Here are 100 books that The River Wife fans have personally recommended if you like
The River Wife.
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I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I hold a master's in writing modern stories based on ancient myth and have always been fascinated by the power of mythology and the idea of the archetypal subconscious, combine this with the wonders of the natural world and beautifully constructed sentences, and you have my dream read. All the books on this list, even though two are historical, have a modern sensibility, all celebrate the power of nature, and all are masterful in their execution. Enjoy!
Johnson’s debut novel, longlisted for the Man Booker, takes place in a half-dreamlike state, exploring the complexities of a mother, daughter relationship. The writing is so visceral and exquisite, there were certain sentences I lingered over for hours. Her descriptions and linking of the characters with the natural world, while firmly rooted in reality are mythological and otherworldly at the same time. Astounding debut.
'Weird and wild and wonderfully unsettling... Dive in for just a moment and you'll emerge gasping and haunted' Celeste Ng, bestselling author of Little Fires Everywhere
It's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented; the strange boy, Marcus, living on the boat that final winter; the creature said to be underwater, swimming ever closer.
I’m a historian who recently started writing historical fiction. A few years ago, while writing my most recent academic book about 19th C Dublin, I became frustrated with the limitations of what I felt I could write about. I had a lot of sense of the atmosphere of the city that didn’t really fit into the way an academic book is constructed. So, I ended up trying my hand at historical fiction, wanting to give a real sense of place that I felt to be true but which was also a product of my imagination. One of my favorite things about reading novels has always been this sense of place.
I love the central female character in this book, Cora Seaborne, who can swing between admirable and ridiculous over the course of a page. I love the dark atmosphere created by the marshes of the Blackwater, where Cora is determined to find evidence of a mysterious creature presumed by locals to be malevolent.
The estuary is a menacing presence in reality (people and animals are sucked in and lost in times of bad weather) and in the imaginations of the villagers. I also love the way that this provides a backdrop for various tumults of the soul experienced by the characters as Cora crashes into the settled lives of a local minister and his family, wreaking accidental havoc.
Now a major Apple TV series starring Claire Danes and Tom Hiddleston
THE SUNDAY TIMES NUMBER ONE BESTSELLER
'A blissful novel of unapologetic appetites ... here is a writer who understands life' JESSIE BURTON, author of THE MINIATURIST
London, 1893. When Cora Seaborne's controlling husband dies, she steps into her new life as a widow with as much relief as sadness. Along with her son Francis - a curious, obsessive boy - she leaves town for Essex, in the hope that fresh air and open space will provide refuge.
On arrival, rumours reach them that the mythical Essex Serpent, once…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I hold a master's in writing modern stories based on ancient myth and have always been fascinated by the power of mythology and the idea of the archetypal subconscious, combine this with the wonders of the natural world and beautifully constructed sentences, and you have my dream read. All the books on this list, even though two are historical, have a modern sensibility, all celebrate the power of nature, and all are masterful in their execution. Enjoy!
This beautifully written debut, set in Iron-Age Britain on the cusp of the Roman invasion explores connection to country through the magical lens of druidism. Not only that, it is a page-turner and a love story and left me wanting more…which was good, because Tampke followed up with a sequel—Songwoman. If you are of Celtic heritage, this is a must-read.
'A visceral tale of ritual, magic and violence' - The Sunday Times
Imagine a world where everyone is born with a 'skin' name. Without skin you cannot learn, you are not permitted to marry, and you grow up an outsider amongst your own people.
This is no future dystopia. This is Celtic Britain.
It is AD 43. For the Caer Cad, 'skin' name determines lineage and identity. Ailia does not have skin; despite this, she is a remarkable young woman, intelligent, curious and brave. As a dark threat grows on the horizon - the aggressive expansion of the Roman Empire…
Much of my writing is influenced by Fairy Stories. Sometimes I retell the stories in my own words, sometimes I create my own, and sometimes, as in Rose Doran Dreams, I weave them into the narrative so that they shape the central character in a way that affects or explains her development. There is a darkness about Fairy Stories that fascinates me, that gives psychological depth to a character or a narrative as I write. I am dizzy with the notion that Fairy Stories don’t belong to the teller or the writer, the listener or the reader; they transcend time and place.
I was given this book thirty years ago by an Indian poet, who promised me I would love it. It is a feast of stories, told to the central character Devi throughout her life. Through her grandmother’s ancient stories, she learns about love, beauty, riches, and womanhood. Her father-in-law tells her stories that teach her about life, how to survive her lonely marriage, how to belong. Stories and dreams give her wealth and power, but they evaporate and still she is there, empty, alone, and desperate for the love that the old stories are about.
Two other women’s stories weave through the narrative. Her mother Seta, and her husband’s old retainer, Mayamma share exotic tales of ancient India, Gods, mysteries, magic, and rituals.
The Thousand Faces of Night is trancelike and beautiful.
A debut novel which interweaves the fabled myths and legends of India with a young woman's search for self, exploring such universal themes as freedom, independence and desire.
I am an author, illustrator, and book designer. I never lost my childhood wonder at the printed page. When I write my own books, I create stories for both adults and children with deep meaning weaved into seemingly naive text and images. I enjoy creating worlds in which stories are told for children's and adults' imaginations to coexist. I think being dyslexic led me to enjoy aspects of visual storytelling so much. I have worked in publishing for many years and I am well known for my work on the Penguin clothbound classics where I use my visual illustration style to entice readers new and old to read classic stories and escape into new worlds.
As soon as I opened this book, I could see the inspiration from all the things that I personally love had been weaved into this beautiful visual story. I enjoy how illuminated manuscripts and ancient books inspire the pages with tiny detail. This book adds to its rich storytelling by playing with these elements. So beautifully designed and such wonderful integration of text and image. A stunning tale for young and old, with a message that makes my heart happy.
Wolf is a hunter, feared by every creature. But he has a secret: in the middle of the forest lives a girl whose beautiful voice has entranced him . . .
The Wolf longs for friendship. But is he prepared to sacrifice his own true nature in order for his wish to come true?
A beautiful and lyrical contemporary fairy tale about difference, trust and the power of friendship to overcome any obstacle.
This sumptuous hardback gift book, with gold foil detail, is perfect for lovers of fairy tales and fables, new and old. It is gloriously illustrated by acclaimed…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Like Matasha, my eleven-year-old heroine, I am the product of a big-city Midwestern 1970s childhood. I was a rabid reader who always felt that books made the world make more sense. Now as then, I am drawn to characters who are allowed to be complicated and to endings that don’t tie things up with a tidy bow. I believe “unlikeability” in fiction is a myth. I love children’s books that show kids thinking and feeling deeply.
An elderly man goes in search of a cat to make him and his wife less lonely. He comes home with not one but millions of them: how to choose which to keep? The cats solve the problem by fighting among themselves until “they must have eaten each other all up.” But one unexpected little kitten is left….
I couldn’t have articulated this when I first sat raptly turning its pages, but Ga’g’s fable, with its handwritten text and charming 1928 black-and-white drawings, acknowledges both the ferocious and the vulnerable in children’s natures.
An American classic with a refrain that millions of kids love to chant: Hundreds of cats, thousands of cats, millions and billions and trillions of cats.
Once upon a time there was an old man and an old woman who were very lonely. They decided to get a cat, but when the old man went out searching, he found not one cat, but millions and billions and trillions of cats! Unable to decide which one would be the best pet, he brought them all home.
How the old couple came to have just one cat to call their own is…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.
This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.
I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.
I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.
The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
