100 Books Like The Nest That Wren Built

Both Jennifer Ward and Diana Sudyka are two of my favorite kid lit creators, and this brilliant collaboration begs to be read aloud. Ward’s lyrical text sings as an introductory guide for the littlest bird watchers, showing them where to look for birds: up to see them fly and roost—but not just up—down on the ground where birds nest, straight ahead where they blend with bark, on and under the water. And if you put out a birdfeeder, all you need is a window-view. But what’s the best way to find a bird? To listen—birdsong is all around us! Sudyka’s gorgeously intricate art paints the avian details of all the found birds. Don’t miss the back matter for bird-watching tips.

Sitting on the bookshelf horizontally (swing on top)—I was intrigued the moment I laid eyes on it and it did not disappoint. 

Just about every book I own is structured the same with the spine is always on the side of the book. But this book has the spine on top!  I opened the book and flipped the pages up as Mel falls down the tree. Then, through the clever illustrations and design of the text, I wound up turning the book upside and found myself flipping the pages down to make Mel fly back up the tree.  What sorcery was this?

I’ve seen many illustrators try to have readers turn a book, but I have never had such a smooth and seamless experience!

In mostly rhyming couplets, Sayre’s book celebrates the lowly turkey vulture, an unsung and underappreciated creature that plays a very vital role in maintaining a healthy ecosystem—scavengers are nature’s clean-up crew! View vultures as they circle, soar, and glide on thermals, up, UP! Watch them sniff, search, seek and eat things that reek, the more rotten the better. Vultures feast, then clean and preen. At night, they roost and rest in trees like families. Jenkins’ cut paper collages complete this homage to the venerable turkey vulture. Explore more turkey vulture facts in the concluding pages.

Yolen and Stemple are a mother-daughter dream team duo and creators of many bird books including Yolen’s classic, Owl Moon. This birdy-lullaby has a soothing read-aloud rhythm as a mother tucks her tired nestling-child in bed. She recounts the places where various birds nest, from pigeons on ledges and catbirds in hedges, to owls in oak tree boles and hawks on telephone poles bound by the reassuring refrain, "You nest here with me.” Sweet’s blue-green color palette offers a calming and soporific counterpart and a nod to night-time. Learn more about the featured birds, their diet and nesting habits, and this birding family in the book’s back pages.

The Lion and the Bird is the perfect friendship book for quiet times, for easing into the day after just waking up or for calming down when it’s time to say goodnight. Adults and children alike, will be drawn into this sweet story, where the lion discovers an injured bird, nurses it back to health, then waits for it to return the next year. The combination of the gentle text with the charming illustrations makes my heart swell every time.

This is another delight that we found in our local library. The illustrations and design of Little Bird’s Day are exquisite – the background colours of the page change as the story moves through the day and at night the page is covered in stars except for the outline of a bird as it dreams about flying across the sky. The story is beautiful and the artwork by Johnny Warrkatja Malibirr is outstanding. It is no surprise that this book was nominated for several book awards in 2020. It should have won all the prizes. Another excellent Indigenous author and illustrator that I hope more people will read and share with their families.

This is a wonderful book. The iconic song of the blackbird takes the author into a series of exciting reflections that complicate a whole range of concepts often applied to birds, such as dance, space, and territory. I was repeatedly struck by her insights into the lives of birds.

I am amazed by the way she brings bird biographies into focus. At a time when birds (and other animals) are still often seen either as empty categories or simply good to think with, such a perspective feels like a fresh wind. As Despret observes, bird songs are in the process of vanishing. I am inclined to think of her powerful book, with its metaphoric uses of the song of the blackbird, as echoes from Rachel Carson’s warnings in Silent Spring.

The thing I love about the subject of this book is that it is visible all around me. The great yearly drama of the nesting season is the most exciting part of watching birds. This is where the good stuff happens: song and courtship, battles over territory, the miracle of nest construction, the cuteness of babies, and the development of monogamy. 

Heinrich’s book opened my eyes to this story. He merges his deep scientific knowledge with personal observation, making that broader understanding applicable to what I can observe myself. He explores the different ways birds have of living their lives, constantly asking how we can explain those patterns not as random assemblages of behaviors but as comprehensible evolutionary strategies. He makes birds make sense.

Bob Bateman is a great wildlife observer and a consummate artist, passionate about conservation. This beautifully illustrated book carries the message of care for the environment, its inhabitants, the world! And it carries it in gentle words and striking artistic paintings of nature. His paintings are accurate and realistic, made with superb artistic skill, I love to just flick open the book and stare. It makes you realise the beauty of the natural world. I have met Bob a couple of times, he is a thoughtful, measured, and highly knowledgeable man. His artistic skill is extraordinary.

The Syrian refugee crisis is the largest in the world, with over 12 million displaced people. As an elementary school librarian in a diverse city, I would have loved to read this book to every class. I appreciated that the story wasn’t violent yet managed to show what the boy and his family had to escape. I think any aged child from any background could care about this Syrian boy as I did.

Told in first person, the boy misses and worries about the pigeons he raised as his family flees their town (bombed in the distance). I was struck by the illustrator’s palette choice—realistic but respectful of a child’s sensibilities. Dark smoke and flames engulf the town, but the brightly-coloured family survives.

In the refugee camp, the boy’s father plants a life-sustaining, vibrant green garden. In time, the boy feeds and cares for the birds again. When a traumatized… show more.