Here are 100 books that The Mummy's Foot fans have personally recommended if you like
The Mummy's Foot.
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When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
This was the first book to introduce me to the relation between race studies, eugenics, and archaeology.
It was quite a revelation: I was volunteering at the Petrie Museum at the time, and the book uncovers the dodgy relationship between Petrie and Francis Galton.
It was pivotal in transforming the ways I looked at familiar places: it reminded me that places I called home, like the Petrie Museum but also the Louvre, have been very exclusionary to many. It taught me to look differently at places I navigate on a regular basis, to look for the otherstory.
You’ll then have to listen to the Bricks + Mortals podcast on the history of UCL buildings, and your wanders in Bloomsbury won’t be the same again.
How much was archaeology founded on prejudice? The Archaeology of Race explores the application of racial theory to interpret the past in Britain during the late Victorian and Edwardian period. It investigates how material culture from ancient Egypt and Greece was used to validate the construction of racial hierarchies. Specifically focusing on Francis Galton's ideas around inheritance and race, it explores how the Egyptologist Flinders Petrie applied these in his work in Egypt and in his political beliefs. It examines the professional networks formed by societies, such as the Anthropological Institute, and their widespread use of eugenic ideas in analysing…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
It took me far too long to explore the history of medicine and the links between Egyptian mummies and medicine. Now, that’s all I talk about, and this book was pivotal in doing just that.
It’s a fascinating dive into the collections of human remains in Britain but is also an observation of the construction of medical knowledge through bodies. It is an academic book, one that I couldn’t put down.
After reading it, I started to explore the history of mummies and medicine and uncovered another story about a mummified foot. While Denon and Gautier were drinking coffee in Paris talking about a mummified foot, someone else did the same over tea in London.
In the first comprehensive study of nineteenth-century medical museums, Morbid Curiosities traces the afterlives of diseased body parts. It asks how they came to be in museums, what happened to them there, and who used them.
This book is concerned with the macabre work of pathologists as they dismembered corpses and preserved them: transforming bodies into material culture. The fragmented body parts followed complex paths - harvested from hospital wards, given to one of many prestigious institutions, or dispersed at auction. Human remains acquired new meanings as they were exchanged and were then reintegrated into museums as physical maps of…
When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.
It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.
I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.
This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times
'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim
Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!
This book had me in tears. It’s the story of Black women who lived in Paris and were scandalous not necessarily because of anything they did, but because of who they were.
Sarah Baartmann had a tragic life where she was exhibited as a sexual spectacle in the 1810s. Jeanne Duval was the mistress of the famous poet Charles Baudelaire and was vilified and blamed for all his problems – even though it’s clear that he was a hot mess. One reason that I love this book is that the author wrote it with such heart.
Even though there were relatively few people of colour in post-revolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Venus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country's post-revolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution.
Venus Noire explores the ramifications of this defeat by examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known…
My ache for the ancient is a disease. It’s probably safe to say that I am the creator of the world’s greatest range of Egypt-based fiction by a single author. My depth of knowledge comes from a lifetime spent studying ancient Egypt and Egyptian archaeology and making numerous research trips to Egypt. I am fascinated by the mystery of ancient Egypt and its potency and relevance to today’s world. I have written numerous series and stand-alone adventures.
This book was required reading for me as an Egyptophile and mystery thriller writer.
Ancient horror, an archaeological plot to revive the dead Queen Tera, a mummy with extra fingers. What’s not to love? It's an atmospheric genre I just can’t shake.
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
When my father and I were getting ready to visit Egypt for the first time, he asked me for a book to introduce him to Egyptology. I gave him Red Land, Black Land. It brings you right into the distant yet familiar world of ancient Egypt: we see families fighting in letters, bored kids falling asleep in school, and scribes gloating over how amazing they are compared to everyone else. The past can seem so strange, but this book brings it to life.
A fascinating, erudite, and witty glimpse of the human side of ancient Egypt—this acclaimed classic work is now revised and updated for a new generation
Displaying the unparalleled descriptive power, unerring eye for fascinating detail, keen insight, and trenchant wit that have made the novels she writes (as Elizabeth Peters and Barbara Michaels) perennial New York Times bestsellers, internationally renowned Egyptologist Barbara Mertz brings a long-buried civilization to vivid life. In Red Land, Black Land, she transports us back thousands of years and immerses us in the sights, aromas, and sounds of day-to-day living in the legendary desert realm that…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Not a lot of guys would appreciate having their wives dump a stiff into the middle of a perfectly lovely lecture. My husband, the archivist, was a little nonplussed. But that’s what happens when you’re married to a mystery writer. And since I write historical mysteries, and the lecture was about the history of Los Angeles, that’s how The Old Los Angeles series happened. I also have the Freddie and Kathy series, set in the 1920s, and the Operation Quickline series, set in the 1980s. And being married to an archivist is not only a blast, it’s a big help.
The story may evoke the rip-roaring thrillers of yore in terms of probability, but dang, from the first lines, I was hooked. There is nothing like seeing 19th-century Egypt through the eyes of Amelia Peabody.
I could practically hear the calls of the crowded streets of Cairo, feel the warmth of the desert sand and the spookiness of a night in a canyon. It was not intentional, I promise, but Miss Peabody’s voice may have had the tiniest bit of influence on a certain Victorian lady that I write about–and this book is why.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude!
In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he…
My family lived in an American camp in Saudi Arabia when I was young, and we traveled extensively. I’ve always loved ancient cultures, from our first international trip to Greece when I was six. The two months I spent in Mexico and Central America as a young adult inspired my first novel for young people, The Well of Sacrifice. But Egypt has long held a special place in my heart. The mummies and pyramids grab a child’s attention. The fact that these people were so different from us – and yet so similar in other ways – keeps that fascination going. Stories about ancient Egypt never get old!
This photo-filled book was written by an Egyptian archaeologist who was the head of Egypt’s Supreme Council of Antiquities.
The book discusses ancient and modern ideas of mummy curses. While Dr. Hawass sometimes feels the tug of ancient magic, he does a good job of refuting the idea of a curse. He shares many personal stories from his years as an archaeologist. His passion and enthusiasm for archaeology shine through.
The author also wrote Tutankhamen and the Golden Age of the Pharaohs, which has friendly, enthusiastic writing and nice photos in a large format.
"Hardcover: 160 pages Publisher: National Geographic (May 1, 2004) ISBN: 079226665X Product Dimensions: 10.9 x 9.6 x 0.6 inches All Ages ""Why do [people] want to believe that the ancient Egyptians wish to reach out over thousands of years an"
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Salina Ikram is the foremost expert on Egyptian animal mummies. She has performed mummification on numerous animals in order to better understand the ancient Egyptian process of mummification. This book is by a number of egyptologists. It is academic, but not difficult to understand. It gives information on different animals that were mummified, and the context in which they were discovered.
The invention of mummification enabled the ancient Egyptians to preserve the bodies not only of humans but also of animals, so that they could live forever. Mummified animals are of four different types: food offerings, pets, sacred animals, and votive offerings. For the first time, a series of studies on the different types of animal mummies, the methods of mummification, and the animal cemeteries located at sites throughout Egypt are drawn together in a definitive volume on ancient Egyptian animal mummies. Studies of these animals provide information not only about the fauna of the country, and indirectly, its climate, but…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
The Victorians loved mummies and mummy stories... and before I read The Mummy’s Curse, I’d never heard of any of them! The nineteenth century’s obsession with Egypt and curses doesn’t get talked about much today. This book opened me up to a whole new world of stories, including some strange curse tales that never got quite as big as King Tut. (Which is a shame, because some of them are wonderfully creepy!)
In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British…
