Books like The Passenger — picked by fans

I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I didn’t become interested in this battle until well into my academic career, when I decided to turn the series of articles on the War of 1812 that I had written into my first book. I quickly became fascinated by the cast of characters, headed by tough-as-nails Andrew Jackson; Baratarian pirate Jean Laffite; and the British commander, Sir Edward Pakenham, who was the Duke of Wellington’s brother-in-law. No less intriguing was the magnitude of the U.S. victory and the British defeat, the profound and lasting legacy of the battle, and the many popular misconceptions about what actually happened in the battle or what might have happened had the British won.

I’m an award-winning author and professor of history at Wayne State College in Nebraska. Called “the dean of 1812 scholarship” by the New Yorker, I’ve written eleven books and more than a hundred articles, mostly on the War of 1812 and its causes. I didn’t become interested in this battle until well into my academic career, when I decided to turn the series of articles on the War of 1812 that I had written into my first book. I quickly became fascinated by the cast of characters, headed by tough-as-nails Andrew Jackson; Baratarian pirate Jean Laffite; and the British commander, Sir Edward Pakenham, who was the Duke of Wellington’s brother-in-law. No less intriguing was the magnitude of the U.S. victory and the British defeat, the profound and lasting legacy of the battle, and the many popular misconceptions about what actually happened in the battle or what might have happened had the British won.

For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.

After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.

I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

Fantasy romance is a broad genre that simply captivates and enthralls me. The combination of romance, passion, action, humor, magic, mystery, and drama ignites this spark in my heart, filling my metaphorical cup of happiness. But what makes these books so amazing is the strong female perspective they are told from. It’s not making tough decisions or embodying their masculine energies that make them strong. It’s their ability to balance dealing with external conflicts while struggling with self-confidence and loving others so completely that makes them such incredible women to read. Those are the stories I want to read, and those are the stories I want to tell.

Vampires are the coolest monsters. Change my mind. Actually, forget it – you can’t change my mind. Because I’m right. I have always – I mean always – loved vampires. Reading about them, watching them – all the things. The first time I read Interview with a Vampire changed me forever as a human. There’s something so universally appealing about these immortal bloodsuckers. Maybe it’s because they stay forever young. Or maybe it’s because they look like humans, therefore, they can often hide (or lurk) in plain sight. As an author of my own monster stories, I find them inspiring. So, here’s a list of my recent favs that you can sink your own teeth into. 

After hurricane Katrina, I was shocked by the scale of displacement and devastation, and the failed government response. I decided to use my planning classes at MIT to assist with rebuilding efforts. Over the next ten years, my students and I worked with several dozen organizations across New Orleans and provided ongoing assistance to three neighborhoods. Through this work and my relationships with many New Orleanians, I learned so much about the city and came to appreciate how special New Orleans, its way of life and people are.   

I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.