Here are 100 books that The Moth and Moon fans have personally recommended if you like
The Moth and Moon.
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I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.
Set in contemporary New York, this book revolves around four characters, all either unemployed or barely employed. The calamities begin when Gilbert, who is gay, and Moira, an arch bitch, devise a seemingly brilliant plan to swindle their respective monied families - by getting married.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free.
The cult gay classic of the early 1990s, reissued to mark the year of the 50th anniversary of the Stonewall riots
Between nights, earning his keep at Excellent, Idaho's outrageously pink whorehouse, Shed or, Duivichi-un-Dua - lives a life of drinking, talking and smoking opium stardust with his eccentric family. But soon, he will leave this tiny turn-of-the-century town in search of the true meaning of his Shoshone name - and in search of himself.
Along the way Shed will fall in love with the philosophical, green-eyed, half-crazy cowboy Dellwood Barker, a man who talks to the moon, on a…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
The first book in Nava’s best-known series, Lay Your Sleeping Head introduces defense attorney Henry Rios. Rios is struggling with addiction and an existential crisis; when he is drawn into investigating the murder of a young man he loved, he finds he is the only one willing to dig for the truth. Nava’s books are lyrical, intricate, and intensely thoughtful about what it means to be a gay man.
Set in the summer of 1981, in a university town 30 miles south of San Francisco. Henry Rios, a gifted and humane lawyer driven to drink to by personal and professional demons, meets Hugh Paris, a charming junkie struggling to stay clean. Hugh tells Rios an improbable tale of long-ago murders in his wealthy family. Rios disbelieves him but the erotic spark between the two men ignites an obsessive affair that ends only when Hugh is discovered with a needle in his arm on the campus of the great university founded by his ancestor. Rios refused to believe Hugh’s death…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
Raised crisscrossing America, I developed a ceaseless wanderlust that took me around the world many times. En route, I collected the stories and characters that make up my work. Polish cops and Greek fishermen, mercenaries and arms dealers, child prostitutes and wannabe terrorists: I hung with them all in an unparalleled international career that had me smuggle banned plays from behind the Iron Curtain, maneuver through Occupied Territories, and stowaway aboard a ‘devil’s barge’ for a three-day crossing from Cape Verde that landed me in an African jail. Greece, where I’ve spent some seven years total, stole my heart 50 years ago.
I’m a gay writer living in France, so of course, I had to read The Stuffed Coffin when it won France’s national 2019 Prize for Gay Thriller. And as a bonus, it’s set in Greece, the country which stole my heart long ago.
After breaking up with his boyfriend, Damien needs to get away and chooses a bucolic Greek village next to the sea. His first night there, he falls for a handsome youth, Nikos, but their relationship is anything but simple.
Meanwhile, bodies start appearing: drowned, run over, whatever. It’s hardly the calm respite Damien envisioned but readers will definitely enjoy this sometimes-quirky and definitely entertaining read.
Winner of the Prix du roman policier - Prix du roman gay 2019 in France! After breaking up with his boyfriend, Damien Drechsler needs a holiday. The Greek village of Levkos seems like the perfect place to go—dozy, sunny, bucolic, with lonely beaches and little bars where he can drown his sorrows. But the very first night, Damien meets Nikos, a dashing young man, who makes his heart beat faster all of a sudden. Then, he is almost run over by a reckless driver. The next day he learns that an old man has been killed in a suspicious-looking car…
I’m an autistic writer with a passion for neurodiversity representation in fiction. As a child, I struggled to get into reading because I couldn’t see myself in any of the characters. That changed when I discovered Calvin and Hobbes, a comic strip about a precocious boy with a big imagination who struggles with making friends and is always getting in trouble for his poor self-control. Finally, I thought—a character just like me! For people who are neurodivergent, discovering fictional characters who resemble themselves can be a powerful experience. That’s why I think neurodiversity representation in fiction is incredibly important.
Maya MacGregor, like Corinne Duyvis, is autistic, and like Corinne, Maya nails this aspect of their protagonist, Sam Sylvester. Sam is also non-binary, so there are multiple forms of minority representation in this book, which I love to see.
Unlike On the Edge of Gone, which features an end-of-the-world scenario, this book is more grounded, focusing largely on Sam’s struggles to find their place at a new school in a new town while confronting demons from their past. That’s not all the book has going on—there are also paranormal elements and a thirty-year-old mystery waiting to be solved. I found these aspects of the book to be intriguing as well.
An Andre Norton Nebula Award for Middle Grade and Young Adult Fiction Nominee
"Look no further for your next favorite read, because The Many Half-Lived Lives of Sam Sylvester has it all: a gripping murder mystery that will keep you turning pages, ghosts, romance, and a treasure trove of queer characters with depth and heart. Here's something rare-a suspenseful story that also feels like a hug." -Sarah Glenn Marsh, author of the Reign of the Fallen series
In this queer contemporary YA mystery, a nonbinary autistic teen realizes they must not only solve a 30-year-old mystery but also face the…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz,to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
As a gay writer who has navigated some difficult life changes of my own, including cancer, a gay bashing, and the death of an early love, I always enjoy finding writers whose gay characters must deal with their own challenging life issues. Whether it's a coming-of-age tale, a puzzling mystery, or a suspenseful fantasy, each character comes to terms with accepting who he is in an often hostile world.
All the Croy books are so descriptive and imaginative, well-plotted, and with great characters the reader cares about. It's been fun seeing them grow, change and develop through the series, set in the small, fictional town of Croy. Rumor has it this is the last in the series, but I'm hoping for more.
Set in the same Oklahoma town as the rest of the cycle, this fourth and final book in the series starts on the same afternoon that ends Book 3, but on the other side of town. Characters that appeared only in the wings before-gender-fluid Beau and robust farm boy Frank-suddenly take center stage. Beau follows his dream of starting a rock band, and Frank faces the devastating end of his only real connection in life and the disintegration of his family. Their lives intersect with the three young adults readers have come to know: Joanie, with her insatiable curiosity and…
