Here are 100 books that The Many Half-Lived Lives of Sam Sylvester fans have personally recommended if you like
The Many Half-Lived Lives of Sam Sylvester.
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I’m an autistic writer with a passion for neurodiversity representation in fiction. As a child, I struggled to get into reading because I couldn’t see myself in any of the characters. That changed when I discovered Calvin and Hobbes, a comic strip about a precocious boy with a big imagination who struggles with making friends and is always getting in trouble for his poor self-control. Finally, I thought—a character just like me! For people who are neurodivergent, discovering fictional characters who resemble themselves can be a powerful experience. That’s why I think neurodiversity representation in fiction is incredibly important.
Corinne Duyvis is autistic, and so is the narrator for this book, Denise. Unsurprisingly, given she shares the disorder, Duyvis has absolutely nailed this aspect of the character. As an autistic person myself, Denise feels relatable to me in a way that few fictional protagonists do.
While other characters in the book struggle to understand her, her habits and mannerisms frequently make me say, “Hey! That’s like me!” Nothing beats having that experience with a character, and the book’s story, which sees Denise use her unique talents to attempt to secure a place for her family on a generation ship fleeing from catastrophe on Earth, is well-crafted and gripping throughout.
A thrilling, thought-provoking novel from one of young-adult literature's boldest new talents.
January 29, 2035. That's the day the comet is scheduled to hit-the big one. Denise and her mother and sister, Iris, have been assigned to a temporary shelter outside their hometown of Amsterdam to wait out the blast, but Iris is nowhere to be found, and at the rate Denise's drug-addicted mother is going, they'll never reach the shelter in time. A last-minute meeting leads them to something better than a temporary shelter-a generation ship, scheduled to leave Earth behind to colonize new worlds after the comet hits.…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an autistic writer with a passion for neurodiversity representation in fiction. As a child, I struggled to get into reading because I couldn’t see myself in any of the characters. That changed when I discovered Calvin and Hobbes, a comic strip about a precocious boy with a big imagination who struggles with making friends and is always getting in trouble for his poor self-control. Finally, I thought—a character just like me! For people who are neurodivergent, discovering fictional characters who resemble themselves can be a powerful experience. That’s why I think neurodiversity representation in fiction is incredibly important.
This book is about Aza Holmes, a character who struggles with obsessive-compulsive disorder. While I don’t personally have OCD, this book helped me understand what it’s like. Aza’s anxious thoughts are so well-described that they made me feel anxious by proxy. That’s something only a master can pull off.
The plot sees Aza attempting to solve what happened to a childhood friend’s missing father, but to me, it is less about that external struggle and more about Aza’s internal struggle with her own mind. And it portrays that struggle as well as I’ve ever seen it done.
The critically acclaimed, instant #1 bestseller by John Green, author of The Anthropocene Reviewed and The Fault in Our Stars
"A tender story about learning to cope when the world feels out of control." -People
"A sometimes heartbreaking, always illuminating, glimpse into how it feels to live with mental illness." - NPR
John Green, the award-winning, international bestselling author of The Anthropocene Reviewed, returns with a story of shattering, unflinching clarity in this brilliant novel of love, resilience, and the power of lifelong friendship.
Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there's a…
I’m a grown-up who struggles to stay in the here and now, vastly preferring to live in the stories in my head or in the book in front of me. I grew up in New England, Spain, and now have settled in Colorado after traveling around most of the lower 48 states. I’ve been a fan of well written fantasy since I learned to read, and at 35 I started writing my own fantasy stories. Now when I need a perfect getaway escape, I read my own books!
As someone who’s moved around a LOT and lived far from family most of my life, I’m a sucker for found family of any kind.
This story is one of the best. I loved reading about all these demi-god children working together and finding their connection through loyalty and depth of friendship.
As someone very familiar with Greek mythology, I really enjoyed the fresh and enjoyably new story with familiar players.
The Lightning Thief: the First book in Rick Riordan's Percy Jackson series.
The first bestselling book in Rick Riordan's phenomenally successful Percy Jackson series.
Look, I didn't want to be a half-blood. I never asked to be the son of a Greek God. I was just a normal kid, going to school, playing basketball, skateboarding. The usual. Until I accidentally vaporized my maths teacher. That's when things started really going wrong. Now I spend my time fighting with swords, battling monsters with my friends, and generally trying to stay alive.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an autistic writer with a passion for neurodiversity representation in fiction. As a child, I struggled to get into reading because I couldn’t see myself in any of the characters. That changed when I discovered Calvin and Hobbes, a comic strip about a precocious boy with a big imagination who struggles with making friends and is always getting in trouble for his poor self-control. Finally, I thought—a character just like me! For people who are neurodivergent, discovering fictional characters who resemble themselves can be a powerful experience. That’s why I think neurodiversity representation in fiction is incredibly important.
Unlike Corinne Duyvis and Maya MacGregor, Elizabeth Moon is not autistic, but she based this protagonist, Lou Arrendale, on her son, who is on the spectrum. Not only is Lou an excellent and well-realized character, but this book also brilliantly tackles a subject that has long been a point of conversation in the autism community—a cure for autism.
In the book, a cure has been developed, and Lou must take it or risk losing his job. Lou, however, doesn’t want to give up being who he is. This is how most people in the autism community, like myself, view the concept of a cure. I appreciate how Speed of Dark argues for that position, celebrating autism as a unique difference in brain wiring rather than a defect.
Thoughtful, provocative, poignant, unforgettable, The Speed of Dark is a gripping journey into the mind of an autistic person as he struggles with profound questions of humanity and matters of the heart.
In the near future, disease will be a condition of the past. Most genetic defects will be removed at birth; the remaining during infancy. Lou Arrendale, a high-functioning autistic adult, is a member of the lost generation, born at the wrong time to reap the rewards of medical science. He lives a low-key, independent life. But then he is offered a chance to try a brand-new experimental “cure”…
My memoir Performance Anxiety, about my adolescence, is a true story. But I realize that writing it, I created a character. He has my name and attributes, but is at least partly invented. That's inevitable because the source material, memory, is fluid. And he is nuanced by what I chose to emphasize about my past and those times.
These five memoirs depict—and, at least partly, invent—boyhoods wildly different from mine. I've never met the writers, but I know these guys. Our challenges and fears, and hopefully triumphs, are common to queer kids. Are they shared by all kids, regardless of orientation? I'll keep reading memoirs to find out.
I never heard a more harrowing story of the closet and coming out.
There was no bullying, rape or damnation to hell in Andrew Tobias' childhood. He was a high-achieving, good-looking son of an affluent family in cosmopolitan New York who came to adulthood in the anything-goes sixties. He realized he was homosexual at age 11—then never allowed himself to tell a soul, or have sex (even with himself) until 23. When he finally, tentatively, began to own being gay, he remained twisted up by stereotypes of masculinity and queerness.
Paradoxically, because he was afraid of it, his saga gives a colorful rendering of gay culture around 1970. (And I happen to know that he eventually found self-acceptance, love, and a prominent, honored role in gay politics.)
The classic account of growing up gay in America. "The best little boy in the world never had wet dreams or masturbated; he always topped his class, honored mom and dad, deferred to elders and excelled in sports . . . . The best little boy in the world was . . . the model IBM exec . . . The best little boy in the world was a closet case who 'never read anything about homosexuality.' . . . John Reid comes out slowly, hilariously, brilliantly. One reads this utterly honest account with the shock of recognition." The New…
As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.
Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.
Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long…
As Maurice Hall makes his way through a traditional English education, he projects an outer confidence that masks troubling questions about his own identity. Frustrated and unfulfilled, a product of the bourgeoisie he will grow to despise, he has difficulty acknowledging his nascent attraction to men.
At Cambridge he meets Clive, who opens his eyes to a less conventional view of the nature of love. Yet when Maurice is confronted by the societal pressures of life beyond university, self-doubt and heartbreak threaten his quest for happiness.
I have written books on topics ranging from climate change, to migration, to labor unions, to pianos. I covered the civil war in El Salvador in the 1980s as a journalist. But I am mostly known as a musician. I have released over 20 CDs and toured internationally for decades. I am the son of a closeted priest and have a daughter whose lesbian mother is a former lover of mine so I am drawn to well-written books about the lives of gay men that don’t fit an easy “coming out’ narrative, that are not “closeted” in dealing with sex, and that address political concerns that go beyond gay males.
A thinly fictionalized account of a young male prostitute based on the life of the writer. This was written years before Stonewall, yet presents an unflinching portrayal of the range of male sexual desire that would be cutting edge even today. No excuse is given for sexual activity that most would see as peculiar because the author makes clear that, in his estimation, none is required. He never says as much, but it can be inferred from every line on every page.
I especially love how he can describe men who are utterly insensitive and emotionally shut down, and what you take away from it is how sensitive and emotionally boiling they are.
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara,…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book arrives with a profound introduction on "writing ourselves into being," and casts a crucial gaze on writing from the margins.
It invites the reader to engage with difference, whether the difference is queer or skin colour or cultural heritage or whichever form of diversity. Contributors share with the reader their art, craft, and lived experience, where "writing oneself in," as Octavia Butler did, is fundamental self-creation, snatching space that has been stolen or withheld.
This anthology of personal truths, as authors unskin to their innermost selves, is as startling as it is introspective.
In Ex Marginalia, 20 authors of speculative fiction explore what it means to create at the intersections of their multiple marginalities. A gay man pens a letter to his departed muse, an African woman ruminates on the end of a marriage, a Filipino writer defends romantic villains.
These essays chart identities and perspectives systematically excluded by a field that has failed to deliver on its promise of progress. But these voices cannot—will not—remain in the margins any longer.
Saleem Haddad was born in Kuwait City to an Iraqi-German mother and a Palestinian-Lebanese father. He has worked with Médecins Sans Frontières and other international organisations in Yemen, Syria, Iraq, Libya, Lebanon, and Egypt. His first novel, Guapa, is a political and personal coming-of-age story of a young gay man living through the 2011 Arab revolutions. The novel received critical acclaim from the New Yorker, The Guardian, and others. It was awarded a Stonewall Honour and won the 2017 Polari First Book Prize. His directorial debut, Marco, premiered in March 2019 and was nominated for the 2019 Iris Prize for ‘Best British Short Film’.
Written from the perspective of one of the victims of the infamous 2001 Queen Boat scandal, when 52 men were arrested and put on trial in Egypt during a raid on a gay party, In the Spider’s Room is an intense depiction of living in a society that fears and rejects any form of queerness. Unflinching, claustrophobic, and suffocating, Abdelnaby does not shy away from exploring what happens when one is presented with no avenues for expressing their desires and sense of self.
A sensitive and courageous account of life as a gay man in Egypt and Winner of the 2019 Prix de la Littérature Arabe
Hani was out for an evening stroll near Cairo’s Tahrir Square when a heavy hand landed on his shoulder. An informant had identified him, and he was thrown into the back of a police truck. There began a seven-month nightmare as he was swept up, along with fifty other men, in the infamous Queen Boat affair that targeted Egypt’s gay community.
Finally free, but traumatized into speechlessness, Hani writes down the events of his life―his first sexual…
When I was a teenager, I didn’t have romance in my life. I was so extremely shy that I could barely look at people I thought were cute, let alone talk to them. I lived vicariously through books. Now that I’m older (and way less shy), I still love reliving that time of my life through books. How would I have reacted differently in the same situation? How would things have been different if I had been more outgoing? Only recently, I realized that I was queer, and I’ve been slowly dipping my toes into that world as well.
This was my first read of Jason’s work, and I was pleasantly surprised by just how much I loved it.
The mythology of the world was incredibly well-built, and I loved it when the humans got involved, too. The fat rep was incredible. It’s amazing to read about characters described like myself. The non-binary rep was excellent.
Overall, this was a fun read that I borrowed from the library and then bought because I loved it.
From Jason June, author of the breakout teen debut novel Jay's Gay Agenda, comes Out of the Blue, a stand-alone dual POV queer rom-com that asks if love is enough to change everything you've grown up believing. Perfect for fans of Cemetery Boys by Aiden Thomas and Deep Blue by Jennifer Donnelly.
Crest is not excited to be on their Journey: the month-long sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder-or fail and remain stuck…
