Here are 100 books that The Moth and Moon fans have personally recommended if you like
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I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is the first of a trilogy of which any book in the series is worth reading. In this farce written long before marriage equality, a gay man hatches an outlandish scheme to throw a wedding, just for the expensive gifts. What follows is a comedy that incorporates blackmail and the mafia. You read this novel for pure pleasure, enjoying the clever one-liners while the plot spirals out of control. Flamboyant, camp, and ridiculously funny.
Set in contemporary New York, this book revolves around four characters, all either unemployed or barely employed. The calamities begin when Gilbert, who is gay, and Moira, an arch bitch, devise a seemingly brilliant plan to swindle their respective monied families - by getting married.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This is deliciously dark. It’s a tale about Eric, a twisted teenager who has tied up a home invader and is keeping him downstairs while his mother has left him alone. She’s busy trying to seek fame overseas. Eric keeps his teachers and his classmates unsettled while paying his daily expenses by entertaining older clients in Sydney’s richer suburbs.There is nothing charming about this story, yet its cast of disturbing eccentric characters makes this a real page turner.
A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric's first movie. Unfortunately, they're his real life. When Julien, a handsome wannabe actor, transfers to Eric's class, he's a distraction, a rival, and one complication too many. Yet Eric can't stop thinking about him. Helped by Eric's girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
Charlie is homeless and lives in an abandoned carnival, just one of the places full of wonder and mystery in this novel. He is sometimes fed by a mature-aged gay couple and has an unrequited love. But he dies and we continue reading his story in a surreal version of the world he inhabited while alive. Yes, Charlie is a ghost. The carnival he still lives in has a life of its own, and he needs to protect the living who showed him kindness. A truly beautiful tale.
My name’s Charlie. I’m many things, though none of them having to do with any real talent. I’m a runaway, a hustler when I need to be, a ghost when I have to scare hoodlums away from my home, and a loner who maybe reads too much. But most of all, I’m the keeper of the carnival. That’s how I see myself. I look after the place ’cause even dying things need to be cared for. Maybe it’s illegal. Maybe that rusty metal fence around the carnival is supposed to keep me out too. Or maybe me and this place…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free.
The cult gay classic of the early 1990s, reissued to mark the year of the 50th anniversary of the Stonewall riots
Between nights, earning his keep at Excellent, Idaho's outrageously pink whorehouse, Shed or, Duivichi-un-Dua - lives a life of drinking, talking and smoking opium stardust with his eccentric family. But soon, he will leave this tiny turn-of-the-century town in search of the true meaning of his Shoshone name - and in search of himself.
Along the way Shed will fall in love with the philosophical, green-eyed, half-crazy cowboy Dellwood Barker, a man who talks to the moon, on a…
My memoir Performance Anxiety, about my adolescence, is a true story. But I realize that writing it, I created a character. He has my name and attributes, but is at least partly invented. That's inevitable because the source material, memory, is fluid. And he is nuanced by what I chose to emphasize about my past and those times.
These five memoirs depict—and, at least partly, invent—boyhoods wildly different from mine. I've never met the writers, but I know these guys. Our challenges and fears, and hopefully triumphs, are common to queer kids. Are they shared by all kids, regardless of orientation? I'll keep reading memoirs to find out.
Sexual desire, acted on or repressed, is either the text or subtext of every gay man's life.
Edmund White treats sex explicitly and with bracing honesty. His frankness—for example, in describing his fumbling, agonized, danger-courting attempts as a kid to find love—recalled my own youthful risks and failures, but freed those memories of shame.
I've read few of White's many books. (Guess I was jealous of his output and acclaim; better I should have emulated his driving curiosity and intelligence.) His recent death, at 85, prompted me to read this narrative of his long, unruly, ceaselessly questing life.
A sharp observer of trends and sub-cultures, White moved among the famous—writers, artists, intellectuals—and descriptions of and dish about them are an extra, but only slightly guilty, pleasure.
No one has been more frank, lucid, rueful and entertaining about growing up gay in Middle America than Edmund White. Best known for his autobiographical novels, starting with A Boy's Own Story, White here takes fiction out of his story and delivers the facts of his life in all their shocking and absorbing verity.
From an adolescence in the 1950s, an era that tried to "cure his homosexuality" but found him "unsalvageable," he emerged into a 1960s society that redesignated his orientation as "acceptable (nearly)." He describes a life touched by psychotherapy in every decade, starting with his flamboyant and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've been a fan of gay romance for a long time, but started writing because of my own experiences growing up. I was a closeted kid that played three sports throughout middle and high school, and I deeply relate to the struggles of balancing personal identity with the pressures of the sports world. Now, as an adult, I want to write that happy ending for me and everyone else that likes jocks (and jockstraps).
I was completely hooked by this book from the very first page.
The idea of a spoiler leading to an enemies-to-lovers story with two new housemates—a college student and a football player—was a fresh take on a tried-and-true trope.
I also loved how the story tackled a bi-awakening storyline with such care and authenticity—I’m picky about this trope, and Becca Steele nailed it with Liam. The emotional journey for both characters had me reading this book in one sitting (well after my bedtime), and the ending completely blew me away.
From USA Today and Wall Street Journal bestselling author Becca Steele comes a new standalone M/M college romance.
My first year at university started with a bang...literally. I crashed into someone's car. Even worse? It turns out that the person I blindsided is my new housemate, Liam, second-year student and football player.
It's hate at first sight...until it isn't. But even if he doesn't hate me anymore, it doesn't change the fact that he's straight. At least, I thought he was.
One night, one kiss, and everything I thought I knew turns upside down. They say actions speak louder than…
As a writer of gay mystery, I try to read as widely as I can—both to learn from writers who have gone before me and for the pleasure of the books themselves. I’m always thrilled when I find writers like the ones I’ve shared in this list: people who think deeply and carefully about the complexities (and, occasionally, the agonies) of being a gay man, while, at the same time, weaving in the suspense and puzzles inherent in mysteries.
The first book in Nava’s best-known series, Lay Your Sleeping Head introduces defense attorney Henry Rios. Rios is struggling with addiction and an existential crisis; when he is drawn into investigating the murder of a young man he loved, he finds he is the only one willing to dig for the truth. Nava’s books are lyrical, intricate, and intensely thoughtful about what it means to be a gay man.
Set in the summer of 1981, in a university town 30 miles south of San Francisco. Henry Rios, a gifted and humane lawyer driven to drink to by personal and professional demons, meets Hugh Paris, a charming junkie struggling to stay clean. Hugh tells Rios an improbable tale of long-ago murders in his wealthy family. Rios disbelieves him but the erotic spark between the two men ignites an obsessive affair that ends only when Hugh is discovered with a needle in his arm on the campus of the great university founded by his ancestor. Rios refused to believe Hugh’s death…
Saleem Haddad was born in Kuwait City to an Iraqi-German mother and a Palestinian-Lebanese father. He has worked with Médecins Sans Frontières and other international organisations in Yemen, Syria, Iraq, Libya, Lebanon, and Egypt. His first novel, Guapa, is a political and personal coming-of-age story of a young gay man living through the 2011 Arab revolutions. The novel received critical acclaim from the New Yorker, The Guardian, and others. It was awarded a Stonewall Honour and won the 2017 Polari First Book Prize. His directorial debut, Marco, premiered in March 2019 and was nominated for the 2019 Iris Prize for ‘Best British Short Film’.
Written from the perspective of one of the victims of the infamous 2001 Queen Boat scandal, when 52 men were arrested and put on trial in Egypt during a raid on a gay party, In the Spider’s Room is an intense depiction of living in a society that fears and rejects any form of queerness. Unflinching, claustrophobic, and suffocating, Abdelnaby does not shy away from exploring what happens when one is presented with no avenues for expressing their desires and sense of self.
A sensitive and courageous account of life as a gay man in Egypt and Winner of the 2019 Prix de la Littérature Arabe
Hani was out for an evening stroll near Cairo’s Tahrir Square when a heavy hand landed on his shoulder. An informant had identified him, and he was thrown into the back of a police truck. There began a seven-month nightmare as he was swept up, along with fifty other men, in the infamous Queen Boat affair that targeted Egypt’s gay community.
Finally free, but traumatized into speechlessness, Hani writes down the events of his life―his first sexual…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a gay writer who has navigated some difficult life changes of my own, including cancer, a gay bashing, and the death of an early love, I always enjoy finding writers whose gay characters must deal with their own challenging life issues. Whether it's a coming-of-age tale, a puzzling mystery, or a suspenseful fantasy, each character comes to terms with accepting who he is in an often hostile world.
All the Croy books are so descriptive and imaginative, well-plotted, and with great characters the reader cares about. It's been fun seeing them grow, change and develop through the series, set in the small, fictional town of Croy. Rumor has it this is the last in the series, but I'm hoping for more.
Set in the same Oklahoma town as the rest of the cycle, this fourth and final book in the series starts on the same afternoon that ends Book 3, but on the other side of town. Characters that appeared only in the wings before-gender-fluid Beau and robust farm boy Frank-suddenly take center stage. Beau follows his dream of starting a rock band, and Frank faces the devastating end of his only real connection in life and the disintegration of his family. Their lives intersect with the three young adults readers have come to know: Joanie, with her insatiable curiosity and…
