Books like The Nature of Entrustment

I love this book because it amply illustrates the ways global geopolitics damage far less powerful countries, such as Eritrea. Wrong shows how stronger countries’ national desires deeply limited the opportunities of those in a small country. The Italians were Eritrea’s first occupiers. They were defeated by the British and the tens of thousands of Ethiopian and Eritrean soldiers who fought alongside them.

The book’s title comes from a legend of an old woman thanking the British for their release from Fascist rule. He told her he “didn’t do it for” her. And indeed, the British did not. After their victory, they stripped and destroyed a great deal of the well-built Italian infrastructure. The Italians were followed by Ethiopia, who claimed historical rights backed by key global players, leading to a long civil war.

Wrong’s tale is a haunting one for many reasons. One is that the wrongdoers seem to… show more.

I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.

It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.

I loved Rist’s book because it totally changed the way I thought about the idea of development. It made it more complicated and far more sinister than I had been led to believe. His definition alone is provocative: development destroys social and environmental systems. But there is much more here to get one thinking.

He starts by saying that development is a plastic word with so many different meanings that it can apply to almost anything. He traces its use in the West and then its application as a universal ideal through foreign policy and international institutions (like the United Nations and World Bank). The result is global disparity. Development somewhere requires poverty (or less development) elsewhere on a finite planet.

I love Ferguson’s book because it seeks to be useful rather than academic. He uses the category of “Africa” to understand large-scale dynamics that have perpetually underestimated or misunderstood the agency of Africans.

For example, globalization is not passing over Africa; it is deeply implicated there but in isolated ways that perpetuate inequalities rather than erase them, as globalization proponents promote. Or that global capital can thrive in a failed state without peace, property law, or many other attributes of the modern state.

Again, like in all my book picks, Ferguson is eager to show how Africa’s role in global society is not in the shadows but in full sun, illuminating aspects of our world order that many would rather not look at straight on.

One of the best examples of “history from below” I’ve read.

It tells the well-known story of David Livingstone’s last journey–how after he died in tropical Africa, his servants marched his body across the continent to the port of Dar es Salaam, so that it could be shipped back to England and buried there with appropriate pomp and reverence. This forms the framework for an utterly original novel that presents this epic trek from the perspective of two of Livingstone’s slave servants: his feisty Muslim cook, Halima, who brings her gossipy sardonic perspective to the enterprise, and his devout and pompous body servant Joseph, a Christian determined to do right by his master.

This work sparkles with energy and humor, as well as presenting a fresh perspective on a well-trodden path.

There are thousands of histories of Africa, but only this one ties together environment, economy, demography, and society. In just 300 pages Iliffe presents Africa’s history from the birth of humankind to the mid-1990s. His history of Africa is the story of hardship and social adjustment in which population numbers are not just the result of variable, though mostly unfavourable, environmental situations, but a tool of survival and progress. This social adjustability, different as it may be from European patterns, allowed the continent’s people to build one of the greatest civilisations on earth. It carried them through natural disasters, invasions, the slave trade, and colonial brutalities, but it struggles with the present pace of demographic expansion – the result of modern medicine and globalisation. 

I love the Jimmy Paz novels. I wish there were more of them. Gruber’s are the most conventional crime plots on my list—tightly-crafted, intricate, and intelligent. His detective is the archetypal hero: smart, resourceful, big-hearted, brave. But in this world, science and rational deduction are insufficient to solve the crime because reality is not just unknown. It is unknowable. This is the cardinal sin of the detective genre. Even worse, Gruber completely gets away with it. With forays into Siberian Shamanism and Santeria, Tropic of Night is as much an investigation of consciousness and perception as it is the hunt for a murderous warlock. When the orishas finally arrive for the climax, my hands trembled. I got some small inkling of what it means for the fear of god to be the beginning of wisdom.

Ngugi wa Thiong'o is not just a celebrated writer, but a respected critic of African literature, known for his advocacy of African languages. In this book, wa Thiong'o provides an exploration of slavery’s effects on the historical, cultural, and literary lives of Africans. His focus is on the fragmentations that slavery created in African identities and how these play out in literature. The book advocates for a re-membering of fragments created by slavery. I think this book – and frankly any work by wa Thiong'o – is a necessary addition to the collection of any reader interested in African literature, particularly the legacy of slavery and colonialism in African writings.  

It's the first of its kind, the first installment in a line of Year's Best African Speculative Fiction anthologies meant to spotlight the works of African writers and writers of African descent. Year's Best anthologies have been a genre thing for over 5 decades. This is an important installment in the development of African speculative short fiction. It was published by the editor as well in a small press he founded, Jembefola Press. The anthology made him the first African editor to be a Hugo award best editor finalist and a Locus award best editor and best anthology finalist.

Written in a riveting style, this book by Black British writer and photographer Johny Pitts likewise combines personal narrative with journalism and historical research. Pitts recounts his journey visiting numerous, often invisible Black urban communities across the European continent. By highlighting their lived experiences and identity formations, Pitts’ account challenges conventional understandings of ‘Black Europe’ and the ‘Black Atlantic.’ These are too often drawn from the Black British experience and its connections to the Americas, even though the majority of Europeans who identify (or are identified) as Black live on the continental mainland, speak languages other than English, and came to Europe after World War II. Memories of slavery and the transatlantic slave trade accordingly are not always central to their identities. Above all, the book uncovers the multi-layered and personal meanings of ‘Blackness,’ while underscoring the poignant ways in which those whom Pitts dubs as ‘Afropeans’ in individual European… show more.