Books like The Pomegranate Gate

I advise private and public sector clients on the unlocking of value from public assets. After a few years in investment banking in Asia and Europe, I was asked to lead the comprehensive restructuring of Sweden’s USD70bn national portfolio of commercial assets—the first attempt by a European government to systematically address the ownership and management of government enterprises and real estate. This experience has allowed me to work in over thirty countries and serve as a Non-Executive Director. Ultimately sharing the collective experience in two books written together with Stefan Fölster—The Public Wealth of Nations—which was awarded The Economist and Financial Time’s best book of the year, as well as The Public Wealth of Cities.

The library has always been my favorite place to visit. As a child, I would travel the world through books. I learned about different cultures and studied other languages. Through these experiences, I gained a deep appreciation for cultures around the world. I also learned an important lesson that inclusion is the thread that weaves together a rich multicultural tapestry. Fast forward to today, I share these lessons through my work as an author, leadership scholar, and law professor. My booklist reflects a celebration of diverse cultures, introduces learning tools for becoming an inclusive leader, and provides an invitation to join me in taking intentional action for justice and equity.  

I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.

As someone who was both a funny kid and a lover of superheroes, it was always exciting to find a book where those two things crossed paths. In the young readers' books I’ve written for Marvel and DC Comics, I always try to inject humor where I can. Humor can be healing. If I couldn’t laugh, especially about things that have caused me pain, I don’t know that I would be around today. I love books about funny, sensitive kids with big hearts. The world is a cold place sometimes, but whenever I see a young person making positive change and having fun along the way, it reminds me that anything is possible.

Being a petite person, I can’t move furniture by myself or lift heavy boxes. It’s freaking annoying. I dream of having a magic wand or some sort of power that would make me stronger. If there was a potion to turn me into a Buffy the Vampire Slayer, kick-butt type of girl I’d drink it in a second. Since there is no such potion, I write and read books about supernatural girls who don’t take crap from anyone, especially the guys in their lives. 

Masks have been fascinating to me for a long time, in both the literal and metaphorical sense. Whether by choice or not, the masks we wear say a lot about us. It’s also interesting to me how they can represent freedom or captivity, depending on context. At a masquerade, that anonymity provides a sense of freedom, a chance to act like someone you’re not, or the courage to act braver. But when forced into a role or status that comes with certain masks, you can be trapped, forced to act a certain way. The range gives us so much to work with. 

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?

Coming-of-age stories fascinate me because they are all so different. While we each experience many of the same events, each person’s story is unique. I like to read about how they first understood love or how they met their best friend. I like to try on their life for a bit, walk around in their shoes, and then return to my reality with the person I’ve worked so hard to become. The more I read other people’s stories of growing up, the more I feel we all harbor the same worries about ourselves and our future. We all struggle with similar problems while becoming who we’re meant to be.

Novels are my medium and my first love, but I’m a huge fan of comic books too. Even though visual arts have never been my strength, I adore how many different things are possible in superhero stories. Sci-fi and epic fantasy and all different kinds of horror coexist in these enormous fictional universes. You’ve got comedic, child-friendly mysteries and pitch-black serial killer thrillers and deep meditations on love and family all going on at once. Comic book tropes and general disregard for genre boundaries definitely inform my writing style, and I love when I discover other novelists who incorporate comic book inspiration in various ways.

As a mom who loves to read (and write!), I’ve always hoped and prayed my kids would fall in love with reading, too. That said, I’ve always been careful not to force them into it, not to somehow make them feel like my hobbies had to be theirs. When my twelve-year-old devoured Harry Potter in mere weeks, I was practically ecstatic. And when I heard her tell her brothers at the height of the pandemic, “Books get you out of the house and let you go somewhere new,” I knew that they’d become for her what they’ve always been for me: a window to another world.