Here are 100 books that The Romantic Ethic and the Spirit of Modern Consumerism fans have personally recommended if you like
The Romantic Ethic and the Spirit of Modern Consumerism.
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I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
Biographies of economists can be dull and technical, but not if their subject is John Maynard Keynes. The flamboyant British economist was a member of the Bloomsbury Group of Virginia Woolf and E.M. Forster, married the famous Russian ballerina Lydia Lopokova, and had a group of followers known as the Cambridge circus. The great skill of Skidelsky is his ability to integrate the many facets of Keynes life, from the exciting intellectual milieu of Cambridge and the cultural milieu in London to the economic problems of war, peace, and the Great Depression. This book demonstrates in vivid terms that economics is done by economists with an underlying vision. In Schumpeter’s words that of Keynes was that of: “the arteriosclerotic economy whose opportunities for rejuvenating venture were in permanent decline.”
Robert Skidelsky's three-volume biography of John Maynard Keynes has been acclaimed as the authoritative account of the great economist-statesman's life. Here, Skidelsky has revised and abridged his magnum opus into one definitive book, which examines in its entirety the intellectual and ideological journey that led an extraordinarily gifted young man to concern himself with the practical problems of an age overshadowed by war. John Maynard Keynes offers a sympathetic account of the life of a passionate visionary and an invaluable insight into the economic philosophy that still remains at the centre of political and economic thought.…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
Economists are arguing to this day what gave rise to the enormous rise in living standards since the 1750s. Deirdre McCloskey argues in this first book of her Bourgeoistrilogy that it resulted from a cultural shift in which bourgeois virtues replaced aristocratic ones. The book opened my eyes to the importance of cultural attitudes (dignity and stigma) of various economic and social activities. McCloskey claims that sustained economic growth and innovation were crucially dependent on the dignity of the bourgeois and their commercial activities. McCloskey’s fluent prose which interweaves empirical historical knowledge with literary allusions remains a model to me.
For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken's "booboisie" and David Brooks's "bobos" - all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey's "The Bourgeois Virtues", a magnum opus that offers a radical view: capitalism is good for us. McCloskey's sweeping, charming, and even humorous survey…
I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
This might well be the least-read book on my list, but I hope that will change soon. Lanham is a Professor of Rhetoric who argues that Andy Warhol was the best economist of attention of the twentieth century, and an exemplar for the economy of the twenty-first, in which value is created through knowledge and attention. Lanham’s inspired distinction between stuff and fluff convincingly demonstrates that the modern economy is more about the experience, style, and packaging of the stuff, rather than the other way around. And that is a good thing. In one of the many digressions in the book he presents Friedrich Hayek as the Dadaist among the economists. This book is a wild ride, with insights on every page.
If economics is about the allocation of resources, then what is the most precious resource in our new information economy? Certainly not information, for we are drowning in it. No, what we are short of is the attention to make sense of that information. With all the verve and erudition that have established his earlier books as classics, Richard A. Lanham here traces our epochal move from an economy of things and objects to an economy of attention. According to Lanham, the central commodity in our new age of information is not stuff but style, for style is what competes…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
Mainstream economic accounts of culture are prone to treat culture as a set of norms or informal institutions which constrain economic behavior: ‘don’t charge interest,’ ‘don’t sell kidneys,’ or ‘always tip at a bar’. Storr presents an alternative account of culture as the animating spirit of an economy, which he illustrates through various entrepreneurial spirits which shape the direction of an economy. This book is the perfect combination of serious anthropological theory (Geertz) and an appreciation of the market process. Culture is not that which obstructs market, but that what brings economies to life.
How does culture impact economic life? Is culture like a ball and chain that actors must lug around as they pursue their material interests? Or, is culture like a tool-kit from which entrepreneurs can draw resources to aid them in their efforts? Or, is being immersed in a culture like wearing a pair of blinders? Or, is culture like wearing a pair of glasses with tinted lenses? Understanding the Culture of Markets explores how culture shapes economic activity and describes how social scientists (especially economists) should incorporate considerations of culture into their analysis.
Although most social scientists recognize that culture…
I am the grandson of a political refugee. My grandfather was a gunrunner in the Greek resistance to Turkish occupation of Chios prior to the 1st Balkan War. His guerilla activity placed his life in danger. He fled pursuit by the Turks, which led to his eventual emigration to the United States. From childhood my family experience was of lively discussions that were inflected by my grandfather’s experience of resistance and US citizenship. They sparked my fascination with the role of citizen voices in a democracy. That was a main focus of my academic career, teaching rhetoric for more than 40 years at Penn State University and the University of Colorado Boulder.
The idea of citizenship is vague and can be complicated. Sometimes it refers to a person recognized as a natural-born or naturalized denizen of a nation, sometimes the right to cast a ballot, sometimes law-abiding behavior, sometimes civic engagement, and, too seldom, engaging in public work. Bellah and his associates conducted a series of interviews with ordinary citizens across the US to ascertain their understanding and values with respect to private and public (citizenly) life.
Overwhelmingly, those interviewed (mostly white, middle-class Americans) attached great value to their private lives, while acknowledging the importance of civic participation. They commonly expressed a belief that they should be publicly involved. However, when they discussed public life, they had a limited range of ideas about what that participation might look like, especially compared to the rich descriptions they offered for private life and why they valued it so.
First published in 1985, "Habits of the Heart" continues to be one of the most discussed interpretations of modern American society, a quest for a democratic community that draws on our diverse civic and religious traditions. In a new preface the authors relate the arguments of the book both to the current realities of American society and to the growing debate about the country's future. With this new edition one of the most influential books of recent times takes on a new immediacy.
Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
This book is like a forbidden fruit, tempting and dangerous. But it came to my rescue when I’d lost sight of my own dreams for a little while. Sure, Ayn Rand’s philosophy has many simplistic flaws, but in this novel, she channels a Nietzschean spirit that jolts you awake. It was a call to never forget to embrace my ambition and to continue to forge my own writing path even when readers seem indifferent.
In a world full of compromises, there’s power in refusing to settle for less than your own extraordinary potential.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I have spent my career studying how we can make our world more nurturing for every person. We can build a society that ensures that every child has the skills, interests, values, and health habits they need to lead a productive life in caring relationships with others. I created Values to Action to make this a reality in communities around the world. We have more than 200 members across the country who are working together to reform our society so that it has less poverty, economic inequality, discrimination, and many more happy and thriving families.
Robert Putnam and Shaylyn Romney Garrett provide an analysis of the past 125 years of American history that makes a significant contribution to the growing movement to reform American Society. They carefully analyze trends in American life in a way that delineates the tangle of problems we are currently experiencing while at the same time offering hope that we can overcome them. The essence of their analysis is that across a wide variety of societal indicators, the past century and a quarter has involved an upswing in prosocial or communitarian norms and practices, beginning in the progressive era of the early twentieth century. That was followed by a reversal toward less communitarian and more individualistic and self-centered norms and practices.
'The most important book in social science for many years' Paul Collier, TLS Books of the Year
The Upswing is Robert D. Putnam's brilliant analysis of economic, social, cultural and political trends from the Gilded Age to the present, showing how America went from an individualistic 'I' society to a more communitarian 'We' society and then back again, and how we can all learn from that experience.
In the late nineteenth century, America was highly individualistic, starkly unequal, fiercely polarised and deeply fragmented, just as it is today. However, as the twentieth century dawned, America became - slowly, unevenly, but…
I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style.
In A Girl’s StoryAnnieErnaux – the author of many memoirs about her parents, her lower-class background, and her sexual life – revisits the summer when she was 18 and a summer camp counselor. For the first time away from home, she was so eager for love that she ended up pursuing a man who dumped and humiliated her. Ernaux has a unique way to find lost time again. She scrutinizes the past with such a precise scalpel that it allows us to identify with the lost young girl and to share her confusion and shame.
'I too wanted to forget that girl. Really forget her, that is, stop yearning to write about her. Stop thinking that I have to write about this girl and her desire and madness, her idiocy and pride, her hunger and her blood that ceased to flow. I have never managed to do so.' In A Girl's Story, her latest book, Annie Ernaux revisits the summer of 1958, spent working as a holiday camp instructor in Normandy, and recounts the first night she spent with a man. When he moves on, she realizes she has submitted her will to his and…
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
I loved this book for its dissection of the human relationships formed against a background of wilderness.
With survival comes tension, and though this throws discord into the lives of the characters, it makes for a compelling plot. This is one of those books that will form an indelible bond with the reader, who cannot help but imagine his/her interaction with the cast, should he/she have been part of the story.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I am the Director of the Moshe Dayan Center for Middle Eastern and African Studies at Tel Aviv University. My interest lies in modern history and evolution of states and societies in the Middle East: Iranian- Arab relations, oil and politics, and Sunni- Shi’i dynamics. It is a particularly important period in time for the Middle East as there is a changing paradigm of geopolitics in the region. During the course of the last decade, we have seen repercussions of the Arab Spring, withdrawal of US troops from the region and signing of the Abraham Accords. I follow these developments and frequently provide expert commentary and analysis in various forums.
In the Name of Identity challenges our thinking about how we decide who we are as individuals, as groups and what makes us behave as we do with each other.
Maalouf addresses the dangers of defining people solely on a singular component of their identity rather than their identity as a whole. He examines his own identity, and acknowledges that it is complex.
He is Arab and Christian, both Lebanese and French. Yet his identity is more than the aggregate of these components. He urges the reader to avoid generalizing based on a singular component of one’s identity and convincingly argues how this can lead to violence.
Maalouf’s wisdom on how we use our identities to define ourselves against each other can help us understand how to avoid hatred and violence.
“Makes for compelling reading in America today.”—New York Times Book Review.
“I want to try and understand why so many people commit crimes in the name of identity,” writes Amin Maalouf. Identity is the crucible out of which we come: our background, our race, our gender, our tribal affiliations, our religion (or lack thereof), all go into making up who we are. All too often, however, the notion of identity—personal, religious, ethnic, or national—has given rise to heated passions and even massive crimes.
Moving across the world’s history, faiths, and politics, he argues against an oversimplified and hostile interpretation of…