100 Books Like The Order of Forms

This is the one classic text on my list. Marcuse’s book was like a bible to protesting students in the 1960s, and its critique of the psychic levelling that occurs under capitalism remains just as germane today, if not more so. This is the most successful marriage of Freud and Marx that emerged from the famous Frankfurt School, which was a group of cultural Marxist invested in psychoanalysis. Marcuse grasps how capitalism employs technology to ensure its psychic dominance. 

I could really choose any book by Slavoj Žižek as the starting for a psychoanalytic critique of capitalism, but this one is very accessible for someone who has never read him. It also gets into the current dilemmas that are rocking capitalist society. In this book, Žižek shows how psychoanalysis (combined with Hegel’s philosophy) can provide a corrective to the traditional Marxist critique of capitalism. We see here how the attempt to construct an ethical capitalism inevitably fails and obscures a new barbarism. 

Although Ruti’s book is not directly about capitalism, it includes perhaps the best psychoanalytic proposal of confronting the imperatives of capitalist society that I have ever read. Ruti discusses how sexism operates within capitalism primarily in the book, but her point is always about how concepts from psychoanalysis that seem retrograde—such as penis envy—can actually be the basis for a critique of capitalism and sexism. 

Tomšič basically identifies why psychoanalysis is an anti-capitalist technique and how it emerged in response to the social structure of capitalist society. Psychoanalysis counters resistance to psychic change and to social change, a resistance that manifests itself in capitalism. Tomšič very nicely sees how the neurotic suffering that psychoanalysis treats is the result of one’s integration into the capitalist system, which is why treating it requires an anticapitalist method.  

I have spent more time with this book than with probably any other, and I still learn new things from it all the time.

Parts of it are very hard, but that’s because Marx is trying to show how the whole world is put into motion by economic power, money, and competition. But he also knows how to liven up even very technical parts of the argument with dark humor, arresting images, and biting sarcasm. 

It took me a long time to figure out what Deleuze and Guattari were up to in this book, but it was well worth it: this book presents the most compelling interweaving ever of the thought of the 3 great materialists of the 19th century: Freud, Marx, and Nietzsche.

I have always been somewhat skeptical of psychoanalysis, but I really like the way the co-authors use Marx to historicize both Freud’s psychoanalysis of the family and Lacan’s psychoanalysis of language and then use Nietzsche to add a condemnation of ressentiment and ethics of joy to the Marxian critique.  

I find many attempts to psychoanalyze authors disrespectful and poorly thought out, but this is an exception. It offers a unique perspective on the interrelationship between Tolkien’s life and art.

It is well-argued, convincing, and beautifully written. It gets deeply into the WHY of Tolkien’s art without being invasive or overly speculative.

Webster’s book is one of the best assessments of psychoanalysis.

Freud persistently claimed that psychoanalysis was a serious science. It met with hostility because it had insulted the world: by emphasizing the influence of the Unconscious on our behaviour and the role of sexuality in human life. Naturally, Freud’s claims came under scrutiny.

Webster criticizes psychoanalysis as "one of the most subtle attempts to use reason in a magical manner." Psychoanalysis is not explanatory and protects itself against refutations. Webster traces the history of the psychoanalytic movement.

The book is excellent because of Webster’s grasp of primary and secondary literature, his lucid prose, and his understanding of Freud’s influence. My book also comes to the conclusion that psychoanalysis is not some kind of physics of the psyche.    

One prominent feature of Žižek’s oeuvre that initially brought him to fame is his impressive ability to make Lacan’s writings and ideas crystal-clear and tangibly concrete—and this by contrast with Lacan himself, who often is described as “notoriously difficult.” Écrits is Lacan’s magnum opus, containing his most important essays and articles from the 1930s through the mid-1960s. Although the volumes of Lacan’s Seminar are comparatively easier to read, Écrits provides the single most comprehensive survey of Lacan’s thinking provided by Lacan himself. This 1966 book contains such Lacanian contributions to psychoanalytic theory as the mirror stage, the unconscious structured like a language, and the Real-Symbolic-Imaginary triad. Neither Lacan nor Žižek can be fully comprehended without a tour of the Écrits.

Freud has had a massive influence on Western culture: he created the "psychological human." People interpret slips of the tongue, strange dreams, or neurotic behaviour almost automatically in Freudian terms. Freud never wrote a textbook on psychoanalysis.

In these lectures, which were held at the University of Vienna during World War I, he presented the full range of his theories and observations. It covers Freudian slips, dreams, neuroses, and sexuality. (The unfinished Outline of Psychoanalysis, 1938, includes the Id, Ego, and Superego.)

Freud is a very persuasive and stylish writer who presents his theory as if it were a natural science, comparable to physics. He claims that his contemporaries were hostile to psychoanalysis because of its explosive revelations about human nature. He explains why his theory allegedly completed the Copernican revolution. Freud describes his findings and sets them in a cultural context.