Here are 100 books that The Pencil fans have personally recommended if you like
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As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
A glorious, mini rebellion of colour and newfound artistic freedom. This deservedly popular picture book is as smart and funny as the youngsters it is aimed at. Each new character we meet is wonderfully individual and uniquely creative. A rainbow of inspiration! Who knew we could care about crayons so much? Bliss!
Debut author Drew Daywalt and international bestseller Oliver Jeffers team up to create a colourful solution to a crayon-based crisis in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.
Poor Duncan just wants to colour in. But when he opens his box of crayons, he only finds letters, all saying the same thing: We quit!
Beige is tired of playing second fiddle to Brown, Blue needs a break from colouring in all that water, while Pink just wants to be used. Green…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
When determined Vera is late for school, she uses her wild, funny, and inventive creativity to save the day. This hilarious and original story is buzzing with resourcefulness and passion. It is perfect for learning about standing on your own two feet - and being rewarded for hard work and inventiveness along the way!
When Vera Jewel's bike breaks one morning, she takes matters into her own hands and comes up with some ingenious - and very funny! - ways to get to school. From jumping on her space hopper to making her own catapult, Vera's ideas get more and more adventurous, but nothing seems to get her there on time. It's a good thing that she's one determined little girl who never gives up . . .
Vera Jewel is Late for School is a warm, funny and very original story about determination and creativity, perfect for learning about standing on your own…
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
With simple and stunning illustrations we see long-legged Bob the bird learn to celebrate himself with a relaxed and creative flourish. Once seen, you will never forget those wonderful knobbly knees! Bob’s adventures cleverly and accessibly introduce art appreciation in a whole new way as he celebrates not only his own individuality but that of great artists too.
Bob the bird is just like all his friends, apart from his skinny legs. When Bob is teased, he decides to try and change himself to fit in. But little does he know where all his efforts will lead him...
An affirming picture book for age 3+ about the power of art and of being confident enough to be yourself.
A corrupt kingdom. A rising darkness. Can a broken warrior save a world?
Mithranar is a country divided by ignorance and magic. Oppressed by their winged folk rulers, humans struggle to eke out an existence. Their only help comes from the mysterious Shadowhawk, a criminal who has evaded all attempts…
As a children’s writer I have to draw on my own creativity, celebrate my own ideas and quash self-doubt every time I work on a story. I teach creative writing, run workshops, and visit schools regularly – above all, I want to instill courage and the love of bold imagination in children. Picture book age children have such fantastic creativity and joyous wonder at the world around them. How wonderful to see that creative energy reflected back in a story which will hopefully spark more journeys into wonderful invented places, spaces, pictures, and tales. Imagination has brought me such great joy, I hope I can pass a spark of that onwards...
What a wonderfully creative idea it is to imagine a snail who draws beautiful art with his very own snail trail. This bold and colourful picture book encourages children to notice the small things all around them and delight in the details. This warm story encourages self-expression and celebrates the world around us (big and small) in every colour of the rainbow.
A beautiful, colourful and bold picture book that encourages children to notice the small things, think big, and express themselves! Matisse is a young snail who loves to create beautiful drawings with his trail. The trouble is most of the time people are far too busy to even notice them. It's only when a child notices Matisse's beautiful trails that his art is finally celebrated - and they inspire a whole class of children to get creative too!
My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics.
Hope Farm moved me so much because it conveys the bitter-sweetness of being thirteen, being privy to adults who make terrible choices, and having to adapt to the consequences of those choices. It is about parents who join cults (in this case, a hippy one) and the effects of this on their children. Peggy Frew has such a seductive and captivating way of engrossing the reader in the story through her stunning prose.
A devastatingly beautiful story about the broken bonds of childhood, and the enduring cost of holding back the truth.
“They were inescapable, the tensions of the adult world―the fraught and febrile aura that surrounded Ishtar and those in her orbit, that whined and creaked like a wire pulled too tight.”
It is the winter of 1985. Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new…
Louisa Waugh is a writer, blogger, and the prize-winning author of three non-fiction books: Hearing Birds Fly, Selling Olga, and Meet Me in Gaza. She has lived and worked in the Middle East, Central and West Africa, and is a conflict adviser for an international peace-building organisation. She blogs at The Waugh Zoneand currently lives in Brighton, on the southern English coast, where she kayaks and drinks red wine on the beach, usually not at the same time.
Of all the destinations we can and do explore during our lives, our internal landscape is the most intimate. Without silence, how do we begin to know ourselves, and to see ourselves for who we really are? Sara Maitland moved from being a chatterer to “a silence hunter,” seeking out spaces where she could live alone and savour silent solitude. Her book explores histories and landscapes of silence, from contemplatives to explorers. She nails the difference between bad silence (the kind most of us are terrified of) and the spaciousness of prolonged silence that, eventually, becomes a state of bliss. Don’t be put off by the apparent seriousness of this subject: Sara might be a religious reclusive, but she writes in accessible prose that, ironically, induces the sense you could almost be having a drink together. It’s a brilliant book.
After a noisy upbringing as one of six children, and adulthood as a vocal feminist and mother, Sara Maitland began to crave silence. Over the past five years, she has spent periods of silence in the Sinai Desert and the Australian bush and on the Isle of Skye. She interweaves these experiences with the history of silence told through fairy tale and myth, Western and Eastern religious traditions, the Enlightenment and psychoanalysis, up to the ambivalence towards silence in contemporary society. Maitland has built a hermitage on an isolated Scottish moor, and the book culminates powerfully with her experiences of…
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the world’s power begins to fail, the consequences ripple outward—through prophecy, politics,…
Although I’m an academic by training, I secretly struggle with heavy nonfiction tomes (think: massive histories of long-ago countries). I start reading these with the best intentions but quickly get sleepy, bored, or both, setting them aside and instead picking up a novel, which I’ll immediately devour. That’s why I love memoiristic, hybrid work so much: writing that pairs the intimacy of fiction with the information buffet of nonfiction, where you learn without realizing you’re learning. These books feel like a conversation with a close friend who is intelligent, thought-provoking, and passionate about various subjects—what could be better than that?
I read Olivia Laing’s bookat the height of my own loneliness: isolated, in lockdown, at the beginning of the COVID-19 pandemic. Part memoir, part art history, part cultural criticism, the book managed to be both intimate and expansive—just what I needed as I sat by myself in front of a computer, anxiously refreshing virus graphs.
I became absorbed by the lives of Andy Warhol and Edward Hopper, Henry Darger, and David Wojnarowicz, artists I’d heard of but knew nothing about, and by the various aspects of loneliness I’d never previously considered. It’s the perfect example of the type of hybrid writing that I find truly magical.
Finalist for the National Book Critics Circle Award in Criticism
#1 Book of the Year from Brain Pickings
Named a best book of the year by NPR, Newsweek, Slate, Pop Sugar, Marie Claire, Elle, Publishers Weekly, and Lit Hub
A dazzling work of biography, memoir, and cultural criticism on the subject of loneliness, told through the lives of iconic artists, by the acclaimed author of The Trip to Echo Spring.
When Olivia Laing moved to New York City in her mid-thirties, she found herself inhabiting loneliness on a daily basis. Increasingly fascinated by the most shameful of experiences, she began…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
I have never read a more profoundly sad but philosophically wise novel about the complex bonds of friendship and how the betrayal of those bonds and of one’s own authentic feelings leads to loneliness and even anguish.
I first read this great Japanese masterwork, written by Japan's greatest writer of fiction, over forty years ago, and I revisit it every year, both for the life lessons it continues to teach and for its literary beauty—which only deepens with time.
"The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight. The translation, by Edwin McClellan, is extremely good." —Anthony West, The New Yorker
Kokoro, which means "the heart of things," explores emotions familiar to everyone—love and hate, hope and despair, companionship and loneliness.
Sensei, a man seen against the rich background of old Japan entering the modern era, is outwardly successful. He has position, wealth, a charming wife. But deep in the heart of things, he is harried with a profound sense of isolation whose cure lies only in "faith, madness, or death."…
I am a futures anthropologist whose research centers on anticipated changes within human society. I seek to understand what gains can be made for humanity in various future scenarios, what aspects we must preserve to safeguard what I refer to as ‘sustainable humanity,’ and what is at risk of being lost and who stands to lose. One of the important themes in my work is love because intimacy–whether that be in a romantic, sensual, or friendly manner–is innate to the human experience. In my work, I wonder: if the experience of love changes, does this mean we, as humans, are also changing?
I loved this book, as it describes one of the biggest problems of our day and age: that we are both superconnected and no longer connected at all. By that, I mean that we are constantly digitally stimulated.
We are in touch with friends, colleagues, and strangers, but because of that, we are too tired to truly connect to the important people around us and even with ourselves.
A bold, hopeful, and thought-provoking account by “one of the world’s leading thinkers” (The Observer) of how we built a lonely world, how the pandemic accelerated the problem, and what we must do to come together again
“A compelling vision for how we can bridge our many divides at this time of great change and disruption.”—Arianna Huffington, founder and CEO of Thrive Global
“An important new book.”—The Economist
NEXT BIG IDEA CLUB NOMINEE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY WIRED (UK) AND THE DAILY TELEGRAPH
Loneliness has become the defining condition of the twenty-first century.…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Another profound critique of “civilized” values. Thoreau is like Plato in that he always drills down to bedrock truth: What is it that makes for a good life? Individually and collectively?
Be prepared for longueurs. Those who want a pithier critique along more contemporary lines might enjoy the works of the late Ivan Illich, especially Tools for Conviviality.
Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience.
In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you…
