Here are 76 books that The Sagas of Icelanders fans have personally recommended if you like
The Sagas of Icelanders.
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I have always been fascinated with various myths and legends, as I think they are all based on actual events and personalities. I see mythology and folklore as a connection between that distant past, which otherwise would have been lost to us. I started reading Greek and Norse mythology at an early age, and my interest only grew stronger. At the same time, I had an issue with the dry and gloomy stories and always wanted to insert humor and entertainment into the old myths to make them more acceptable to the general public. I always longed for a blend of mythology and humor.
I read it late at night, I read it on the metro going to work, I read it on my lunch break, I even took it to a birthday party and read it there between the toasts and the jokes.
I’ve always liked mythology, but at times it was too dry and gloomy. So I always looked for a different story about the ancient myths, and this book delivered it. I especially loved the notes at the bottom of the page, which were even funnier than the text.
STEP INTO ANOTHER WORLD - OF MAGIC, MAYHEM, MONSTERS AND MANIACAL GODS - IN STEPHEN FRY'S MOMENTOUS SUNDAY TIMES BESTSELLER, MYTHOS
'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times ___________
No one loves and quarrels, desires and deceives as boldly or brilliantly as Greek gods and goddesses.
In Stephen Fry's vivid retelling, we gaze in wonder as wise Athena is born from the cracking open of the great head of Zeus and follow doomed Persephone into the dark and lonely realm of the Underworld.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
There’s nothing like personal experience. You have to read the literature, it’s true. That’s how we’ve all met here at Shepherd. But you have to roll up your sleeves and get down to visiting, too, if you want to write about travel. I first approached the Arctic in 1991 and I return above sixty degrees north every year, although I must confess to a secret advantage; I married a Finn. We spend summers at a little cabin north of Helsinki. I know the region personally, I keep coming back, and I invite you, whenever you can, to come up and join us!
Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.
I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.
While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.
Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly…
I have always been fascinated with various myths and legends, as I think they are all based on actual events and personalities. I see mythology and folklore as a connection between that distant past, which otherwise would have been lost to us. I started reading Greek and Norse mythology at an early age, and my interest only grew stronger. At the same time, I had an issue with the dry and gloomy stories and always wanted to insert humor and entertainment into the old myths to make them more acceptable to the general public. I always longed for a blend of mythology and humor.
To read this book was such a pleasurable experience.
I truly loved the idea of a mythical creature mixing it with the modern world and trying to fit in. In some places, it resonated with me and some of my prior experiences, which made the book even more enjoyable. I read it twice, both times on long trips to Europe, and it made my journey easy and fulfilling.
This is an inspiring story that became personal to me and, in a way, served as inspiration for me to try my own hand in writing. I keep this book as one of the several that I take on my trips.
Five thousand years out of the labyrinth, the Minotaur finds himself in the American South, living in a trailer park and working as a line cook at a steakhouse. No longer a devourer of human flesh, the Minotaur is a socially inept, lonely creature with very human needs. But over a two-week period, as his life dissolves into chaos, this broken and alienated immortal awakens to the possibility for happiness and to the capacity for love.
Steven Sherrill is a graduate of UNC Charlotte and holds an MFA in poetry from the Iowa Writers' Workshop. The recipient of a…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
No contemporary Icelandic literature without crime. Despite being one of the safest countries on the planet with hardly any crime, Icelandic crime authors are among the most successful representatives of Scandinavian noir, and Yrsa is the undisputed queen of Icelandic crime. While mostly know for her series featuring investigator Thóra Gudmundsdóttir, I Remember You is one of her standalone novels, a supernatural thriller set in the remote Westfjords of Iceland in winter and the perfect read when the wind and snow are howling outside. Or just the wind.
A terrifying ghost story from the Queen of Icelandic crime, Yrsa Sigurdardottir, author of the Thora Gudmundsdottir novels.
'Yrsa is one of the most exciting new voices in the crime thriller world.' - Peter James
The crunching noise had resumed, now accompanied by a disgusting, indefinable smell. It could best be described as a blend of kelp and rotten meat. The voice spoke again, now slightly louder and clearer: Don't go. Don't go yet. I'm not finished.
In an isolated village in the Icelandic Westfjords, three friends set to work renovating a derelict house. But soon they realise they are…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Ragnar is one the most successful contemporary crime authors hailing from Iceland, also as his series featuring rookie policeman Ari Thór Arnarson is not set in the urban sprawl of the Icelandic capital Reykjavík but instead in the small town of Siglufjörður on the north coast and provides fascinating insight into Icelandic topography, history, and culture of the remote regions of the country. Snowblind is the first of the series, a slow-burning but gripping whodunnit set in a Siglufjörður cut off from the rest of the country by avalanches and snowstorms...
FIRST IN THE INTERNATIONAL BESTSELLING DARK ICELAND SERIES
OVER A MILLION COPIES SOLD
A murder takes place in the isolated Icelandic town of Siglufjoerdur, where an avalanche has cut off all communication and the unrelenting snow threatens rookie police officer Ari Thor Arason first investigation...
'A modern Icelandic take on an Agatha Christie-style mystery, as twisty as any slalom...' Ian Rankin
'Ragnar J nasson writes with a chilling, poetic beauty' Peter James
'Seductive ... Ragnar does claustrophobia beautifully' Ann Cleeves
________________
Siglufjoerdur: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.
Bloodhoof is the re-casting into compulsively spare modern verse of an ancient Eddic poem - but this only begins to hint at its attractions. It is a minimalist epic telling of the abduction of Gerour Gymisdottir from a land of giants and the subsequent events culminating in her return from the court of Freyr of the 'wolf-grey eyes' with her beloved son. It is full of iron-hard rocks and ice, serpents in the breast gnawing at the harness of hope, but also wide-reaching fields of corn whispering in the breeze and a throne carved with beasts and dragons' heads. You…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I have always been fascinated with various myths and legends, as I think they are all based on actual events and personalities. I see mythology and folklore as a connection between that distant past, which otherwise would have been lost to us. I started reading Greek and Norse mythology at an early age, and my interest only grew stronger. At the same time, I had an issue with the dry and gloomy stories and always wanted to insert humor and entertainment into the old myths to make them more acceptable to the general public. I always longed for a blend of mythology and humor.
I loved the entire series, but this book stands out, at least for me, as the most entertaining of them all.
The idea that Thor can be separated from his hammer was what really caught my interest. I especially loved how Thor assembled a diverse team to search for the hammer.
What was especially interesting and appealing to me was the mix between Norse mythology and the world and how they interacted. It made me laugh hard at some point, and I especially loved the personality of the characters. I really enjoyed the mixing of humor and adventure against the Norse mythology background.
Thor's hammer is missing again. The thunder god has a disturbing habit of misplacing his weapon - the mightiest force in the Nine Worlds. But this time the hammer isn't just lost, it has fallen into enemy hands. If Magnus Chase and his friends can't retrieve the hammer quickly, the mortal worlds will be defenseless against an onslaught of giants. Ragnarok will begin. The Nine Worlds will burn. Unfortunately, the only person who can broker a deal for the hammer's return is the gods' worst enemy, Loki - and the price he wants is very high.
I have always been fascinated with various myths, folklore, legends, and history. And I’ve always liked sharp humor and witty punchlines. Considering I have read all the Slavic fairy tales and historical books, I thought that presenting the rich and extensive history of that region through the eyes of a baker is the natural thing to do. So I tried to retell the rich folklore of the Slavic realm as an absurd baking journey through magic, empire-building, and baking the perfect loaf. It does add spice and flavor to the otherwise violent history of the region. Folklore and history should be fun and entertaining to read, not dry and academically challenging.
This is the last of the 4 books that Stephen Fry wrote about the Greek myths, and probably the best of the series. I devoured the book!
If you love history (folktale) and humor, look no further than this book; it has plenty of both! It is also the one that gave me the inspiration to write my take on history and folktales from an absurd and funny perspective.
I absolutely loved this book: being well familiar with the classic tale of The Odyssey, reading modern versions of the story, and having seen at least 3 different movies, I have to say this is the best version! I can only wish that somebody makes it into a movie!
WHEN GODS TURN VENGEFUL, ONLY THE BRAVE CAN DEFY FATE AND FIND THEIR WAY HOME
Discover Stephen Fry's epic re-telling of the Odyssey for the 21st century
'Relatable and full of humour ' GUARDIAN
'Fry breathes contemporary relevance into these ancient tales' OBSERVER
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After the fall of Troy, wily Odysseus, King of Ithaca, sails for home and his steadfast queen Penelope.
However, the angry gods curse him to wander the seas for ten long years. Tormented by giants and monsters, tempted by witches and goddesses, Odysseus battles to draw ever closer to home.
I was a horse-crazy young girl whose passion for equines went dormant for 30 years. It reawakened when I turned 40, and I was again a lovelorn teenager, daydreaming about horses, plotting treks, swooning over the mere sight of an equine, even if it was online. One day in the late 90s at the dawn of the Google search engine, I happened upon a picture of a beauty, a dark horse with a thick mane blowing in the wind. It was an Icelandic horse, the photo taken on a misty green tussock in Iceland. That was it for me. I focused my equine passion (fair to call it an obsession) to that horse and that country.
Nancy Marie Brown’s book came into my life at a most prescient time in my own horse history. I discovered her book at just the moment I was discovering this then rare breed, the Icelandic horse. In the late 1990s, Brown goes to Iceland searching for the perfect horse (gaedingur in Icelandic). The country was very different from the tourist magnet it is today. It was wilder, more isolated, less traveled. Brown is there in pursuit of a horse or two to bring home. She first arrives with her husband and eight-year-old son after a family trauma. They stay in a broken-down house, “a concrete box” without modern amenities. She tries her best to learn and converse in the native tongue with the local farmers. As she tests drive all the horses, the reader learns all about Icelandic horses and horse-buying. What adds such depth to this book is…
After several visits to study the medieval Icelandic sagas, Nancy Marie Brown returns to Iceland to search for the perfect horse, one she can bring back to her Pennsylvania farm and make her own. She arrives shaken by tragedy, uncertain of the language, lacking confidence in her riding skills, but determined to make her search a success. She finds inspiration in the country’s austere and majestic landscape, which is alive with the ghosts of an adventure-filled past. In the glacier-carved hinterland, she rides a variety of Icelandic horses—some spirited, willful, even heroic; others docile, trusting, or tame. She also meets…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.
Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.