Here are 100 books that The Murder of Harriet Monckton fans have personally recommended if you like
The Murder of Harriet Monckton.
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I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
This is one novel that I can truly say kept me up all night until I’d finished all 548 pages, despite a headache and sore eyes!
A thrilling tale of deception, betrayal, and ingenuity by one of my all-time favourite writers, Fingersmith tells the story of two women from very different social classes. One is a young thief, the other from an aristocratic family, a secretary to her corrupt uncle.
In the course of the novel, their intertwined history is exposed, along with the conspiracy to steal Maud’s fortune. There are vivid, Dickensian scenes of Victorian London and Gothic elements to the romance, but I especially admire the multiple, breathtaking plot twists. I wish I’d written it!
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.
Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.
London, 1863. Bridie Devine, the finest female detective of her age, is taking on her toughest case yet. Reeling from her last job and with her reputation in tatters, a remarkable puzzle has come her way. Christabel Berwick has been kidnapped. But Christabel is no ordinary child. She is not supposed to exist.
As Bridie fights to recover the stolen child she enters a world of fanatical anatomists, crooked surgeons and mercenary showmen. Anomalies are in fashion, curiosities are the thing, and fortunes are won and lost in the name of entertainment. The public love a spectacle and Christabel may…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Ask anyone to name a Victorian detective and they’ll almost invariably say Sherlock Holmes.
Books written in the tradition of the Conan Doyle stories don’t always work, but The House of Silk smashes it. Holmes and Watson are drawn into a case of apparent stalking that soon descends into something much darker, involving the mysterious ‘House of Silk’.
The novel traverses London, from privilege to abject poverty. What Holmes and Watson uncover is shocking and draws back the veil on the darkest of secrets. Just as you’d expect with Horowitz, this is a real page-turner but it’s not afraid to examine the more depraved side of Victorian life.
For the first time in its one-hundred-and-twenty-five-year history, the Arthur Conan Doyle Estate has authorized a new Sherlock Holmes novel.
Once again, The Game's Afoot...
London, 1890. 221B Baker St. A fine art dealer named Edmund Carstairs visits Sherlock Holmes and Dr John Watson to beg for their help. He is being menaced by a strange man in a flat cap - a wanted criminal who seems to have followed him all the way from America. In the days that follow, his home is robbed, his family is threatened. And then the first murder takes place.
"I'm Nicky. Your little sister." With these words from a stranger, Hilda's quiet existence in a marshland cottage with her rescue cats is turned upside down. She resolves to find out the truth about her parents' marriage, her father's secret life and her mother's untimely death.
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
Do not be put off by the fact this book, and the others in the Sally Lockhart quartet, are often marketed as children’s/YA literature. Like the best of fiction, they transcend categorisation.
The Ruby in the Smoke introduces us to the indomitable Sally Lockhart, orphaned and forced to uncover the secret behind her father’s death. She’s feisty and fiercely independent, navigating her way in a world where the chips are stacked against her. Pullman provides us with an impeccably researched foray into the 1870s, all wrapped up in a hugely entertaining read.
The first book in Philip Pullman's classic SALLY LOCKHART quartet in a beautiful new edition to celebrate the 30 year anniversary.
Soon after Sally Lockhart's father drowns at sea, she receives an anonymous letter. The dire warning it contains makes a man die of fear at her feet. Determined to discover the truth about her father's death, Sally is plunged into a terrifying mystery in the dark heart of Victorian London, at the centre of which lies a deadly blood-soaked jewel. Philip Pullman's ever-popular, action-packed Victorian melodramas are rejacketed for the bicentenary of Charles Dickens in 2012.
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
This book explores the origins and evolution of nuns’ habits, explaining why religious women initially chose distinctive attire and how their relations to what, in the end, we must call fashion, evolved. There is great stuff here on schisms between progressive feminists who called for reform and traditionalists who insisted on elaborate and cumbersome clothing. The book is broadly sympathetic to its subject—unlike some religious studies work that adopts a stance of cosmopolitan opposition to religious faith. But it is also probing and savvy: Kuhn highlights the inherent tension between a garment that is supposed to reflect modesty but is also conspicuous and stylized striking comes through.
Curiosity about nuns and their distinctive clothing is almost as old as Catholicism itself. The habit intrigues the religious and the nonreligious alike, from medieval maidens to contemporary schoolboys, to feminists and other social critics. The first book to explore the symbolism of this attire, The Habit presents a visual gallery of the diverse forms of religious clothing and explains the principles and traditions that inspired them. More than just an eye-opening study of the symbolic significance of starched wimples, dark dresses, and flowing veils, The Habit is an incisive, engaging portrait of the roles nuns have and do play…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
Anyone who has been involved in the investigation of crime will tell you that establishing the time of the offence is vital. It’s always been surprisingly hard in the case of murder. This well-written book takes the reader through the advances and pitfalls in estimating the time of death accurately. It’s a superb work, full of scientific detail, and fascinating details which make this book a must for every crime writer.
When detectives come upon a murder victim, there's one thing they want to know above all else: When did the victim die? The answer can narrow a group of suspects, make or break an alibi, even assign a name to an unidentified body. But outside the fictional world of murder mysteries, time-of-death determinations have remained infamously elusive, bedeviling criminal investigators throughout history. Armed with an array of high-tech devices and tests, the world's best forensic pathologists are doing their best to shift the balance, but as Jessica Snyder Sachs demonstrates so eloquently in Corpse, this is a case in which…
I write historical mysteries, and developed an interest in early forensics when I was a police officer. I have worked in private industry, as a civilian police worker, and in a department connected to the Home Office. Historical mysteries particularly appeal to me as they present a different, and very specific, challenge. There’s no lab to process evidence, and everything needs to be double-checked for anachronisms, even down to the colour of light from gas lamps in different areas. Extensive research acted as the foundation for developing the characters in The Innocents Mystery Series. I like my mysteries twisty, complex, and intricate; through a fog of history and a touch of light humour.
For any fans of vintage murder mysteries this book is a must-read. This is a thorough examination of the poisons used by Agatha Christie, giving details of the availability, interactions with the human body, how toxins can be detected now, and at the time the books were written. As a reader or a writer, this book will make murder by poison less of a mystery, and more of a trail of clues.
Shortlisted for the BMA Book Awards and Macavity Awards 2016
Fourteen novels. Fourteen poisons. Just because it's fiction doesn't mean it's all made-up ...
Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random - the characteristics of each often provide vital clues to the discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but this is not…
Books about switching places and mistaken identity have always interested me. Sometimes, it takes a comedic turn where the hero bumbles through misadventures. Sometimes, there's something sinister at play at the hero must fight to get their own lives back. Whether funny or scary or romantic or thrilling, it’s always a wild ride. The fun of it, and the frightening part, is that the reader must guess what's happening along with the hero. You have to figure out who is who and what is what, so there's always a mystery.
RL Stine's Switched isn't just a switching places story, it's a switching bodies story. And in this Fear Street installment, one of them is a killer. Yeah, it's intense. Nicole is a super normal teenager with pretty regular problems, like a boyfriend who can't get his act together and homework she can't manage, but a trip to the woods changes all of that. Next thing you know, people start to die.
Things really take some strange twists and turns so you're in for a wild ride with this one. This is classic Stine and just a fun read, if your idea of fun is being shocked, confused and frightened with every page. What a great time!
Nicole always thought her friend Lucy’s life was so much better than hers. She had cooler parents and a cuter boyfriend—next to her, Nicole felt like a loser. So when Lucy asked if she wanted to switch bodies, Nicole thought it sounded like a fun idea. Good for a laugh.
She didn’t realize the switch would actually work. Or that Lucy’s life might not be so sweet after all. Turns out, Lucy’s got a few issues. And she’s about to get her revenge—using Nicole’s body!
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
I am a science fiction and fantasy novelist and also a screenwriter and prolific writer of audio dramas for BBC Radio. I began my career many eons ago writing for the crime drama series The Bill and during that period I spent a lot of time mixing with coppers & villains and attending crime scenes. I have a great passion for detective and crime writing as well as all forms of speculative fiction, and I’m a sucker for crime/fantasy mash-ups.
Arguably the greatest of all detectives, Sherlock Holmes died early in his career when his creator Sir Arthur Conan Doyle sent him hurtling down the Reichenbach Falls in ‘The Final Problem’. But Holmes soon came back to life—firstly in The Return of Sherlock Holmes and in later years as a character in numerous spinoffs/riffs/reboots. One of the best of these is James Lovegrove’s series of Lovecraftian horror stories featuring Holmes and Watson. They are all great but the third one, Sherlock Holmes and the Sussex Sea-Devils, has the best title. Lovegrove writes stylishly and wittily and his deadpan approach to the absurd monsters he conjures up makes these a delicious read.
The stunning new novel from the New York Times bestselling author of The Age of Odin, in which the worlds of Arthur Conan Doyle and H.P. Lovecraft collide.
It is the autumn of 1910, and for fifteen long years Sherlock Holmes and Dr John Watson have battled R'lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of…
