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The President and the Assassin.
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I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
Candace Millard is an expert at the historian’s craft. Her dramatic prose read more like a novel and captivated me from the first page.
I also appreciated how she elevated a previously little-known episode and widely forgotten president in American history, opening the door to consider how our national story could have been different had President Garfield’s full potential been realized.
She inspired me to become a writer and continues to inspire me to this day.
NATIONAL BESTSELLER • The extraordinary account of James Garfield's rise from poverty to the American presidency, and the dramatic history of his assassination and legacy, from the bestselling author of The River of Doubt.
James Abram Garfield was one of the most extraordinary men ever elected president. Born into abject poverty, he rose to become a wunderkind scholar, a Civil War hero, a renowned congressman, and a reluctant presidential candidate who took on the nation's corrupt political establishment. But four months after Garfield's inauguration in 1881, he was shot in the back by a deranged office-seeker named Charles Guiteau. Garfield…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
Fifty years after its publication, this book remains a classic.
As a historian of Presidential deaths, I appreciate the deep and detailed research of Grant's tragic and triumphal final year. Pitkin’s book is all the more impressive because he bucked popular sentiment at a time when Grant’s reputation was at a nadir due to the popularity of the myth of the Southern Lost Cause. Pitkin practically places the reader in Grant’s New York brownstone and the Mount McGregor cottage as the heroic general completes his memoirs while enduring immense pain to provide financial security for his family.
This book helps explain why the public honored Ulysses Grant with the largest tomb ever built in American history, before or since.
Early in 1885 Americans learned that General Grant was writing his Memoirs in a desperate race for time against an incurable cancer. Not generally known was the General's precarious personal fi nances, made so by imprudent invest ments, and his gallant effort to provide for his family by his writing. For six months newspaper readers followed the dramatic contest, and the hearts of Americans were touched by the General's last battle. Grant's last year was one of both per sonal and literary triumph in the midst of tragedy, as Thomas M. Pitkin shows in this memorable and inspiring book. The…
I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
April 1865 was one of the most consequential months in American history. After the fall of Richmond and Lee’s surrender to effectively end the Civil War, Abraham Lincoln was tragically assassinated while Jefferson Davis attempted to escape to keep the war effort alive.
I was riveted by the dual history of the American and Confederate presidents, as Swanson’s storytelling matches the drama, tension, and uncertainty of the moment.
On the morning of April 2, 1865, Jefferson Davis, president of the Confederacy, received the telegram from General Robert E. Lee. There is no more time - the Yankees are coming. That evening, shortly before midnight, Davis boarded a train from Richmond and fled the capital. But in two weeks time, John Wilkes Booth would assassinate the president, and the nation was convinced that Davis was the mastermind of the crime. No longer merely a traitor, Davis became a murderer, a wanted man with a one-hundred-thousand-dollar bounty on his head. Over the course of several weeks, Union cavalry led an…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
Robert Klara provides so much detail and insight that it’s like he was on Franklin Roosevelt’s funeral train, crouched down in the seat behind the new president, Harry S. Truman!
I was super impressed by Klara’s research and ability to capture the conversations and historical nuances of one of the most important train rides of the twentieth century.
In April 1945, the funeral train carrying the body of Franklin D. Roosevelt embarked on a three-day, thousand-mile odyssey through nine states before reaching the president's home where he was buried. Many who would recall the journey later would agree it was a foolhardy idea to start with - putting every important elected figure in Washington on a single train during the biggest war in history. For the American people, of course, the funeral train was just that - the train bearing the body of deceased FDR. It passed with darkened windows; few gave thought to what might be happening…
I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I didn’t become interested in this battle until well into my academic career, when I decided to turn the series of articles on the War of 1812 that I had written into my first book. I quickly became fascinated by the cast of characters, headed by tough-as-nails Andrew Jackson; Baratarian pirate Jean Laffite; and the British commander, Sir Edward Pakenham, who was the Duke of Wellington’s brother-in-law. No less intriguing was the magnitude of the U.S. victory and the British defeat, the profound and lasting legacy of the battle, and the many popular misconceptions about what actually happened in the battle or what might have happened had the British won.
A good place to start for understanding the Battle of New Orleans is a biography of the central character. A life-long student of Jackson, Robert Remini in this work provides a distillation of his 3-volume study on Old Hickory. Readers will learn about Jackson’s contentious early life and rise on the Tennessee frontier, his remarkable success as a general in both the Creek War and the War of 1812, and his postwar career, culminating in his presidency.
“Superb professional history that moves boldly beyond the scholar’s monograph to make the American past alive and exciting for the general reader.” —Arthur Schlesinger, Jr.
[Remini] has produced a wonderful portrait, rich in detail, of a fascinating and important man and an authoritative . . . . account of his role in American History.” —New York Times Book Review
The classic one-volume abridgement of the definitive, three-volume, National Book Award-winning biography of Andrew Jackson from esteemed historian Robert V. Remini.
I've spent three decades teaching the history of the United States, especially the American Revolution, to students in the UK. Invariably some students are attracted by the ideals they identify with the United States while others stress the times that the US has failed to uphold those ideals. Thomas Jefferson helped to articulate those ideals and often came up short when it came to realizing them. This has fascinated me as well as my students. I'm the author or editor of eight books on Jefferson and the American Revolution including,Thomas Jefferson: Reputation and Legacy and The Blackwell Companion to Thomas Jefferson. I'm currently completing a book about the relationship between Jefferson and George Washington.
Onuf, who held the Thomas Jefferson Memorial Chair at the University of Virginia, is the most accomplished student of Jefferson’s thought. In Jefferson’s Empire, Onuf interrogates Jefferson’s thinking about the meaning of the American Revolution. He places Jefferson’s thinking in the context of the Enlightenment showing that his vision of the American future arose from his idealized notions of nationhood and empire. Rather than see the US as the antithesis of empire, Onuf shows that Jefferson believed that Americans should craft a new form of republican empire that he believed would be a model for the rest of the world. Onuf recognizes, as Jefferson didn’t, that this vision depended on enslaved labor and the displacement of Indigenous people and he explores these contradictions. Onuf’s reading of the Declaration of Independence transformed my own thinking about that foundational document.
Thomas Jefferson believed that the American revolution was a transformative moment in the history of political civilization. He hoped that his own efforts as a founding statesman and theorist would help construct a progressive and enlightened order for the new American nation that would be a model and inspiration for the world. Peter S. Onuf's new book traces Jefferson's vision of the American future to its roots in his idealized notions of nationhood and empire. Onuf's unsettling recognition that Jefferson's famed egalitarianism was elaborated in an imperial context yields strikingly original interpretations of our national identity and our ideas of…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I am an academic writer, but I admire when someone is able to write a thoughtful book that is accessible to a popular audience. Are We Rome? made a big splash and launched a cottage industry of comparisons (and debates about comparisons) of America to Rome. In exploring parallels between Rome and America, Murphy serves up dire warnings about how America’s worldview could portend its own demise. My latest book approaches the question of Rome and America in a different way, but tries to blend scholarship with a more accessible style that everyone might find interesting.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.”—Thomas E. Ricks
The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse.
In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a…
I am a historian of early America who previously practiced law for 20 years. I have both my PhD and JD from the University of Virginia. I have taught at the University of Virginia, George Washington University, Hamilton, Oberlin, and Randolph Colleges. I have also worked at Jefferson’s Monticello for many years. While American history is often misused for narrow political ends, I am convinced that good history is not only fascinating but can assist us in understanding our world and current challenges.
I love learning about the seemingly mundane but so very important parts of the United States' becoming a nation. One critical piece was how the millions of new settlers could own their own land, which meant surveying.
I was also fascinated by how we almost became a metric country (which Thomas Jefferson would have loved); that story involves the French Revolution, privateers, an unlucky school teacher, and the origins of Enlightenment science.
In 1790, America was in enormous debt, having depleted what little money and supplies the country had during its victorious fight for independence. Before the nation's greatest asset, the land west of the Ohio River, could be sold it had to be measured out and mapped. And before that could be done, a uniform set of measurements had to be chosen for the new republic out of the morass of roughly 100,000 different units that were in use in daily life.
Measuring America tells the fascinating story of how we ultimately gained the American Customary System-the last traditional system in…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
This is one of the books I wish I had written! Although it is a scholarly book based on the author’s research, it reads like a compellingly told story. It’s full of imaginative and vivid detail. Paul Freedman asks why there was such a high demand for spices in medieval Europe, examines the practicalities of trade and travel that enabled Europeans to acquire them, the ways they used them as commodities and the cultural meanings of taste and what changes in taste tell us about societal development.
How medieval Europe's infatuation with expensive, fragrant, and exotic spices led to an era of colonial expansion and the discovery of new worlds
The demand for spices in medieval Europe was extravagant and was reflected in the pursuit of fashion, the formation of taste, and the growth of luxury trade. It inspired geographical and commercial exploration ,as traders pursued such common spices as pepper and cinnamon and rarer aromatic products, including ambergris and musk. Ultimately, the spice quest led to imperial missions that were to change world history.
This engaging book explores the demand for spices: why were they so…