Here are 100 books that The Phone Booth at the Edge of the World fans have personally recommended if you like
The Phone Booth at the Edge of the World.
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Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into the living world is an everyday event, an impoverished nobleman named Yamada no Goji makes his living as a demon hunter for hire. With the occasional assistance of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons, fox-spirits - for a price Yamada will do what needs to be done, even and especially if the solution to the problem isn't as simple as the edge of a sword. Yet, no matter how many monsters he has to face, or how powerful and terrible they may be,…
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
This book came out only a few years after my first encounter with anime and just blew me away, introducing me to a completely different world – a world that at the time was mostly out of reach because Western translations were still rare.
Having been published in 1983, it may be considered outdated, but manga translator and historian Frederick Schodt is a master narrator and does a great job of explaining how Japanese comics evolved during manga’s golden age. Now we can find any kind of information on the internet, but Schodt’s thorough analysis and engaging prose are second to none.
If you are into cultural history and like to go beyond simple manga talk, this is still a must-read.
Illustrated with the most representative examples of the genre, this book in English explores the world of Japanese comics. Since first published in 1983, Manga! Manga!: The World of Japanese Comics has been the book to read for all those interested in Japanese comics. It is virtually the bible' from which all studies and appreciation of manga begins. More than that, given the influence of Japanese manga on animation and on American-produced comics as well, Manga! Manga! provides the background against which these other arts can be understood. The book includes 96 pages'
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
The best way to start one’s reading about Japanese history is to pick a short overview written by an expert who writes well. This decades-old book is a splendid example of that and still the best in my opinion. Hall was an American who grew up in prewar Japan and spent his later years as a distinguished scholar of premodern Japanese history at Yale University. The book is a joy to read and identifies the main historic events from prehistoric time up through the American occupation that ended in 1952.
Japan: From Prehistory to Modern Times has a heavy emphasis upon the premodern period of Japanese history. No attempt has been made to provide the usual kind of textbook completeness. Hall’s fascination with Japanese history lies within the manner in which Japan’s political and social institutions have changed and diversified over time and how this fundamentally “Eastern” culture gave rise to a modern world power. Japan is today a modern nation in the full sense of the term. Yet its history is less familiar to us than the histories of those Western powers that it has now outstripped, or of…
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.
Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.
Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.
Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.
'Designing Japan' presents renowned designer Kenya Hara's vision of how his industry can support Japan in crafting a future founded on a unique philosophy of beauty as well as crowd-sourced wisdom from around the world. A master collaborator, meticulous organiser, and globally conscious innovator, Hara draws on more than three decades of participations in design work and exhibition curating, as well as deep professional interaction with creators from many fields.
In 'Designing Japan' Hara reveals methods that make publicly accessible aesthetic inquiries of how this island nation will proceed as its population ages, other nations take over manufacturing, and technology…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.
Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.
Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.
Name: John Rain. Vocation: Assassin. Specialty: Natural Causes. Base of operations: Tokyo. Availability: Worldwide.
Half American, half Japanese, expert in both worlds but at home in neither, John Rain is the best killer money can buy. You tell him who. You tell him where. He doesn’t care about why…
Until he gets involved with Midori Kawamura, a beautiful jazz pianist—and the daughter of his latest kill.
A Clean Kill in Tokyo was previously published as Rain Fall, the first in the bestselling John Rain assassin series.
Economics isn't really a good starting point for financial market analysis for the simple reason that its models are wildly inaccurate. As behaviorial economists like Daniel Kahneman have been showing, irrationality and the inability to measure risk properly are a very big component of the investment and trading decisions. But statistical risk management is also sloppy when applied to human behavior because people are not objects that reliably behave the same way under similar circumstances. So when you read an economist about markets or an engineer about risk management, you're missing a lot of the story. In the end, technical analysis is fascinating because how and why humans behave is an enduring mystery.
You may have noticed that hardly anyone uses simple lines on a chart anymore—everyone uses candlesticks. When I was revising my own book, the technical advisor recommended just deleting the part about different types of standard bars and presenting only candlesticks. What’s so likable about Bigalow’s work is his total clarity, in the book and also on his website. He identifies the candles you need the most, shows you what they look like, applies them in real cases, and tells you the outcomes. Not only are the charts as clear as can be, so is his prose.
The updated edition to one of the most popular books on technical analysis Japanese candlestick charting and analysis is one of the most profitable yet underutilized ways to trade the market. Signals created by this unique method of technical analysis-represented in the form of graphic "candlestick" formations-identify the immediate direction and effects of investor sentiment through price movements, allowing traders to profit by spotting trend reversals before other investors. This updated version of Profitable Candlestick Trading: Pinpointing Market Opportunities to Maximize Profits makes learning the method fast and easy by introducing specific patterns, as well as the psychology behind them. …
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
The actual story as told by an actual geisha (rather than the male author of Memoirs of a Geisha), I was absolutely obsessed with this book when I began studying Japanese.
I loved the depictions of Kyoto pre-war and all the festivals, ceremonies, and intricacies that go into the life of a geisha. The post-retirement part of the story is also so real and human, and while it is a much quieter book compared to the sturm and drang of Memoirs of a Geisha, it has a delicate beauty that stuck with me.
GEISHA, A LIFE "No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out." Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards.…
I grew up in small-town America, very far from where I was born (London), with a strong desire to travel and explore. I also developed a thirst for history—the older the better! At eighteen, I went to work on European digs before studying Archaeology in the UK and teaching in Southern Africa. Across these adventures I both experienced and witnessed the victimization of young women—an even more common ordeal in the past. So now I write historical fiction about resourceful, brave women who strive to be the active, powerful centres of their own stories. I hope you find the books on my list as inspiring as I do!
I know nearly nothing about the Far East—so was delighted to experience a taste of Japan through this compassionate, original novel told from the point of view of young American nurse, Diana, as she takes the job of nanny to the toddler Yuki, after divorce has forced Yuki’s mother from the family home. Immersed in a different culture, Diana feels confusion, fascination, and a growing love for Yuki. The tension builds as she begins to understand the real danger the child is in. Diana faces psychological peril as she tries to break the chain of damage for Yuki—and herself. As a mother of three, I often can’t bear child jeopardy in a plot, but the author’s intelligent writing is compelling and sensitive, not gratuitous.
'A mystery, a love story and a fascinating encounter with a different culture, Yuki Means Happiness is an outstanding novel' John Boyne
Diana is young and uneasy in a new relationship when she leaves America and moves halfway around the world to Tokyo seeking adventure. In Japan she takes a job as a nanny to two-year-old Yuki Yoshimura and sets about adapting to a routine of English practice, ballet and swimming lessons, and Japanese cooking.
But as Diana becomes increasingly attached to Yuki she also becomes aware that everything in the Yoshimura household isn't as it first seemed. Before long,…
I became interested in East Asia through studying Kung Fu when I was in high school. Through this I began reading translation of Chinese and Japanese philosophical texts. I initially majored in philosophy but eventually also became interested in situating ideas in broader historical contexts. For this reason, I shifted to intellectual history. However, my passion for philosophy and arguments for the validity of ideas remains. For this reason, my work combines both intellectual history and the history of philosophy.
I found this book a creative addition to the books that attempt to find the origins of modernity in East Asia before contact with the West. Rather than looking at nationalism, Ikegami examines the individualism embedded in the ethics of the samurai. She then shows how starting with Toyotomi Hideyoshi’s ban on swords in the late sixteenth century and the eventual consolidation of the Tokugawa Shogunate in 1603, such individualism had to be curbed or transformed. From this perspective, early modernity in Japan was associated with the emergence of a centralized state that ruled out certain forms of spontaneous aggression, what Weber called the monopoly of violence.
Modern Japan offers us a view of a highly developed society with its own internal logic. Eiko Ikegami makes this logic accessible to us through a sweeping investigation into the roots of Japanese organizational structures. She accomplishes this by focusing on the diverse roles that the samurai have played in Japanese history. From their rise in ancient Japan, through their dominance as warrior lords in the medieval period, and their subsequent transformation to quasi-bureaucrats at the beginning of the Tokugawa era, the samurai held center stage in Japan until their abolishment after the opening up of Japan in the mid-nineteenth…
Since I was a child I’ve been drawn to mystery plots, because I love the sense of there being an agreement between author and reader, which leads to an ability to play with expectations. My most recent books have been Sherlock Holmes novels in the style of the classic Arthur Conan Doyle tales, though I’ve also written mysteries set on an isolated island and even on Mars! With each new story, I’ve found the act of plotting deeply satisfying. Of course, the next best thing to writing my own stories is reading another author’s novel that has a satisfying mystery, with a solution that in retrospect seems totally fair, but that I didn’t see coming.
This 1946 Japanese novel is a classic locked-room mystery concerned with fair play within the rules of the genre. The rural setting and flurry of elaborate clues are what sets it apart, and the detective Kosuke Kindaichi is truly memorable, as is the devious solution. The work of author Seishi Yokomizo has only recently begun to be translated for English-speaking readers, but I hope more will appear soon.
In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions about the Ichiyanagis around the village.
Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music - death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the…
