Books like The Painted Veil

In 2018, my wife and I walked the Pacific Crest Trail southbound with our four children—Canada to Mexico, 142 days, 2,650 miles. Aiden was sixteen, Georgie eleven. You cannot walk that far with your kids without thinking hard about what you are handing them, because you are handing it to them in real time, in front of you, all day. The books I keep returning to are the ones that take that seriously: inheritance that isn't money. A father's temper. A father's schemes. A way of staying put, or not. These are five that ask those questions, and the trail sharpened them for me.

Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.

Author of Pippo & Clara and Alberto’s Lost Birthday, Diana Rosie writes historical fiction that tells a story first and foremost, while gently uncovering the history of a time and place. In the vast spectrum of the genre, where historians like Hilary Mantel and James A Michener sit at one end, the novels that inspire her most can be found at the other. The books she recommends here are stories to make your heart ache and your soul sing. And they just happen to be set in the past.

I’ve always been interested in books that explore themes of identity, with characters either discovering who they are under extreme pressure or who they’re not. I also love books that work on several different levels, especially ones that seem as if they’re "just" a thriller, but there’s so much more going on underneath. This list has some great examples of that. Can characters in a novel have more than one identity? And do they - and we as readers - always know who we are? I’m a pseudonym, so I should know...

In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.

When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.

I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city. 

I have zero expertise in the climbing world, but I do love to hike and trek in the mountains and just generally be outside in the wilderness or on the water. I’ve hiked up Mount Washington and in New Hampshire, lots of trails in Yosemite and Oregon, and farther afield in Japan, Patagonia, and Nepal. One of the things I love most is how everything falls away when you’re hiking, for example. The calls and emails you’ve yet to return, bills you haven’t paid, issues with your husband or neighbor or a painful conversation with your mom, none of it matters. It’s just you and whatever you’re surrounded by in the moment.

Some look through the glass and admire what lies beyond. I look beyond the glass and imagine what's ahead. What is an adventure? It's an encounter with the unexpected, an exquisite moment in time that can never be repeated, those memorable chapters in our personal story that cause us to go to the attic and lift the lid of the trunk. I've lived the experiences in my books because I walked the beaten paths where those stories were born and embraced the culture that colors the pages. I'm an intrepid traveler and adventurer with still a few personal chapters to write. As I look beyond the glass, I wonder… Will my trunk ever be full?

I landed in Samoa when I was 36 and spent the next 26 years there, working for environmental, cultural, and historical resource preservation. The islands took me in. I found in the islands a natural and social intimacy unlike any I had known possible back stateside. I became committed to conserving it from the incursions of continental crudity. My final 13 years there I was State Historic Preservation Officer for American Samoa. Before I left, I wrote a series of novels to share by illustration what I had managed to learn about the cultural interface.