Books like The Old Social Classes and the Revolutionary Movements of Iraq — picked by fans

The seemingly eternal conflict in Israel/Palestine means that many readers know some basic facts about the place. But much of its history remains unknown.

What I love about this book is its patient and lucid exploration of one of such little-known histories: that of Jewish and Arab workers and how they once collaborated against all odds in the waning years of the British Mandate of Palestine, all the way up to the foundation of Israel in 1948. 

I first read this book years ago as part of my graduate studies, but its stories and characters have remained with me throughout the years

I first came across this book as an undergraduate student many years ago. I was drawn to the book because it covered a topic that was not very common at the time, namely the Egyptian working class. Beinin and Lockman’s study of how the working class navigated the three major intellectual currents of the late nineteenth and early twentieth centuries—nationalism, religion, and Communism—opened my eyes to social history as no other book had done. Workers on the Nile analyses how Egypt brutally is drawn into the global capitalist system in the nineteenth century and how this process produced a native working class (alongside a large community of European ex-pat workers). Gradually the working class comes of age by organising its labour, and eventually, this gives rise to more radical politics in the shape of Communism, Islamic activism, and nationalist tendencies.

I found this book very interesting as it re-examines the early period of the Communist movement in Egypt. The history of Egyptian Communism has been extensively studied, but Ginat’s book was able to bring something new to the discussion by analysing previously unstudied Soviet archives. He demonstrates the important role Eastern European and native Jews played in the movement's early days—a role that subsequent generations of Communist historians had largely edited out. The book is rich with detail and provides a genuine insight into the motivations and hopes of those Jewish activists who thought they were building a better world on the shores of the Eastern Mediterranean.

This is the go-to book for the early Communist movement in Iran. Unlike the Arab countries of the Middle East, where Communism slowly spread in the early decades of the twentieth century, Iran experienced Communism as Soviet foreign policy in a direct manner. Bordering the Soviet Union, northern Iran was the subject of early attempts to spread the Communist creed in the aftermath of the October Revolution. Zabih’s book tells the story of those early inroads and the Iranian activists supporting the new ideology. The early attempts failed, but by the 1940s, the Communist Tudeh Party had emerged as a popular mass party. Zabih’s narrative is lucid, and his research is based on Soviet and Iranian materials. 

A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.

This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space. 

Becky Sharpe is a character impossible to forget.

Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.

One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.

The Selection is based on reality TV shows like The Bachelor – only he’s a prince and girls compete to be selected into a life of royal privilege.

Just one problem for America Singer, she’s already in love with someone from a lower class and isn’t interested in crowns or jewels…until she meets the prince and realizes not everything is as it appears.

Fated or chosen mate relationships aren’t just a YA dystopian trope; finding the perfect partner is something most of us aspire to, and it’s always thrilling to read about a heroine who refuses her destined path and challenges the social status quo; throwing away a happily ever after in favor of freedom and adventure strikes a chord I can relate to.

Wellborn Margaret Macy is not used to hard work, so when she falls on hard times and disguises herself as a maid in a gentleman’s palatial home, she’s going to have difficulties. However, it’s not just a matter of getting the silver shiny as she also has to remain undetected by her employer…who tried to court her not so very long ago.

I loved this book because it reminded me of how brutally the Suffragettes were treated, even by their own families.

I loved the history behind the story, which included World War I and how women looked after their families in a time of great poverty.

At times, I was angry for the heroine, but I loved how her fortitude and resilience to survive made me feel empowered. In the end, it was an uplifting story of hope and love. 

I’ve often thought that discrimination against poor people is the last socially acceptable prejudice. Kahlenberg proves me correct.

While racial segregation has declined, economic segregation has increased exponentially. Kahlenberg exposes the myths and false arguments that justify economic discrimination. He shows that excluding the poor is most common in liberal communities on the two coasts.

Research demonstrates that where we grow up has a powerful effect on our ability to succeed in school and the job market, demolishing the idea that we are a meritocracy and that rich people deserve to live behind invisible walls in privileged communities.