Here are 89 books that The Man Who Rocked the Boat fans have personally recommended if you like
The Man Who Rocked the Boat.
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I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This work came out in the Roaring Twenties, but the gangsters of that decade had nothing on the 19th-century outfits like the Dead Rabbits and the Gas House Gang.
When the dive bars have names like the Tub of Blood and they’re kept in business by the likes of Razor Riley, One-Lung Curran, and Stumpy Malarkey, you can’t go wrong. But to me the most compelling part was Asbury’s account of New York’s horrendous Civil War draft riots.
The Molly Maguires of Pennsylvania were born in opposition to that same draft, after a Protestant Republican allied with the coal industry used conscription to try to rid the coal fields of Irish Catholic Democrats and mine labor activists before a crucial election.
First published in 1928, Herbert Asbury's whirlwind tour through the low-life ofnineteenth-century New York has become an indispensible classic of urban history.
Focusing on the saloon halls, gambling dens, and winding alleys of the Bowery and the notorious Five Points district, The Gangs of New York dramatically evokes the destitution and shocking violence of a turbulent era, when colorfully named criminals like Dandy John Dolan, Bill the Butcher, and Hell-Cat Maggie lurked in the shadows, and infamous gangs like the Plug Uglies, the Dead Rabbits, and the Bowery Boys ruled the streets. A rogues gallery of prostitutes, pimps, poisoners, pickpockets,…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This is a gritty, riveting look at the Irish Mob on New York’s West Side in the 1980s.
The author grabs you by the arm and propels you at breakneck speed through the blood-stained streets and barrooms of Hell’s Kitchen. Along the way, he introduces the reader to a crew of crazy characters that you definitely wouldn’t want to meet in a dark alley.
The parts about the Irish mob’s connections to the Mafia were especially enlightening. It’s a very atmospheric look at a part of the city where I worked as a newspaperman in the decade the book came out (and downed pints in some of those bars.)
Even among the Mob, the Westies were feared. Out of a partnership between two sadistic thugs - James Coonan and Mickey Featherstone - the gang dominated the decaying slice of New York City's West Side known as Hell's Kitchen in the 1970s and '80s. Excelling in extortion, numbers running, loansharking and drug-peddling, they became the most notorious gang in the history of organized crime. The then prosecutor Rudolf Giuliani called them 'the most savage organisation in the long history of New York street gangs'. Upping the ante on brutality and depravity, their speciality when it came to punishment and killings…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
Murder, gunrunning, drug-dealing, extortion, informers – it’s all there, but it pales in comparison to the tale of how Whitey Bulger, Boston’s pre-eminent Irish gangster, managed to turn an F.B.I. agent from his old neighborhood into a willing ally in the city’s mob wars.
To me, the most fascinating part was the bang-up job that the authors, two Boston Globe reporters, do in chronicling how the Massachusetts State Police were long frustrated in bringing the crime lord to justice because he was being protected from on high.
I loved this one, because I have a buddy who is a retired Massachusetts state cop, and we’d talk about Whitey Bulger on summer vacations, sitting on the beach.
A gripping, epic true story of violence, double-cross, and brutal murders involving Irish mobsters and corrupt FBI agents in South Boston.. Two boys--John Connolly, and James "Whitey" Bulger--grew up together on the streets of South Boston. Decades later, in the late 1970s, they would meet again. By then, Connolly was a major figure in the FBI's Boston office and Whitey had become godfather of the Irish Mob. What happened between them--a dirty deal to trade secrets and take down Boston's Italian Mafia in the process--would spiral out of control, leading to murders, and drug dealing, and racketeering indictments. And, ultimately,…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
In 1993, a gang of thieves got away with $7 million in a heist at a Brink’s depot in Rochester, N.Y – and the bulk of it has never been recovered.
The cast of characters includes a former I.R.A. man who’d done prison time in Northern Ireland, an activist priest, an ex-cop who became a suspect, and a charismatic prizefighter whose dismembered body was found in Lake Ontario.
I liked this because at the center of it all is the lingering question of whether the missing money ended up with the Irish Republican Army.
On a freezing night in January 1993, masked gunmen walked through the laughably lax security at the Rochester Brink's depot, tied up the guards, and unhurriedly made off with $7.4 million in one of the FBI's top-five armored car heists in history. Suspicion quickly fell on a retired Rochester cop working security for Brinks at the time-as well it might. Officer Tom O'Connor had been previously suspected of everything from robbery to murder to complicity with the IRA. One ex-IRA soldier in particular was indebted to O'Connor for smuggling him and his girlfriend into the United States, and when he…
A friend with Parkinson's Disease requested my help in his attempts to understand the famine and its impact on his ancestors in County Clare. Once I began reading the material he brought me I was impelled to discover more. I had already researched and written about an earlier period in Irish history - the Anglo-Norman invasion - and it seemed that everything that happened on both sides of the Irish Sea in the centuries that followed was instrumental in making the famine such a disaster. Our book is the result.
This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.
Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.
A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.
Between 1845 and 1855, 2 million Irish men and women fled their famine-ravaged homeland, many to settle in large British and American cities that were already wrestling with a complex array of urban problems. In this innovative work of comparative urban history, Matthew Gallman looks at how two cities, Philadelphia and Liverpool, met the challenges raised by the influx of immigrants. Gallman examines how citizens and policymakers in Philadelphia and Liverpool dealt with such issues as poverty, disease, poor sanitation, crime, sectarian conflict, and juvenile delinquency. By considering how two cities of comparable population and dimensions responded to similar challenges,…
At Columbia University (where, incidentally, I became friends with Rob) I took two 19th-century American history undergraduate courses that featured dramatic lectures on Irish emigrants, the group that served as a prototype for subsequent immigrants from other nations. The books I have listed here gave me a deeper, more complicated view of the experiences of people like my Irish Catholic ancestors on both sides of my family. I find today’s harangues on social media and cable news woefully deficient in helping to understand forces like nativism, the influence of religion on public figures, and the harrowing adjustments to American life by emerging ethnic and racial groups.
I grew up with stereotypes about Tammany Hall as a nest of New York political corruption. Golway offers a knowledgeable corrective that shows how the urban machine garnered votes from new immigrant groups and maintained its power by pioneering then-radical social reforms such as child labor laws, workers’ compensation for those maimed on the job, and a minimum wage.
He traces the organization’s decline to changing New York City demographics and a lost ability to respond to the emerging challenges and changes of the post-WWII era—trends that left it vulnerable to a group of college-educated young Democratic Party reformers, both men and women, that Paul O’Dwyer allied with in the late Fifties and Sixties.
History casts Tammany Hall as shorthand for the worst of urban politics: graft and patronage personified by notoriously crooked characters. In his groundbreaking work Machine Made, journalist and historian Terry Golway dismantles these stereotypes, focusing on the many benefits of machine politics for marginalized immigrants. As thousands sought refuge from Ireland's potato famine, the very question of who would be included under the protection of American democracy was at stake. Tammany's transactional politics were at the heart of crucial social reforms-such as child labor laws, workers' compensation, and minimum wages- and Golway demonstrates that American political history cannot be understood…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
I adore books with a slow burn rather than one that races through the pages so quickly that I barely have time to draw breath.
I also adore character-driven stories. Mary Beth Keane creates characters that are so real I can hear the hitch in their voices when their nerves are stretched thin.
Ask Again, Yes has lingered in my heart since the day I turned the last page. I love books that bring me joy, make me laugh out loud, but also leave me thinking about family and forgiveness.
The triumphant New York Times Bestseller *The Tonight Show Summer Reads Pick*
Named one of the Best Books of the Year by People, Vogue, Parade, NPR, and Elle
"A gem of a book." —Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
How much can a family forgive?
Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.
In Mary Beth Keane's extraordinary novel, a lifelong…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
I first encountered Noel Ignatiev’s ground-breaking and hugely influential book, How the Irish Became White, after I moved from Ireland to America to work at UConn.
I was electrified by its thesis and found it very helpful in thinking critically about Irish-American identity and history. After all, that had become my heritage too once I crossed the Atlantic.
Ignatiev opens by outlining how the Irish fled to America from a motherland under British occupation and a colonial caste system that dehumanized them.
He argues that in America the new immigrants embraced a hierarchy based on race, as a result of which the oppressed became the oppressors: for Ignatiev, the Irish assimilated by becoming more brutal in their oppression of African Americans than the nativists, gaining “whiteness” by refusing to make common cause with Black fellow workers.
How the Irish Became White challenges the dominant story of how the Irish succeeded…
'...from time to time a study comes along that truly can be called 'path breaking,' 'seminal,' 'essential,' a 'must read.' How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst
The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country - a land of opportunity - they found a very different form of social hierarchy, one that was based on the color of a person's skin.…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
It has been many years since I first read this book yet I still remember how successful the author was in recreating the atmosphere presented by the movie, Gone with the Wind. She was so successful that this book is advertised as a sequel to Margaret Mitchell’s original work. If you want to know how civilian life was in the South during the American Civil War, you won’t be disappointed with this work. And of course, there is the tumultous relationship between Scarlett and Rhett Butler.
Discover the phenomenal #1 bestselling sequel to Gone With the Wind: "true to Scarlett's spirit," this inventive novel beautifully continues Margaret Mitchell's timeless tale (Chicago Tribune). The most popular and beloved American historical novel ever written, Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward,…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Seth Rosenfeld is an independent investigative journalist and author of the New York Times best-seller Subversives: The FBI’s War on Student Radicals, and Reagan’s Rise to Power. As a staff reporter for The San Francisco Examiner and San Francisco Chronicle, he specialized in using public records and won national honors including the George Polk Award. Subversives, based on thousands of pages of FBI records released to him as a result of several Freedom of Information Act lawsuits, won the PEN Center USA’s Literary Award for Research Nonfiction Prize, the Society of Professional Journalists’ Sunshine Award, and other honors.
In this deft work of nonfiction, Duffy tells the life and times of William Bailey, a rough-hewn, big-hearted longshoreman turned Communist activist, and how on one summer day in 1935 he and several compatriots came to stage a remarkable protest by hauling down a swastika flag from the SS Bremen, the flagship of Hitler’s commercial fleet. Events unfold as the deluxe passenger liner, which was heartily patronized by many Americans and Europeans, hosted a glitzy party while docked in Manhattan harbor. It was years before the outbreak of World War II, but Hitler already had commenced his anti-Semitic and other repressive initiatives. The trial and acquittal of Bailey et al., and the diplomatic fallout, was what Duffy describes as “the first blow landed against the Third Reich by foreign adversaries, delivered without guns or bombs.”
This story of an anti-fascist's dramatic and remarkable victory against Nazism in 1935 is an inspiration to anyone compelled to resist when signs of oppression are on the horizon
By 1935, Hitler had suppressed all internal opposition and established himself as Germany's unchallenged dictator. Yet many Americans remained largely indifferent as he turned his dangerous ambitions abroad. Not William Bailey.
Just days after violent anti-Semitic riots had broken out in Berlin, the SS Bremen, the flagship of Hitler's commercial armada, was welcomed into New York Harbor. Bailey led a small group that slipped past security and cut down the Nazi…
