Books like The Queen of Dirt Island — picked by fans

If you’re like me and a fan of Downton Abbey, then you’ll appreciate the well-researched Edwardian period details found in this charming story, as well as the sweet romance. Julia Foster is not your usual governess, having a remarkable backstory of her own, but the way she cares for the widowed William and his children is heart-warming and will captivate your heart. 

I think this is a brilliant and, for me, unforgettable novel. It took an aspect of Ottoman history that I knew about as dry fact and imprinted it on my heart. I was fascinated by the daily lives of varied peoples in one small Ottoman town, how intertwined they were, even writing one language in the alphabet of another.

They tell their own stories of love and ambition, family and friendship, and how the Great War and its aftermath tore them apart. It reads like an epic unfolding through the eyes and voices of ordinary people, humane, evocative, humorous and brutal. 

This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself. 

This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga. 

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.

An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary. 

The University of Michigan professor-emeritus William Ian Miller is, of course, essential reading on violence and revenge, particularly his Bloodtaking and Peacemaking: Feud, Law, and Society in Saga, Iceland.

But Miller has been so deservedly lauded elsewhere – and his books so widely recommended – that I'm using this space to suggest that readers also open his sources. Among the sagas, Njal's Saga is much more complex than this one, and probably more revealing of the Saga tradition. But I'm a fan of the shorter, more readable Hrafnkel's, not least because I have a weakness for spooky horses.

Hrafnkel is a bully who would not pay compensation, and the arc of his distinctly pre-modern biography is not what you might expect. In fact, it will make you realize exactly how much what we call "modern" is really a product of legal development, including our ideas about satisfying narratives.

Also, dark… show more.

I have never read a book that captured quiet pain the way A Little Life does.

I loved it because it understood the kind of wounds people carry silently—the ones that don’t heal cleanly, the ones we learn to live around. I saw pieces of myself in the way Jude moves through the world: careful, watchful, loving deeply even when he feels unworthy of being loved.

This book didn’t give me comfort; it gave me recognition. It reminded me that survival isn’t loud or heroic—it’s slow, painful, and often invisible. I couldn’t stop reading because it felt like someone finally wrote down the things I thought no one saw.

It stayed with me long after I closed the pages.

This is a page-turner of a novel about a shooting at a women’s reproductive health services clinic in Mississippi, where the 15-year-old daughter of the hostage negotiator is caught inside the clinic. A variety of people are trapped inside the clinic for hours that day. The shooter, the daughter, the hostage negotiator, the abortion doctor, a pro-life protestor who was spying inside the clinic, and a woman who just had an abortion in the clinic–their characters and motivations are all very understandable to me, which makes the tension about this horrible situation that much more riveting. 

The closest thing to a "novel" from medieval Scandinavia, The Saga of the Volsungs was written down in the 1200s in Iceland by an author who knew the poems about the Volsungs in the Poetic Edda, but also knew a vast wealth of additional poems about them that are otherwise lost to us. Rather than transmit the poems directly, this unknown author chose to attempt to put together a cohesive story of the sprawling generations of this family, beginning with the fathering of their first ancestor by the god Odin and continuing through all the events that lead Odin himself to engineer the death of its last generations. Here we have dwarves forging magic swords, dragon-slayers, Valkyries laboring under the weight of ill-considered oaths, and star-crossed lovers seeking bloody revenge. This volume also includes the medieval "fanfic" sequel, The Saga of Ragnar Lothbrók, written shortly after The Saga of the… show more.