Books like The Magpie's Nest — picked by fans

This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.

This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.

Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.

I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.

A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.

A page of 'Lessons'  at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.

Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.

This is more than a collection of garden folktales.

Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.

Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.

This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.

This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.

Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.

However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.

Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.

The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago! 

In this mighty two-volume work, Katherine M. Briggs set out to bring together every folk-tale, myth, and local legend written down in the British Isles, in the English language.

Tales from Scotland, Wales, Ireland, and England: stories of how places gained their names, tales of witches, ghosts, wizards, mermaids, elves, changelings…And also many tales of animals, including The Three Bears and Three Little Pigs.

But also ghostly black dogs, talking dogs, cats who spin, seals who turn into people, donkeys, giant worms or dragons, hens, and magpies. These books are treasure-houses of ideas and inspiration.

William (Bill) Dever is a well-known archaeologist who influenced the field of biblical archaeology through his fieldwork, scholarly publications, and public presentations. He has become known to the lay public through his many popular publications one of which relates to the question of whether the Israelite God had a wife. This is an intriguing question since there is archaeological evidence to suggest it. This book is good for readers interested in daily life, gender questions, and religion in biblical times.

When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.

I make no apology for including this immense and important work. So much of the music I love originated with the kidnapping of black people from Africa.

This book shows how not merely the music of Africa but whole swathes of culture now considered “American” were imported along with the slaves. How did they cope with being ripped from their homeland, transported across the Atlantic in chains, and forced to work in the fields of an alien land?

Levine lays it all out, including everything from Black religion to Black comedy, and despite what you might think, it’s a real page-turner.

Bolu Babalola’s Love in Color is, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.