Books like The Moth and Moon — picked by fans

This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.

Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.

This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.

This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs. There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.

Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.

This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free. 

I was completely hooked by this book from the very first page.

The idea of a spoiler leading to an enemies-to-lovers story with two new housemates—a college student and a football player—was a fresh take on a tried-and-true trope.

I also loved how the story tackled a bi-awakening storyline with such care and authenticity—I’m picky about this trope, and Becca Steele nailed it with Liam. The emotional journey for both characters had me reading this book in one sitting (well after my bedtime), and the ending completely blew me away.

I’m a gay Black man, and I’ve worked as a television writer (The Chi, Bel-Air) for more than a decade, so I know from experience the burdens of representation. There is tremendous pressure to make sure we craft Black and/or gay characters that remain relatable or sympathetic. Otherwise, we risk losing the general audience.

That’s why it brought revolutionary joy to my heart when I read 100 Boyfriends in 2021. With this story collection, Brontez Purnell lays our collective burdens down and gives us Black queer men with messy lives. The result is characters that can be infuriating, endearing, disturbing, and hilarious. The book challenges readers to recognize the facets of humanity—commendable, questionable, and despicable—in Black queer men. It feels like the dawn of a new age.

Sexual desire, acted on or repressed, is either the text or subtext of every gay man's life.

Edmund White treats sex explicitly and with bracing honesty. His frankness—for example, in describing his fumbling, agonized, danger-courting attempts as a kid to find love—recalled my own youthful risks and failures, but freed those memories of shame.

I've read few of White's many books. (Guess I was jealous of his output and acclaim; better I should have emulated his driving curiosity and intelligence.) His recent death, at 85, prompted me to read this narrative of his long, unruly, ceaselessly questing life.

A sharp observer of trends and sub-cultures, White moved among the famous—writers, artists, intellectuals—and descriptions of and dish about them are an extra, but only slightly guilty, pleasure.

This was my first read of Jason’s work, and I was pleasantly surprised by just how much I loved it.

The mythology of the world was incredibly well-built, and I loved it when the humans got involved, too. The fat rep was incredible. It’s amazing to read about characters described like myself. The non-binary rep was excellent.

Overall, this was a fun read that I borrowed from the library and then bought because I loved it.

I love finding a great new book, and then realizing it’s only the first in the series of many, many more!

A cross between queer romance and Golden Age detective fiction, I love being drawn into the charming English university setting with each novel and curling up to find out how the two professors are going to solve a cozy murder while falling even deeper in love.

Will there be punting on the Cam? Shakespeare puns? Edwardian-era tailoring? Yes, yes, and yes!