83 Books Like The Restless Generation

Who knew the story of the first popular country music group would be wrapped around a heart-breaking romance? The poor, backwoods musicians from southern Virginia had sold more than a million records at the height of the Depression, but things were not well with the group. Sara Carter, the wife of stern, difficult A.P. Carter, leader of the group, had fallen in love with his young cousin. He was sent away to live in California and never mentioned again until one night many years later, when Sara dedicated a song to him on one of their late-night Mexican radio broadcasts. He heard it all the way out in California and contacted her. She completed her duties with the group and joined her love out west, where they spent the rest of their lives together, leaving her cousin Maybelle to carry on the family tradition with her daughters June, Helen, and… show more.

This jive-tongued jazz cat really knows how to use language! His use of slang is evidenced by the ten-page glossary at the end of the book. Raw and gritty, Mezzrow’s memoir describes how he learned to play jazz and blues in a juvenile reformatory, where he developed his love for the Black “race” and its culture. He often riffs on race. In 1920s Chicago he rubbed elbows with Black and White jazz luminaries, plus gangsters, prostitutes, and drug dealers. During a side trip to Paris, France, he spread the gospel of jazz to Europe. In the 30s he lived in New York City’s Harlem, inhabiting a milieu similar to that in Chicago, peddling marijuana to jazz greats and others. His extraordinary writing inspired Jack Kerouac and the Beat writers.

Engineer Ken Caillat’s richly detailed account of the arduous and complicated creation of the classic Fleetwood Mac album reads like a novel. He winds together the personal and creative narratives that were tangled up in the months-long creation of this epic work, while the two couples in the band came apart and personal relations suffused the process. Calliat himself was conducting an affair with the studio manager. It was all sex, drugs, and rock and roll.

The epic life of French jazz guitarist Django Reinhart deserves a Spielbergian biopic treatment. After the cart fire where he damaged his hand and the personal epiphany of hearing a Louis Armstrong record, the Gypsy guitarist would bring jazz to Europe with his near magical musical improvisations. He lived a wild, carefree life, full of big cars, large dreams, and sensual pleasures. When the Nazis took over Paris, he returned to his homeland, opened one of the city’s most dazzling nightclubs, and made hit records that flooded the French airwaves during the Occupation. When the war was over, his career went out like a light switch and Django repaired to a quiet life in a remote riverfront village, spending his time fishing and painting nudes. 

War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.

Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.

Rock star romances have been my jam since back when my teen bedroom walls were filled with Tiger Beat pinups. The beautifully-orchestrated banter that keeps the beat of a rock and roll love affair fraught with hit and miss encounters helps build the tension towards a satisfying crescendo. (Full disclosure: I begged author Kelly Kay to disclose her real-life inspiration, and it was exactly who I’d pictured!) The hotel pool scene where Meg and rockstar Ian do nothing more than talk (fully clothed) lives rent free in my head as one of the steamiest scenes I’ve ever read. 

Set in the 1990s alt/goth scene of Birmingham, Alabama – yes, it did have one – Silk was Kiernan’s first published novel, and it immediately attracted a loyal readership. Daria is trying to hold together a relationship and a band (the wonderfully named Stiff Kitten), while her junkie boyfriend Keith shoots up with his father’s antique rig. Meanwhile, weirdness is going on with local curio shop owner Spyder Baxter, whose pet black widow spiders aren’t her only arachnoid allies. This is a hard novel to describe, but for the right sort of reader, it will become a cherished one.

The Bible as far as I am concerned. As I was becoming a rock and roll fantastic in the early 80s, this was my go to source whenever encountering a new act that I hadn’t heard of. I would look up the new act, get an overview of their career and then dive in. It was always fun to see how they reviewed each album, using a scale of 1 to 5 stars. I bought every edition of this book (and will continue to do so, if they keep publishing them) and it was also interesting, and great feature of these books, that in each subsequent edition they would revisit their reviews and often change them, along with their star ratings.

I adore this whole series by Marion Billet. It was hard to pick just one as the classical music, the four seasons, music from around the world, and nutcracker (to name some of the more music-based ones!) are just fantastic. They make babies, toddlers and even older readers react physically to the sound of the music they’re hearing and delight in the bright bold illustrations. They’re a great way to introduce different types of music or instruments. 

The rock and roll cats in this book are a particular favorite of mine, as I used to jive regularly in London until our teacher moved away to Nashville! I gifted this book to my two-year-old niece, and even her older sisters would all join in trying out different dance moves to the music. Great fun.

For me, it’s the ultimate snapshot of what it’s really like to be a writer on the road with a band (in this instance Bob Dylan’s remarkable Rolling Thunder Revue of 1975). Sloman documents it all: the editorial pressures, the hassles of trying to gain access to Dylan, the egos, the enablers, the claustrophobic hotel rooms, wacky ole’ Alan Ginsberg — and the exhilaration of seeing a legend, on a creative high, from close range, night after night. Not a bad gig, all things considered.