remember You is one of her standalone novels, a supernatural thriller set in the remote Westfjords of Iceland in winter and the perfect read when the wind and snow are howling outside. Or just the wind. 

Ragnar is one the most successful contemporary crime authors hailing from Iceland, also as his series featuring rookie policeman Ari Thór Arnarson is not set in the urban sprawl of the Icelandic capital Reykjavík but instead in the small town of Siglufjörður on the north coast and provides fascinating insight into Icelandic topography, history, and culture of the remote regions of the country. Snowblind is the first of the series, a slow-burning but gripping whodunnit set in a Siglufjörður cut off from the rest of the country by avalanches and snowstorms...  

Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.  

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself. 

Nancy Marie Brown’s book came into my life at a most prescient time in my own horse history. I discovered her book at just the moment I was discovering this then rare breed, the Icelandic horse. In the late 1990s, Brown goes to Iceland searching for the perfect horse (gaedingur in Icelandic). The country was very different from the tourist magnet it is today. It was wilder, more isolated, less traveled. Brown is there in pursuit of a horse or two to bring home. She first arrives with her husband and eight-year-old son after a family trauma. They stay in a broken-down house, “a concrete box” without modern amenities. She tries her best to learn and converse in the native tongue with the local farmers. As she tests drive all the horses, the reader learns all about Icelandic horses and horse-buying. What adds such depth to this book is… show more.

Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.

Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.

Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right. 

It was in reading this book that my love affair with Icelandic literature began.

The saga of “burnt Njal” is, in my opinion, the most technically accomplished and thrilling Icelandic sagas in existence. Written in the late 13th century it offers unparalleled insight into the everyday lives and the social structures of medieval Iceland.

The text is one of the most accessible to a modern audience–helped by the excellent English translation by Lee M. Hollander–and has many tropes and themes a modern reader will recognize: touching friendship, fatal enmity, and great adventure.