Here are 10 books that The Philosophy of Modern Song fans have personally recommended if you like
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I’ve curated a list of music memoirs that resonate deeply with me, particularly because they strip away the polished veneer of fame and expose the raw, imperfect humanity of their subjects. My book, Asshole, explores similar territory, delving into the complexities and contradictions that make us who we are.
These memoirs, much like my book, aren't about celebrating flawless heroes. Instead, they offer unflinching accounts of individuals—whether artists, managers, or those behind the scenes—navigating the extraordinary and often turbulent landscape of the music industry. These stories delve into the imperfections, challenges, and moments of accountability— sometimes even outright acts that might be considered, well, asshole-ish—that shape these fascinating lives, leaving a lasting impression.
Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.
Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.
The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Katie Fallon does a very cool thing here. First, she loves her some vultures. Second, she open your eyes to a whole lot of natural history you don't know. And third, this is no field guide and certainly no scientific paper. Instead, she structures her book within the spring, summer, autumn, winter of a single year and then weaves in historical notes (the ancient Egyptians, who like Katie, loved them some vultures), biological realities (vultures throw up to cool off), and personal anecdotes (a trip to the Hinckley, Ohio Buzzard Festival where they love them some vultures, too!)
Come on, get past the yuk, this is one of God's creations! Jesus was accused of being a glutton and hung out with the unclean, so get down and dirty with vultures and maybe you too can be redeemed!
Turkey vultures, the most widely distributed and abundant scavenging birds of prey on the planet, are found from central Canada to the southern tip of Argentina, and nearly everywhere in between. In the United States we sometimes call them buzzards; in parts of Mexico the name is aura cabecirroja, in Uruguay jote cabeza colorada, and in Ecuador gallinazo aura. A huge bird, the turkey vulture is a familiar sight from culture to culture, in both hemispheres. But despite being ubiquitous and recognizable, the turkey vulture has never had a book of literary nonfiction devoted to it-until Vulture.
I’m a singer/songwriter and I grew up in a rock’n’roll household. My family has always traded great books about music between us, memoirs, biographies, scientific studies, deep dives into subcultures, industry exposes – I love them all and find a good music book impossible to resist. I always get excited when I find books written by other obsessive music-loving kindred spirits––if I can feel the love I’m right in there with them. I especially love the behind-the-scenes stories and insights into the work and fascinations that helped forge an artist’s career.
A tender meditation on all the disparate threads, sounds, loves, conversations, and lessons that meld together to create an artist. Watching Bob trying to throw off the accolades and labels that want to pin him down like butterfly and explore whatever takes his fancy is my favorite part of this trip, weaving through all the stolen records and ghosts and signposts and colored lights beckoning.
Building on the success of Bob Dylan in His Own Words, an autobiographical portrait of the acclaimed musical performer recounts personal and professional experiences and features black-and-white photography. 250,000 first printing.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
A timely anthology of 35 essays by an interestingly diverse array of contributors. A correspondingly diverse selection of aspects of the multi-dimensional Bob Dylan and his remarkable six-decade career is subjected to forensic scrutiny.
No Dylan book peaks beneath the cloak of so many of the mysteries surrounding the enigmatic ‘song and dance man.’
2021 marks Bob Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and…
At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
Among the 1,000 plus books about Bob Dylan this is the closest we have to a full authorised biography. Robert Shelton was with the artist from the beginning in 1961, witnessing all the controversial concerts.
No Direction Home is the definitive biography, written with Dylan’s blessing and cooperation and with favored access to original sources. This beautifully illustrated 2011 edition, edited By Elizabeth Thomson and Patrick Humphries, is an update of the original 1986 standard.
This lavishly illustrated and thoughtfully abridged edition of THE classic book on Dylan—published to coincide with Dylan’s 80th birthday (May 24, 1941)—is a must for all Dylan aficionados.
Robert Shelton met Bob Dylan when the young singer arrived in New York in 1960, becoming Dylan’s friend, champion, and critic. Shelton’s book No Direction Home, first published in 1986, was hailed as the definitive unauthorized biography of this complex, passionate genius, and is the only one written with the subject’s active cooperation. Dylan gave Shelton access to his parents, his brother, and his childhood friends, among others. No Direction Home took…
At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
Not the best-known Dylan book but Jokerman is unusually productive in its scholarly analysis of many of the Nobel Laurette’s revered lyrics.
Investigating the writer’s use of ‘Identity’ in his work happens to coincide with 20 of his best-known and most loved songs. At one level, this might be seen as a book for anoraks, but it is much more likely to be of interest to anyone inclined to seek answers to questions raised in the apparent opacity of these Dylan classics.
Bob Dylan is described as one of the most startling, prolific and controversial contemporary song-writers. This book explores the complexity and subtlety of his lyrics and their themes, seeking to make intelligible that seems obscure and difficult. The author reviews the manner in which many of Dylan's lyrics treat fundamental questions concerning the nature of human identity. He argues that these lyrics represent a continuation of the experimental poetic practices of modernism. At the heart of Dylan's work are the discrepancies between the conscious, socialized self, born of language, and those potencies of personality that lie outside rational formulation. For…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
When I was growing up, the fabled 1969 Woodstock music festival was a byword for the alternative drop-out culture of hippiedom then at its height.
Even today, people remember it and the town that gave it its name (although it's actually located 40 miles from the site of the festival). What’s perhaps less well known is that Woodstock first became Hippie Central several years before, after Bob Dylan and his manager Albert Grossman moved there, and it continued to attract musicians and artists long afterwards.
This book tells an often shocking tale of excess – drink, drugs, and sexual shenanigans. (And incidentally, Donald Fagen now divides his time between Woodstock and New York.)
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming…
I’m a singer/songwriter and I grew up in a rock’n’roll household. My family has always traded great books about music between us, memoirs, biographies, scientific studies, deep dives into subcultures, industry exposes – I love them all and find a good music book impossible to resist. I always get excited when I find books written by other obsessive music-loving kindred spirits––if I can feel the love I’m right in there with them. I especially love the behind-the-scenes stories and insights into the work and fascinations that helped forge an artist’s career.
Written by the revered god-daddy of Australian songcraft, Shotsis a beat peek behind the curtain of what it is to be a young band on the road and on the rise, all lens flare vignettes; dry, brutal, and perfect, as cool as The Don himself. His uncanny way with words lets us bear witness to the country hall dances, Kings Cross streets, and back of the van like a poetic spy cam.
This remarkable memoir begins with Don Walker's early life in rural Australia and goes up to the late ’80s. In mesmerising prose, Walker evokes childhood and youth, wild times in the ’70s, life on the road and in Kings Cross, music-making and much more. Shots is a stunningly original book, a set of word pictures – shots – that conjure up the lowlife and backroads of Australia.
‘Singular, strong and beguiling’ —The Sydney Morning Herald
‘Better than good. Most of the time it is brilliant.’ —Australian Book Review
‘The book shines with its descriptive sense of place. Shots carries the…
Warren Ellis of Nick Cave's band the Bad Seeds has written one of the most bizarre and stand out memoirs of 2021. At a concert in 1999 Ellis saw the star Nina Simone stick her gum on her grand piano and launch into a performance. Afterwards Ellis crawls to the stage and retrieves and treasures the gum. He has it cast in silver for display in a Nick Cave exhibition, with a version cast by Ann Demeulemeester the fashion designer. The book's photographs trace the gum's various incarnations. A touching memoir in which Ellis muses about creativity, family and friendships in often hilarious moments.
THE TIMES TOP 10 BESTSELLER A GUARDIAN, TELEGRAPH, THE TIMES, IRISH TIMES, SUNDAY EXPRESS, ROUGH TRADE, MOJO, CLASH, ROLLING STONE, UNCUT BOOK OF THE YEAR
From award-winning musician and composer Warren Ellis comes the unexpected and inspiring story of a piece of chewing gum.
FEATURING AN INTRODUCTION BY NICK CAVE
I hadn't opened the towel that contained her gum since 2013. The last person to touch it was Nina Simone, her saliva and fingerprints unsullied. The idea that it was still in her towel was something I had drawn strength from. I thought each time I opened it some of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.
The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.”
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history.
This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss.
For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania…
