Here are 100 books that The Outsider fans have personally recommended if you like
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I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
In 1964, the FBI found smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman were driving before they disappeared at the hands of the Ku Klux Klan. Shortly after, Julie Kabat’s beloved brother Luke arrived in Mississippi as a volunteer to assist Black civil rights…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
I liked the book because it is not just about racism, but it grapples with how hate manifests itself in our Western world.
Jensen paints on a huge canvas detailing American racism from the genocidal slave trade through lynchings to the 2000 murder of Amadou Diallo by NYC police and covers a wide range of other cultural horrors as well: the massacres of Native Americans, the Holocaust, the 8,000 deaths from the 1984 Union Carbide gas leak in India and the deaths of 500,000 children in Iraj.
Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
When I was a homeless artist, I stumbled across this brilliant book, and it validated my belief that contrary to what global capitalists believe, free markets outside the West do not spread wealth in the hands of an ‘outsider’ minority but instead generate ethnic envy and hatred among the frustrated, impoverished majorities.
Amy Chua states that billions of poor, exploited, and powerful people around the world (homeless and displaced) watch as the wealthy minority in the United States continues to amass more control, prestige, and tax breaks.
Ironically, Chua points out, although America is viewed “as arrogant, hegemonic and vapidly materialistic, most of the downtrodden would rather be in the U. S. than anywhere else. In 2023, close to 10 million illegal migrants have entered the U.S. via the porous Texas border.
The reigning consensus holds that the combination of free markets and democracy would transform the third world and sweep away the ethnic hatred and religious zealotry associated with underdevelopment. In this revelatory investigation of the true impact of globalization, Yale Law School professor Amy Chua explains why many developing countries are in fact consumed by ethnic violence after adopting free market democracy.
Chua shows how in non-Western countries around the globe, free markets have concentrated starkly disproportionate wealth in the hands of a resented ethnic minority. These “market-dominant minorities” – Chinese in Southeast Asia, Croatians in the former Yugoslavia, whites…
In 1964, the FBI found smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman were driving before they disappeared at the hands of the Ku Klux Klan. Shortly after, Julie Kabat’s beloved brother Luke arrived in Mississippi as a volunteer to assist Black civil rights…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
When I was a homeless artist living on Chicago’s cold streets for six months, it was hard for me to believe in a compassionate Judeo-Christian God. It was difficult for me to reconcile how a just and benevolent God would let African pregnant women be thrown into the Atlantic Ocean and perish with thousands of other slaves.
That is why I became agnostic and was attracted to Sartre’s belief in the essential freedom of individuals, and he also believed that as free beings, people are responsible for all elements of themselves, their consciousness, and their actions. It made me question why I was homeless. Was it because of bad choices in life? Or was it just the experience of being a black male in a racist capitalist society?
Sartre became an existentialist because of the war and an encounter with Merleav Ponty, who taught him the political dimension of human…
Revisit one of the most important pillars in modern philosophy with this new English translation—the first in more than 60 years—of Jean-Paul Sartre’s seminal treatise on existentialism. “This is a philosophy to be reckoned with, both for its own intrinsic power and as a profound symptom of our time” (The New York Times).
In 1943, Jean-Paul Sartre published his masterpiece, Being and Nothingness, and laid the foundation of his legacy as one of the greatest twentieth century philosophers. A brilliant and radical account of the human condition, Being and Nothingness explores what gives our lives significance.
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."
I am Professor Emeritus of History at Baruch College and the Graduate Center of the City University of New York. I grew up in Brooklyn, New York during the turbulent decades of the 1950s and 1960s where there were numerous social protest movements against the War in Vietnam, school segregation, and police brutality. My books explore the men and women who battled institutional racism.
Butler argues that the large increase of police assaults and killings of black men is not a breakdown in law enforcement or the activities of a few rogue cops. The system is doing what it has been designed to do. Police hurt black men, according to the author because “that is what they are paid to do.” Butler maintains that the Chokehold “is a way of understanding how American inequality is imposed.” It is a tool of oppression. One outcome of the Chokehold is mass incarceration. The construction of the thug is a means of justifying the Chokehold. Butler traces the “Ape” or “dehumanization” thesis.
The book contains loads of data showing how in city after city black people are disproportionately targeted by police officers. Programs such as Obama’s My Brothers’ Keeper ignores women and plays into perpetuating stereotypes of black men as the primary victims of racism.
Finalist for the 2018 National Council on Crime & Delinquency's Media for a Just Society Awards
Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction)
A 2017 Washington Post Notable Book
A Kirkus Best Book of 2017
"Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men." -The Washington Post
"The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander's…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I recommend this book because James Baldwin’s brilliant voice and profound writing explore the intersection of personal truths and deeply held beliefs. Baldwin masterfully captures the youth and naivety of John Grimes as he wrestles with sexuality, faith, and the pervasive racism of his time.
This book brilliantly brings these struggles to life while showcasing Baldwin’s gift for conveying complex emotions and societal pressures with intimacy and precision.
'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.'
Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson…
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Bass Reeves, a real individual, was a slave in Texas and, as personal attendant and crack shot, accompanied his owner, an officer in the 11th Texas Cavalry Regiment, into battle during the Civil War.
The lyrical and colorful narrative closely resembles Bass Reeves’s speech and thoughts, so that one flows into the other. That’s fine writing. Thompson reveals in meticulous detail behavioral traditions between owner and slave and between the slaves themselves that reflect the injustice rife at that time.
This is the first novel in a trilogy, and I’m eagerly awaiting the next two books.
Adapted for the Paramount+ miniseries Lawmen: Bass Reeves, directed by Taylor Sheridan and starring David Oyelowo
2022 National Indie Excellence Awards Finalist for Western Fiction
2021 Phillip H. McMath Post Publication Book Award Finalist for Prose
2021 International Afro-American Historical & Genealogical Society Book Award for Historical Fiction in Event/Era
2021 Oklahoma Book Award Finalist for Fiction from the Oklahoma Center for the Book
2021 Will Rogers Medallion Book Award Finalist for Western Fiction
2021 Spur Award Finalist for Historical Novel from the Western Writers of America
2021 Next Generation Indie Book Award Finalist for Historical Fiction (Pre 1900s)
2020…
I started writing about golf years ago… I went from freelancing to working for Golfweek and pretty soon had a career! I thought I had a brilliant idea: a series of mysteries with a golf theme! Then I learned there were about 267 other golf mysteries already out there, starting with Dame Agatha’s Murder on the Links! Oops. I eventually wrote seven Hacker novels, finally getting my golf-writer-turned-sleuth through all four majors. I also published a historical novel set in Scotland (sorry, no golf) and just launched the new Swamp Yankee Mystery series, set in a small Rhode Island town remarkably similar to the one I live in!
I suspect more people saw the movie (starring Will Smith, Matt Damon, Charlize Theron and Jack Lemmon in his final role) than read the book by Steven Pressfield. Too bad, because the book’s pretty good.
It tells the entirely fictional tale of a 36-hole showdown match during the Depression between Bobby Jones, Walter Hagen, and a local hero named Rannulph Junuh and his caddie, Bagger Vance. Grantland Rice and O.B. Keeler are there (famous sportswriters in the 1920s), and, of course, there is a femme fatale. But there is an underlying respect and honor for the game, which makes this novel a keeper.
'A marvellous, life-affirming book' Mark McCormack
'Golf and mysticism...a dazzler and a thought-provoker' Los Angeles Times
'Good stuff...a philosophical fantasy imagined on a golf course, heavy with fog, storm, fireworks and the howling winds of supernatural forces' New York Times Book Review ___________________
In the Depression year of 1931, on the golf links at Krewe Island off Savannah's windswept shore, two legends of the game - Bobby Jones and Walter Hagen - meet for a mesmerizing thirty-six hole showdown.
They are joined by another player, a troubled war hero called Rannulph Junah. But the key to the outcome lies…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Noting my fortune to have been a reader of this book before its official surfacing to the national public, I was first drawn to those poems that again gave me back my memory. Poems reminisced on Migos, Blu & Exile, and others.
Soon after, it's display of self-portraiture unfolded into a mastery of wit, celebrating how music is always a task of discovery first.
“I saw stranger; looked again, I saw friend,” Watkins writes with an intelligence marked by the fruit of reorientation and heart that comes with inhabiting and celebrating your own tribe.
Poems on Black joy, masculinity, and the music that transforms a space into a home
Jorrell Watkins's debut poetry collection is a polyvocal, musically charged disruption of the United States's fixation on drug and gun culture. The poems in Play|House embody many identities, including son, brother, fugitive, bluesman, karate practitioner, and witness. Throughout, Watkins inflects a Black/trap vernacular that defamiliarizes the urban Southern landscape. Across three sections of poetry scored by hip-hop, blues, and trap, Watkins considers how music is a dwelling and wonders which histories, memories, and people haunt each home. Past figures such as John Coltrane, Billie…
