100 Books Like The Magpie's Nest

This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.

This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.

Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.

I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.

A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.

A page of 'Lessons'  at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.

Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.

This is more than a collection of garden folktales.

Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.

Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.

This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.

This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.

Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.

However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.

Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.

The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago! 

Kabu Kabu takes its name from Nigerian slang for a dodgy taxi that gets you where you need to go, one way or the other. It’s a fitting name for this short story collection, which took me on a journey of twenty-one stories that include excellent science fiction, fantasy, horror, and excerpts from her wildly popular and award-winning novels. Drawing from her own Naijamerican heritage and using a skillful balance of characters, plot, setting, and themes, Okorafor offers an array of stories based on dual identities, folklore, philosophy, and contemporary issues filtered through a speculative lens.  

For a rational, well-educated woman, I’m also occasionally superstitious. This gripping compilation of folk beliefs and rural ritual–from two stalwarts of folklore academia–is a book I return to again and again.

Almost every aspect of rural life has a superstition attached. From churning butter to childbirth, I pour over these weird and wonderful subjects and am reminded of just how pervasive and persuasive folk beliefs still are.

This book is an enchanting, heartbreaking tale about three sisters in the ancient kingdom of Dumnonia, trapped in a web of a broken family, treachery, and lies.

I loved this book because the author took an ancient folk ballad, “The Twa Sisters,” and turned it into a beautiful story. I was pulled in by the dreamy, poetic tone of the book, the underlying sadness and sense of loss, and the atmosphere of a disappearing world.

This is the book that made my kids’ heads explode (not literally—this book is perfectly safe (as far as I know)) as it helped them discover the idea of parody: taking something familiar and twisting it in a funny, unexpected way.

We rolled and lol’ed together as we read Jon’s wild, hysterical takes on old fairy tales. The non-twist twist ending to his take on the ugly duckling story is still a running joke in our family. Jon’s The True Story of the 3 Little Pigs and The Real Dada Mother Goose are also great for the same reason.

Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.