90 Books Like The Nature of Horses

People don’t often think of horses as urban dwellers, but until the 1930s, American urban life depended on the thousands of horses who were residents, workers, commuters, and consumers. A banker in Boston encountered more horses than a cowboy in Colorado. Tarr and McShane describe urban horses as “living machines” used for mass transit, individual transportation, delivery, construction, manufacturing, and city services. The authors present a wealth of fascinating information and ideas about this relatively unknown aspect of history. The topical organization about how human urbanites obtained, used, supplied, doctored, managed, and maintained equine urbanites makes it easy for readers to dip into the sections of the book that catch their interest.

This book traces the connections between horse breeding, biological science, international commerce, and foreign relations in the nineteenth and twentieth centuries. Derry focuses on three large topics: the breeding of large draft horses, international military horse markets, and government breeding programs. The horse market was essentially a warhorse market. I love how this book shows that looking at something like horse breeding leads to a better understanding of things like political economy and foreign relations. Breeding beliefs and practices reveal a lot about society and culture, and the military material is fascinating. I also recommend the chapter on horse culture that looks at literature and painting (the author is herself an accomplished painter).

Swart makes a big argument: studying horses changes how we understand all history. This sweeping overview shows that “The history of horses is the history of the desire for power” whether economic, political, military, social, or cultural. The history of horses in South Africa offers an interesting comparison with both the American West and the American South in terms of frontiers, the military, race, class, and gender. Swart is a lively, funny, and entertaining writer. The fieldwork she did for this book gives the reader a visceral sense of what South Africa is like as a place. What is there not to love about a book with chapter titles like “The Reins of Power” and “The Empire Rides Back?”

Horse stealing was more than theft of valuable and essential property. Matthew Luckett explains that on the Great Plains horse stealing “destabilized communities, institutions, nations, diplomatic relations, and cross-cultural exchange.” Luckett challenges many popular notions about horse thieves (for starters, they were not hung).  There were different kinds of horse theft and horse thieves. Don’t be misled by “Nebraska” in the title—this book shows that horse stealing had regional and national repercussions.   Luckett is an engaging writer, and this book is extremely readable and filled with compelling stories. I particularly recommend the chapter “The Horse Wars” about the role of horses in the war the U.S. Army waged against the Indians. 

Prior to reading this book, I had no idea how important saddle fit and tack were for the horse or how much damage they could do.

This book was the reason I decided to learn how to become a saddle fit evaluator and took the author's certification course. He is a huge inspiration and has changed my life and my horses' lives for the better. 

This charming Beginner Book from 1962 delighted me in childhood and delights me still. It’s the story of a hardworking horse, Robert, who is handicapped by a rather severe allergy to roses. Roses make him sneeze, but it’s not your garden-variety sneeze. It’s a volcanic sneeze that upends everything in its path. Seeking his fortune in the big city, Robert undertakes a succession of jobs, only to be undone at each by his misfortunate malady. Will Robert ever achieve job security? The hilarious P. D. Eastman illustrations make this an enduring classic.

I really enjoyed this young adult novel and felt I traveled back in time to my younger self while reading it. The author’s characters, particularly Lucy, speak to readers' emotions, and Brittney Joy winds them into a good plot and a compelling story. I almost read this in one sitting and ordered the next in the series shortly thereafter. I’ve now read all three, and each is unique, while readers get to meet up with some of the same characters and watch them grow. A great read for horse lovers and those who appreciate “sweet romance,” no matter the age.

I first discovered this wonderful story decades ago in my youth, when I read everything I could find with a horse in it. Many years later, following a catastrophic riding accident, I found this book tucked away on a backroom shelf. I immediately recalled that Judy’s struggle was precisely the one I was then facing, and I spent the afternoon re-reading her story. There may be something enduringly healing about the stories we love in childhood, because the power of Anderson’s story helped me recover my confidence with my horses. An added bonus of Anderson’s books are his masterful sketches which capture the essence of the horses at the center of his stories, and Afraid to Ride includes some of my all-time favorites.

This true story was one of my favorites growing up, and I’ve read it many times. Annie is a polio survivor with a limp, but this doesn’t stop her from riding the range.  Neither does being a girl stop her from battling a terrible situation: the slaughter of mustangs. Annie risks her life to photograph mustang roundups and then takes the fight to the US government, finally getting a bill passed to prevent the inhumane treatment of wild horses. So inspiring!

Some books stay with you for a lifetime. Such is the case with Black Beauty for me.

This historical fiction novel (although it wasn’t “Historical” when it was written!”) is considered a classic because of its staying power and message. Anna Sewell’s work inspired the creation of the ASPCA because of the depictions of animal cruelty in the book.

Now, half a century later, it has inspired me to not only write historical fiction horse stories but I also chose to write in first person from the horse’s point of view the way Black Beauty is written.