Here are 96 books that The Pursuit of Diarmuid and Grainne / The Exile of the Sons of Uisliu fans have personally recommended if you like
The Pursuit of Diarmuid and Grainne / The Exile of the Sons of Uisliu.
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In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Jim Fitzpatrick’s CV may include the world’s most famous portrait of Che Guevara, but in Ireland, he is better known for his glorious depictions of our native myths and legends. If anything can be said to be his masterpiece, it is his work in The Book of Conquests. The text is a translation of a medieval manuscript, Lebor Gabála Érenn. This account of the mythical origins of Ireland was my most important inspiration for writing The Call. But as a child, it was the pulse-pounding illustrations that really made my jaw drop.
THE BOOK OF CONQUESTS, published in 1978, is the first volume of a trilogy of works, which tell the story of the ancient and magical race: the Tuatha Dé Danann. The second volume, THE SILVER ARM was published in 1981; while volume three, THE SON OF THE SUN is in preparation. THE BOOK OF CONQUESTS tells the story of Nuada, king of the Tuatha Dé Danann, and the First Battle of Moy Tura, one of the most important sagas in Early Irish Literature.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
If you’re going to read Ireland’s most famous epic in English, you might as well read the most vivid translation going. These ancient stories were full of humour and raunchiness, as well as all the action and heroism you might be expecting. In my opinion, Ciaran Carson gets the tone absolutely right.
The Tain Bo Cualinge, centrepiece of the eighth-century Ulster cycle of heroic tales, is Ireland's great epic. It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, Queen and King of Connacht, and their allies, seeking to carry off the great Brown Bull of Cualige. The hero of the tale is Cuchulainn, the Hound of Ulster, who resists the invaders single-handed while Ulster's warriors lie sick.
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
Although we’ve never stopped telling stories on this island, there is no doubt that a huge part of our heritage would have been lost if not for those who collected it, translated it for a non-Irish-speaking audience, and published it around the world. Lady Gregory’s brilliant collection, Gods and Fighting Men is the one on which so many others are based.
A few months ago I was on the bare Hill of Allen, "wide Almhuin of Leinster," where Finn and the Fianna lived, according to the stories, although there are no earthen mounds there like those that mark the sites of old buildings on so many hills. A hot sun beat down upon flowering gorse and flowerless heather; and on every side except the east, where there were green trees and distant hills, one saw a level horizon and brown boglands with a few green places and here and there the glitter of water. One could imagine that had it been…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In Ireland, there’s barely a rock or a hedge that doesn’t have a story attached to it. Lots of them are dark, some are sexy and many are downright hilarious. I myself grew up near a river whose name in the Irish language means “eyeballs”. We lived a short but rocky drive from Gleann Nimhe, A.K.A., “Poisoned Glen”, and the origins of these names lie in tales that are even more twisted than you might expect. My very Catholic school relished enthralling its overcrowded classrooms with these pagan stories. We were introduced to gods and saints, famous slaughters, and tragic heroines. For some of us, it sank in. Deep.
This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.
A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction
Ireland's Immortals tells the story of one of the world's great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation's languages, the book describes how Ireland's pagan divinities were transformed into literary characters in the medieval Christian era-and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and…
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
There are newer versions of this book, often described as the “Illiad/Odyssey” of Irish tradition, but this is the classic translation from 1969.
Kinsella was a poet and a Gaeilgeoir (Irish speaker) so he really understood this text due to his deep knowledge of the source language and of Irish poetic norms, plus he spent 15 years lovingly translating it into the best English facsimile possible.
This is one of (if not the most) important myths of Ireland and is an essential read for those interested in Irish mythology.
The Tain Bo Cuailnge, centre-piece of the eighth-century Ulster cycle of heroic tales, is Ireland's greatest epic. It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cuailnge. The hero of the tale is Cuchulainn, the Hound of Ulster, who resists the invaders single-handed while Ulster's warriors lie sick.
Thomas Kinsella presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements…
Growing up in the nineties I was a Buffy fan, although that is probably understating things. I have all the Buffy novels, which I read over when waiting for the next series to come out (this was in the days before Netflix!). For me, Buffy had the exact right mix of humour, horror, and deeper complexity, dealing with issues that really impacted me, but in a way that made them accessible. I loved the characters, I loved Buffy herself, I loved her strength and humanity. When I decided to write Raising Hell, I was influenced by Buffy, but there are differences – Ivy is no chosen one, she chose herself.
The Call picks up on the horror element I loved in Buffy. In this alternative world, the Irish have banished the Sidhe, but as revenge, the Sidhe call Irish teens to their land, where they are hunted for 24 hours. You don’t know who will be called, or when, but eventually, it will be your turn. School is all about helping teens learn to survive when they are taken. Three minutes pass in our world before you are returned. But in what state? I loved the concept of this novel, and the main character will hit you in all the feels!
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
This one is a great example of a middle-grade fantasy that deserves more attention. It pulled me right in and wouldn’t let go with its authentic Irish folklore and vivid narrative. Author Pat O’Shea is from Ireland and the sense of place is rich with history and atmosphere.
Brigit’s spunk is a perfect counterpoint to Pidge’s sober personality, and they were my friends. We were on an adventure together.
Set in the world of Irish mythology, The Hounds of the Morrigan tells of the coming of the great queen, the Morrigan, from out of the west to free the snake Olc Glas, and to bring destruction to the world. Two children, Pidge and Brigit, are chosen to thwart the Morrigan.
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland), sometimes in multiple versions, so I think I have a fair idea of what is useful or worth reading.
This is a huge compendium containing both well-known and rare stories, that have been updated into modern English for easy reading.
While it’s very readable it also maintains a high level of continuity with the source material from which the stories come from, with only minor changes and all the key elements intact. This makes an excellent introduction to Irish mythology and a handy reference book for myths on particular areas of folklore that are widely covered.
Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.
I picked these books because I love telling stories about bold women, and pirates float my boat. Being able to incorporate so much of history into my seafaring women, making them real and believable, makes writing that much more enjoyable. When I can incorporate real historical tidbits into my work it’s a good writing day, and I wanted to share my favorite research books with other readers.
Sjoholm goes far back in history to document tales of women who went to sea, and commanded ships, in Phoenicia, Scandinavia, the British Isles, and Ireland. There was no holding back strong seafaring women and I love seeing their stories brought to life. Grace O’Malley in particular won the respect of her English foes, including their strong ruler, Elizabeth I.
The Pirate Queen begins in Ireland with the infamous Grace O'Malley, a ruthless pirate and scourge to the most powerful fleets of sixteenth-century Europe. This Irish clan chieftain, sea captain, and pirate queen was a contemporary of Elizabeth I, a figure whose life is the stuff of myth. Regularly raiding English ships caught off Ireland's west coast, O'Malley was purported to have fought the Spanish armada just hours after giving birth to her son. She had several husbands in her lifetime, and acquired lands and castles that still dot the Irish coastline today. But Grace O'Malley was not alone. Since…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
