Here are 100 books that The Prague Sonata fans have personally recommended if you like
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I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would neverhave left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
Lucille Kallen was an amazing TV writer but only wrote five of her cozy mysteries starring small-town, middle-aged reporter Maggie Rome who served as an Archie Goodwin for her cerebral boss, editor C. B. Greenfield. They were all witty and fun, but this one centers around the very real Boston Symphony Orchestra and their summer rehearsal space, Tanglewood music center near the MA-NY border. Expansive hills, the petty rivalries of professionals, and a not-often-used method of murder make this book a must for any mystery lover. Plus, the author was clearly as adoring of Ravel as I am, which is why this slim volume still has a place on my bookshelf after 30-plus years.
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
A greatly entertaining book about the myriad scandals of Elvis and Jerry Lee Lewis, crimes and murder among Norway’s black metal bands, how Sam Cooke wound up shot to death in a low-budget motel, and Gram Parsons’ death at 26, among others, written by the guy with a podcast of the same name. I’ve played and listened to music my entire life but have never really studied the topic or its practitioners, so much of this came as a fascinating surprise. Brennan does veer into fiction—at one point he relates a conversation between two dead people after they’re dead—but still a very interesting compilation.
From the creator of the popular rock 'n' roll true crime podcast, Disgraceland comes an off-kilter, hysterical, at times macabre book inspired by true stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I have always loved gritty mysteries and Joe. R. Lansdale’s book did not disappoint. I was first pulled in by the curious and clipped cadence of the voice of the narrator, an older Harry Collins recalling a brutal murder from his youth. You could almost hear Harry’s voice jump off the page.
I was also particularly drawn to the finely crafted setting on the rugged Texas frontier, dripping with eerie foreboding. The land is as rotten as the characters who inhabit the narrative. Add in an East Texas setting and the bleak and desperate themes of racism at the turn of the 20th century, and you have a compelling read that is hard to put down.
The Great Depression, East Texas. The woods are thick, the rivers wild, the weather ripe with tornadoes, and the Crane family, like most families in that neck of the woods, are eking out a thin living. When young Harry Crane discovers a mutilated body bound to a tree with barbed wire in the river bottoms, the underbelly of East Texas is exposed. Whites fear a renegade Negro. Blacks fear a vengeful massacre, or, if the killer is white, that the law will let him slip through their fingers. Harry believes the murderer is the Goat Man, an East Texas monster…
Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended.
Any book in which a journalist and a librarian are the heroes gets a gold star from me. In this gripping novel, a Black journalist from Detroit who writes about the Black Lives Matter movement goes to Birmingham, Alabama, in 2019 on a personal and professional quest.
Her great-grandfather was, she believes, killed there by a white policeman 90 years ago, and she’s determined to find out the truth. She also thinks his story can illuminate what’s happening nationwide today. Based on this compelling premise, the novel is a mystery, a love story, a history, and an examination of racial justice rolled into one. I enjoyed the behind-the-scenes view of exactly how a journalist builds a story.
A searing and tender novel about a young Black journalist’s search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama, decades ago—inspired by the author’s own family history
Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the “Magic City” for its booming steel industry, and while Robert and his family find much to enjoy in the city’s busy markets and vibrant nightlife, it’s also a stronghold for the Klan. And with…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
After completing a psychology degree, I became an interventions facilitator in a prison and worked with offenders who'd committed serious violent crimes. It was while I was in this role that my fascination for criminal psychology grew. Once I left the profession, I put my experiences to good use in fiction, going on to write The Serial Killer series of three psychological thrillers. With the most recent, The Serial Killer’s Sister, I incorporated my love of puzzles and games into a twisted story of a serial killer who uses a childhood game known to his sister as ‘The Hunt’ to track her down and torment her.
Now, I’m not a fan of gory movies, so to begin with, when Eeny Meeny gave me Saw vibes I almost closed the book.
I’m glad I didn’t because not only did I enjoy the building tension, but I loved the character of DI Helen Grace in this, her first outing.
The victims in the sadistic game being played in this novel are pitted against each other in a ‘you’ or ‘me’ scenario, with their captor forcing them to make a decision. I’m intrigued with how people who are ultimately trying to survive a situation make morally tough choices, so this was a fascinating exploration and made me question: what would I do?
The international best seller that "grabs the reader by the throat" (Crime Time).
First in the new series featuring Detective Inspector Helen Grace.
Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.
It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.
Helen is familiar with the dark sides of human nature, including her own, but this case - with its seemingly random victims - has her baffled. But as…
I picked up And Then There Were None off my parents' shelf when I was probably about thirteen. It was my first Agatha Christie, and I was instantly entranced by her ability to build suspense, write witty dialogue, and plot the perfect murder. As I grew up I continued reading her prolific work, while, like her, making writing my career. When we decided to write our sixth book in the Science of Horror series, we wanted to step out of “horror” and explore more the mystery genre, and we knew Agatha Christie, the Queen of Crime, was the perfect point of view. The Science of Agatha Christie was born.
During research for my book, I came across her own autobiography, which was a rare treat. It made me feel closer to her as I studied her life, getting to read events in her own voice.
Christie was a formidable woman with a life well lived, so hearing her take on her own characters and books was fascinating. She was quite self-effacing, and even admits to being annoyed with Hercule Poirot! I recommend this book for fans of her, of course, but also for aspiring writers.
Back in print in the exclusive authorized edition, is the engaging and illuminating chronicle of the life of the “Queen of Mystery.” Fans of Hercule Poirot and Miss Marple and readers of John Curran’s fascinating biographies Agatha Christie’s Secret Notebooks and Murder in the Making will be spellbound by the compelling, authoritative account of one of the world’s most influential and fascinating novelists, told in her own words and inimitable style. The New York Times Book Review calls Christie’s autobiography a “joyful adventure,” saying, “she brings the sense of wonder...to her extraordinary career.”
If I knew why I'm attracted to ghost stories, spooky stories; “mysteries from beyond the veil”, it wouldn't be a mystery, would it? My brother was the same. We can (or could) suddenly find the streets where we lived as mysterious as a lost world. We used to call it “The Land of Ghosts and Witches”. Did we imagine this feeling? Did we make it up? I don't know. But there is a long name for a condition, a little kink that matches my experiences. I found an article in New Scientist about it once, but I've forgotten what it was.
A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.
I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).
Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...
No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and…
Set in an imagined town outside Tokyo, Clarissa Goenawan's dark, spellbinding literary debut follows a young man's path to self-discovery in the wake of his sister's murder.
Ren Ishida has nearly completed his graduate degree at Keio University when he receives news of his sister's violent death. Keiko was stabbed one rainy night on her way home, and there are no leads. Ren heads to Akakawa to conclude his sister's affairs, failing to understand why she chose to turn her back on the family and Tokyo for this desolate place years ago.But then Ren is offered Keiko's newly vacant…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
This is another story bringing history to life, in this case, the famous Rajah Quilt, made by convict women in 1841 while being transported to Tasmania.
I’m not a patcher myself, but my mum was, and I know how patching brings disparate women together, though not as disparate as these "dangerous women" and their leader, the Quaker philanthropist Kezia Hayter.
Hope Adams takes a worthy story and turns it into a gripping whodunnit, beginning with a murder on page one. It is hard at times to keep track of all the characters, but well worth the effort because their unlikely friendships are fascinating and crucial to the solving of the mystery.
The compelling, gorgeously atmospheric tale of female friendship, redemption and betrayal, inspired by the incredible true story of female convicts at sea
'Beautifully written, an epic sea voyage with an intriguing murder mystery . . . an unputdownable read' KATIE FFORDE
'I was thoroughly entranced by the story, and the great murder mystery kept me guessing throughout. A real joy to read' 5***** Reader Review
'A gorgeous and compelling story with vibrant characters . . . I was fascinated' RACHEL HORE ______
London, 1841.
The Rajah sails for Australia.
On board are 180 women convicted of petty crimes, sentenced to…