100 Books Like The Naked Sun

Reading this book reminded me that understanding another person is a continuous struggle, and that we lose the most when we mistake appearances for truth. Even for someone like Genly, an emissary whose role is to bridge cultures, truly understanding Estraven proves painfully difficult.

What stayed with me was the tragedy of that gap: how insight often arrives too late.

Estraven’s sacrifice, made so that Genly could reach safety, and Genly’s decision to visit Estraven’s family afterward, left me with a lingering sense that remembrance itself carries moral weight. Sometimes understanding cannot undo loss, but memory—how the living choose to carry it—can still salvage a trace of good from tragedy.

Le Guin’s novel taught me that empathy is not a destination, but an act that must be fought for, again and again.

Set in man’s far future and vast in scope, I was plunged into this novel without managing to catch my breath. This is science fiction that epitomizes the best in the genre: a powerful story, strong characters, vast vision, and lots of drama.

It is a hard book to put down, and I did not want to! I enjoyed the intricate tapestry the story weaves and, importantly, entertains. The interaction between the main characters is vividly real, as are genuine emotions vented when it is revealed an alien species manipulated man’s development. I would be kind of sore at that as well. This novel left me appreciating powerful writing and gave me a lot to think about, influencing my own writing.

I have the 1971 paperback printing of More Than Human, with the Robert Pepper cover art. The book has a special significance for me; although unrelated in plot, it has similarities to my book: it is science fiction, has an unusual structure, a complex timeline, deals with psychology, and features investigation and discovery. The fact that it was written in 1953, before the Internet, Earth satellites, personal computers, and cell phones, facilitates the reader’s attention to the rather complex story. Seven individuals, Lone, Janie, twins Bonnie and Beanie, Baby, Gerry, and Hip, are exemplars of inequality, with peculiar capabilities and shortcomings. The German word gestalt, meaning the forming of a pattern, describes how, together, they embody the next step in human evolution.

This was my very first science-fiction read, when I was around ten or twelve years old, and it never left me.

I was deeply shaken by the bond that grew between two sworn enemies who initially wanted nothing more than to kill each other. I was afraid for them, stranded on a hostile, alien planet, and I cried not only when Jerry died, but also when Samis tried to imitate Willis, lifting his three fingers and staring at the human’s five, asking if more would grow.

What stayed with me most was the moment when the human went to the Drac world to bear witness for Jerry and Samis. Since then, I’ve carried one line like a personal mantra: “Go ahead! Go ahead and blow, you kizlode sonofabitch! You haven’t killed me yet!”

This book taught me, very early, that humanity can survive even where ideology insists it shouldn’t.

After reading Ender’s Game, I didn’t expect Speaker for the Dead to change register so completely. New characters, new worlds, new species… almost nothing feels the same.

And yet, when you look closer, the core questions remain: how we communicate across difference, how quickly we judge, how often we interpret others through our own narrow lens. Suddenly, Lusitania doesn’t feel so alien after all.

This book was a very different reading experience for me. Deeper, more mature, and far more demanding. Beneath its often gray imagery, something universal emerges. I would call it “human,” but that would miss the point.

What Speaker teaches is precisely that love, friendship, life, death, and memory are not human concepts—they are fundamental to life itself.

I really enjoyed this book firstly because of the complete plausibility of the scenario, an extraterrestrial pathogen that comes to earth about which we are powerless to do anything.

Crichton’s medical background is on solid display here, and it is intriguing to experience the author’s very first fiction effort, knowing, as we do, the many great stories to come in the ensuing years (Jurassic Park, etc.). I also very much enjoyed the idea of a group of talented people from a wide range of disciplines working together to tackle a challenge of immense importance. 

I was at a hospital, waiting to see my mother, who was recovering from an operation. Bored, I walked to a nearby store that sold snacks, magazines, and books, and picked up a paperback that looked interesting. I was thirteen and The Power was the first science-fiction book I read. The book begins with a meeting of a Navy committee for human research, conducting experiments on superior abilities that enhance the performance of military personnel. Before the meeting is over, the men and women attending discover that among them there may be a very unusual person, one so superior as to present an existential threat to lesser humans. Robinson, a Navy veteran of Korea and WWII with degrees in physics and journalism, deftly explores a possible path of human evolution.

This is my favorite book in the Dune series because it feels like a monumental leap from the human frame to an almost godlike view.

And yet, Leto II remains deeply vulnerable in profoundly human ways: the need to love, the fear of solitude, the longing to be understood. What struck me most is how a character gifted with prescience willingly becomes an antagonist in order to save those who will hate him for it.

Leto’s repeated attempts to bring Duncan back felt less like control and more like longing for a companion, for memory, or for a link to a past only he remembers. He carries an entire history inside himself while the world around him distorts that past through its present suffering.

That Leto is misunderstood, despised, and yet fully aware that he will die for others makes the novel both tragic and unsettling.

I dearly loved Isaac Asimov's vision of the robot. Although the idea of a mechanical man has entertained audiences for hundreds, if not thousands, of years, Asimov dealt with the reality of how humans will coexist with our intelligent creations. 

Prior to Asimov's three laws we had always thought of robots delivering evil as surrogates of their evil masters. And always with human intent. Evil emperors trying to rule the world is typical. But Asimov showed us the danger of machines that are their own masters. 

Machine learning and reasoning are now a reality different from anything humans can conceive. We are limited in our comprehension of machines by our biology and evolutionary context. But they are not limited in their comprehension of us or themselves. Just ask AlphaGo move 37. I am certain Asimov's three laws will never be enough to ensure our survival in a world where we… show more.

This collection of robot-themed short stories is the overspill from Asimov’s more famous I, Robot, but I think it contains some of his better ones. It includes Satisfaction Guaranteed, which provided part of the inspiration for my book. Key to the book’s appeal to me when I first read it as a teenager was the way several of the stories show the human side of steely spinster robopsychologist Dr. Susan Calvin. I wanted to be her at age 14! My persistent favourite was Asimov’s favourite too, Galley Slave, about a proofreading robot; perhaps the reason for both of us is because it so obviously draws on his insider knowledge of book production.