Books like The Obituary Writer — picked by fans

I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.

It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”

I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.

Years ago, I watched a documentary on the orphan train movement, which took place between 1854 through 1929. Coordinated by the Children’s Aid Society in New York City, amidst the cholera epidemic, an estimated 250,000 children became orphaned and subsequently homeless or abandoned.

The Children's Aid Society devised a plan to transport orphaned children by train to homes in the West to solve the orphan crisis and address the inadequate welfare institutions of the day. Many children were helped, and others became victims of families looking for cheap labor.

This book holds a special place in my heart because I had always intended to write a story about this movement. Then, one day, walking into Barnes & Noble, I saw this book on the best-sellers rack. Needless to say, I was inspired to start writing my own novels and berated myself for not having done so sooner!

I love this book because it has everything, believable, engaging characters, a riveting plot, a vivid setting, and a cause. Larger-than-life Margery O’Hare and lady-like Alice are unlikely friends, but friends they become in this great story.

When I first saw photos of those "librarians on horseback," the wonderful women who responded to Eleanor Roosevelt’s call to take books to the rural poor of Kentucky in the depressed 1930s, I longed to know more. Jojo Moyes gives us lots more. There’s an array of well-drawn characters, but it’s Margery and Alice who drive the story forward, defying the odds to achieve their aims and find men who love and appreciate them.

Yes, it’s a love story, too, and a whodunnit? Perfect!

I recommend One for the Blackbird, One for the Crow for three reasons. First, it’s set in the same general time and place as my novel and depicts many of the hardships that frontier women faced in the second half of the 19th century. It also tells a story about an unlikely but necessary friendship, thematically akin to my novel. And finally, the prose is lovely and a joy to read.

Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.

It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.

The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.

Mr. Belsky’s media background is in newspapers, magazines, and TV/digital news. Yesterday’s News is the first in his series featuring Clare Carlson, the hard-driving and tenacious news director for Channel 10 in New York City. When eleven-year-old Lucy Devlin disappeared on her way to school more than a decade ago, it became one of the most famous missing child cases in history. The story turned reporter Clare Carlson into a media superstar overnight.

Now Clare once again plunges back into this sensational story. With new evidence, new victims, and new suspects—too many suspects. Everyone from members of a motorcycle gang to a prominent politician running for a US Senate seat seems to have secrets they’re hiding about what really might have happened to Lucy Devlin. 

I love Mr. Belsky’s Clare Carlson series because they’re fast-paced and thought out and the protagonist is easy to identify with.

I love a good family drama where there’s a found family.

A young reporter is assigned to write the obituary of an alive woman, Mrs. Kip. Mrs. Kip lost her husband, never remarried, and never had children. But she lived what could appear to be a thousand lives as she held different roles and careers throughout her life.

In order for one job/role/calling to end, a part of her had to die. Now, faced with a young blonde who favors her, Mrs. Kip feels as though maybe this is the daughter she never had, the daughter who would listen to the stories, the daughter that might not be family by blood, but family by heart.

This story gave me a lot of “spread the Gospel” vibes, but also reminded me to not sleep on the seniors in our lives. They have a lot to offer, too. 

As a former journalist and magazine editor, I’m all too familiar with the ongoing demise of print media, and so I found myself identifying with protagonist Kate Waters, a journalist fighting to keep her newspaper job by looking for the next big story. Kate thinks she may have found it after reading a short article in her evening newspaper: the discovery of the skeletal remains of a baby at a construction site. 

Skillfully told from multiple POVs, this is as much a book about what could have been as what may—or may not—have happened, and Barton is undeniably equal to the task.