Here are 98 books that The Revisionaries fans have personally recommended if you like
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I love how urban fantasy mixes magic and the real world, and I’m obsessed with stories that explore identity, especially when life throws you a curve ball and you need to recalibrate your existence around questions like “Who am I? Where am I going?” These books are set in contemporary fantasy universes and explore the themes of identity in different ways. Their worlds are bleak, which makes the spots of humor shine brighter and the protagonists’ triumphs all that more satisfying. As Ursula LeGuin said, “There must be darkness to see the stars.”
I love how weird and dark this book is. Carolyn and her siblings were raised by their abusive, adopted father, who trained them each in a single portfolio of magic.
When their father goes missing, Carolyn and her allies explore the truth of his disappearance. I was with Carolyn every step of the way of her journey to claw back her identity from her abusive past. And I can’t stop thinking about the explosive ending, even years after I first read the book.
“Wholly original . . . the work of the newest major talent in fantasy.”—The Wall Street Journal
“Freakishly compelling . . . through heart-thumping acts of violence and laugh-out-loud moments, this book practically dares you to keep reading.”—Atlanta Magazine
A missing God. A library with the secrets to the universe. A woman too busy to notice her heart slipping away.
Carolyn's not so different from the other people around her. She likes guacamole and cigarettes and steak. She knows how to use a phone. Clothes are a bit tricky, but everyone says nice things about her outfit with the Christmas…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. It’s out there.
Quite simply, Erin Morgenstern’s book is the finest example of urban fantasy I have ever read. Besides a plot rich in sorcery and romance, with a circus (think Bradbury’s Something Wicked This Way Comes) that appears mysteriously, vanishing just as suddenly and the shadowy game of two great sorcerers playing out their competitiveness through the lives of their young apprentices, this is a beautifully written book. The writing is elegant, rounded, and rich. What a writer! The imagery is transporting without clobbering the reader over the head. The characters are each fully drawn, but in slow increments as the story steams inexorably ahead like the mysterious train that carries the circus from locale to locale.
This book showed me that you do not need blazing dragons or drooling werewolves to create menace, sinister characters, and mystery. Morgenstern places this world of circus magic just out of reach but so…
Rediscover the million-copy bestselling fantasy read with a different kind of magic, now in a stunning anniversary edition to mark 10 years since it's paperback debut.
The circus arrives without warning. It is simply there, when yesterday it was not. Against the grey sky the towering tents are striped black and white. A sign hanging upon an iron gates reads:
Opens at Nightfall Closes at Dawn
Full of breath-taking amazements and open only at night, Le Cirque des Reves seems to cast a spell over all who wander its circular paths. But behind the glittering acrobats, fortune-tellers…
For twenty years, I have worked with the data dungeons of large corporations. A synergy of people, systems, and IT. An organism that no one designed but grew haphazardly over the years. A cybernetic system. I have been a database admin, analyst, and data visualizer, and most recently, I was employed as a data scientist for a large Fortune 500 corporation. There, I am currently researching how to use large language models and which business questions can tolerate the fuzzy answers and hallucinations they bring. Despite loving these mindbenders, most of my writing features strong themes of Exploration, Technology, and Optimism (ETO).
This book is my favorite indie sci-fi novel. It starts with a broken and jumpy storyline that coalesces inwardly as the characters fight a cataclysmic horror. The premise is there are ideas, like those randomly generated passwords, that are simply very hard for a person to remember.
I read this during the COVID craziness. It was precisely why I write, as an escape from the media trying to drag you down with infinite worry. Rest, relax, and enjoy a fun story of someone else’s trials.
This is indie sci-fi at its best. It was a major inspiration and may have gotten a nod in my novel (I can’t remember.) What is great is that the second read-through differed from the first but was still just as enjoyable.
One could be in the room with you now, just to your left. You could be seeing it right now—but from this second to the next, you’ll forget that you did. If you managed to jot down a note, the paper would look blank to you afterward.
These entities can feed on your most cherished memories, the things that make you you—and you’ll never even know anything changed.
They can turn you into a living ghost—make it so you’re standing next to your spouse, screaming in their ear, and they won’t know…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’m a former playwright, current novelist, future designation unclear but maybe something like really committing to being the person that always carries one of every kind of charging cable, just in case. I’m old enough to be properly jaded about our media landscape, not simply to “fit in” with “people” who are “theoretically out there somewhere” but because I’ve genuinely seenso muchand I’m just like, I mean, whatever. But sometimes a novel forges a new path across the imagination with such an unexpected angle on worldbuilding or a blatant assault on the propriety of common plot structure that I literally swoon with excitement. I’m about to tell you about some of those novels.
My new book features a solitary time traveler in a key supporting role, so I feel well-equipped to say thatMan in the Empty Suit is the pièce de resistance of absurdly trippy time travel stories.
A time traveler celebrates his birthday every year at an abandoned hotel in the year 2100 or so, with all his fellow time-traveling past and future selves in attendance – nobody else is ever invited. This year, however, he discovers the murdered corpse of next year’s instance of himself.
This makes him the lead detective in the case of his own murder, which ideally he’d like to prevent; and the only suspects are either younger versions of himself, although you’d expect him to remember committing the crime, or elder versions of himself, who somehow managed to survive the murder of their younger self – for the time being, anyway.
Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks twelve-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be. Sure, the party is the same year after year, but at least it's one party where he can really, well,…
It’s no surprise to hear I’m drawn to stories featuring outsiders, people who don’t / won’t conform and are fed up trying to force themselves into the narrow roles society offers. Folk who slide under the radar, and never make it into history books (which is all of us, right?). This springs from being an outsider myself, the weird kid who didn’t fit. I’ve chosen novels where the LGBTQ+ characters strive and struggle but do not die tragically. Put simply, they are real people, complete with flaws and strengths. These books are your very own Time Machines: wonderful stories to transport you into the past.
Set in 19th century England, this novel is aimed at Young Adult readers and is a reminder that a good read is simply good, whatever age bracket it’s aimed at. It resonated with my own teenage struggles to break free of restrictive expectations – even though mine were trifling compared to what the heroine Louisa has to go through! She resists the restrictions of Victorian society and the limited choices available to women, and is locked up in an asylum. It prompted me to read more about the era and discovered the shocking truth of how this really happened to women who stepped out of line…
Seventeen-year-old Louisa Cosgrove has never enjoyed the life of the pampered, protected life girls of wealth were expected to follow in nineteenth century England. It was too confining. She would have much rather been like her older brother, allowed to play marbles, go to school, become a doctor. But little does she know how far her family would go to kill her dreams and desires. Until one day she finds herself locked away in an insane asylum and everyone--the doctors and nurses--insist on calling her Lucy Childs, not Louisa Cosgrove. Surely this is a mistake. Surely her family will rescue…
I grew up in a small village in India. The nearest library was in the next town, two bus rides and a long walk away and comprised of one bookshelf, half full, the books with several pages missing. I read and reread those books, making up my own narratives for the missing pages. I suppose this was the crucial first step in my journey to author. I write stories featuring diverse protagonists. In my books, I explore themes of displacement and belonging, how people brought up in different cultures and during different times respond to challenges, how their interactions and reactions are informed by their different upbringings and values.
Oh, this book was just magical. And the ending – wow! Everything comes together and how. The writing is just beautiful and the story is enchanting. This book transported me and wowed me - truly I wasn’t expecting to love it as much as I did. I cried so much while reading this book – the language is so poetic and lyrical. It is a story about stories and it is a masterpiece in my opinion.
"This is magical, lyrical, spellbinding writing." Granta
Adamine Bustamante is born in one of Jamaica's last leper colonies. When Adamine grows up, she discovers she has the gift of "warning": the power to protect, inspire, and terrify. But when she is sent to live in England, her prophecies of impending disaster are met with a different kind of fear people think she is insane and lock her away in a mental hospital.
Now an older woman, the spirited Adamine wants to tell her story. But she must wrestle for the truth with…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.
I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.
There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.
Boisterous, ribald, and ultimately shattering, Ken Kesey's 1962 novel has left an indelible mark on the literature of our time. Now in a new deluxe edition with a foreword by Chuck Palahniuk and cover by Joe Sacco, here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her. We see the struggle through the eyes of Chief Bromden, the seemingly mute half-Indian patient who witnesses and understands McMurphy's heroic attempt to do battle with the powers that keep them…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
I’m passionate about this theme because I grew up inside the kind of silence most people never see—the kind shaped by responsibility, fear, love, and the need to stay strong before you’re old enough to understand why. I’ve lived through the quiet wounds, the invisible burdens, and the unspoken grief that shaped every part of me. Stories like these make people like me feel less alone. They remind us that survival has its own language, and that the things we carry silently are worth naming. I write about quiet pain because it’s the world I came from, and the world I learned to rise out of.
I loved this book because it doesn’t shy away from the uncomfortable parts of the mind.
It made me feel less alone in the way certain emotions can overwhelm you—how the world can look normal on the outside even when everything inside is loud, tangled, or numb. Kaysen’s honesty struck me. I admired how she wrote about mental health with clarity but without shame.
The book made me sit with myself, reflect on my own quiet unravelings, and recognise how fragile and strong a person can be at the same time.
Futaro Uesugi is a second-year in high school, scraping to get by and pay off his family's debt. The only thing he can do is study, so when Futaro receives a part-time job offer to tutor the five daughters of a wealthy businessman, he can't pass it up. Little does he know, these five beautiful sisters are quintuplets, but the only thing they have in common is that they're all terrible at studying! At this rate, the sisters can't graduate, and Futaro must think of a plan that suits each of them - which feels hopeless when five-out-of-five of these…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
In addition to being an author, I’m a literature professor and a psychoanalyst; I have worked in prisons and psychiatric hospitals. I have also been a psychiatric patient. I’m fascinated by narrative, and by the way we use language to make sense of our own experiences and to connect with other people.
Faces in the Water was first published in 1961, though it received far less attention and acclaim. The “story,” such as it is, is narrated by Istina Mavet, a shy, introverted young woman (again, based closely on the author) who, like the author, spends ten years in a New Zealand psychiatric hospital. Faces in the Water recounts long, dull years of cruelty and suffering. But don’t let this put you off—Frame’s style is marvelously poetic. The narrative is abstract in places and was at first difficult for me to get into, but once I began to see things from Istina’s perspective, the story came to life, and I found it brutally beautiful.
I was now an established citizen with little hope of returning across the frontier; I was in the crazy world, separated now by more than locked doors and barred windows from the people who called themselves sane.'
When Janet Frame's doctor suggested that she write about her traumatic experiences in mental institutions in order to free herself from them, the result was Faces in the Water, a powerful and poignant novel.
Istina Mavet descends through increasingly desolate wards, with the threat of leucotomy ever present. As she observes her fellow patients, long dismissed by hospital staff, with humour and compassion,…
