Here are 100 books that The Magic Kingdom fans have personally recommended if you like
The Magic Kingdom.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
For me, the most affecting stories are those that are leavened with a sardonic sensibility. Italo Calvino, one of my favorite writers, notes “th[e] particular connection between melancholy and humor,” speaking of how great writing “foregrounds [with] tiny, luminous traces that counterpoint the dark catastrophe.” I’ve always veered toward the great literary comic writers—from Cervantes to Laurence Sterne to Pynchon, with a particular reverence for Nabokov. For me, there is no greater exposition of the underbelly of love and madness than Lolita; of artistic obsession than Pale Fire. Nabokov believed that the best writing places the reader under a spell, enchanting them with the magic of words — and I concur!
DFW’s hyperbolic virtuosity is on display in this collection of stories about fakery, imposterdom, trauma, and the nature of consciousness, of which Good Old Neon, the monologue of a salesman who traffics in fakeries, is the showstopper. DFW knew depression well as he did psychopharmacology and rehab and our mental health apparatus—his work is imbued with the details of these worlds and he conveys possibly better than any other what it is like to be trapped in a depressed, quizzical mind. The collection is a moving and hilarious tour-de-force.
In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his.
These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
There are a lot of books about Florida that are bad or shallowly written, but these days, some real writers are setting their books in the Sunshine State. Kristen Arnett, a Florida resident, uses the backdrop of a failing taxidermy business to write about a crazy family and an odd Central Florida town.
As a fourth-generation Floridian, I found the book true to life and extremely funny. That’s quite an accomplishment.
'Messed-up families, scandalous love affairs, art, life, death and the great state of Florida in one delicious, darkly funny package. Kristen Arnett is a wickedly talented and a wholly original voice' Jami Attenberg
What does it take to come back to life?
In the wake of her father's suicide, Jessa-Lynn Morton has stepped up to manage his failing taxidermy business while the rest of the Morton family falls apart. Her mother starts sneaking into the shop to make alarming art with stuffed animals; and while her brother Milo withdraws, his wife, Brynn - the only person Jessa's ever been in…
I am a romantic; I live to love. My books Eve’s Blessing and Subjectified both help women build great sex and love lives. As a therapist and sex educator, I help people connect with their partners and build the relationships of their dreams. I am currently working on a romance novel with spiritual and psychedelic themes. I love books that introduce us to new worlds as we explore the inner world of each character.
This classic romance novel—and, now, movie—features a love story not just between a woman and a man but also between two sisters struggling to find themselves and overcome self-destructive behavior.
By the end, you'll experience catharsis as both women confront their longstanding self-confidence issues and make peace with themselves and each other.
Rose Feller is thirty years old, a high-powered attorney, with a secret passion for romance novels, an exercise regime she's going to start next week, and dreams of a man who will slide off her glasses, gaze into her eyes, and tell her that she's beautiful.
Meet Rose's sister Maggie. Twenty-eight years old, drop-dead gorgeous and only occasionally employed, Maggie is a backing singer in a band called. She dreams of fame and fortune -- and of getting her dowdy big sister to stick to a skin-care regime.
These two women with nothing in common but a childhood tragedy, shared…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
I found this book hysterically funny, and the dialogue more imaginative than any book I’ve ever read. The characters are without equal in terms of their originality, including the children of Jack and Babette Gladney.
The sheer number of meaningful topics this story covers is also without equal. The author’s observations are extremely keen. At its core, it is about the fear of death, though it is not a depressing story in any sense. It’s no wonder why it won the 1985 National Book Award.
The National Book Award-winning classic from the author of Underworld and Libra-an "eerie, brilliant, and touching" (New York Times) family drama about mass culture and the numbing effects of technology-soon to be a major motion picture starring Adam Driver and Greta Gerwig
White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
I was about thirteen years old when I picked up Charles Portis’ book, and from the very first line, I wanted to be Mattie Ross. The novel was the first Western I remember reading and remains imprinted on my brain as a first to mash up the traditional themes of the righteous Code of the West and the hopelessness of a world awash in lawlessness and violence, all the while eliciting whoops of laughter.
Mattie was the first female protagonist I remember encountering with pluck and impertinence to match the infamous U.S. Marshal Rooster Cogburn and inspire my own.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
What’s unique about Klune’s psychopomp, is that he is human.
Hugo Freeman is able to interact with the dead but unlike the usual eternal beings, he is alive, has a backstory, and the ability to empathize with the fears and regrets of his reluctant clients, most recently, the jerk-lawyer, Wallace Price.
The action is circumscribed, taking place entirely within Charon’s Crossing, which serves as a teahouse for the living and a waystation for the dead. And as any fan of Klune’s work will anticipate, the hearth that gathers a found family.
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
You know that poem that instructs us to "see a world in a grain of sand?" I've done that, friend. It turns out that the world you see in a closely-examined grain of sand is largely covered with sand, each grain of which contains another world. For reasons that I can't explain (well, the Autism Spectrum Disorder might have something to do with it), I'm compelled to write novels that explore and exploit, obliquely or otherwise, the sub-worlds lurking within the grains of sand that are scattered across the American High Plains.
Remember how disappointed you were when you first tried to read Tolkien's The Silmarillion? You'd just devoured The Hobbit and The Lord of the Rings, and you needed more Middle Earth, and you asked for The Silmarillian for your birthday and you received it! And it was just a bunch of half-baked fleshless ideas! Well, there's nothing half-baked about Masters of Atlantis! Masters of Atlantis is my least favorite book by my most favorite author! Why did I choose it for this list over Portis's other four novels? Because, for the vast majority of its 300-plus pages, it reads like a hurried summary of a tangled web of bizarro characters negotiating an interwoven freak-o-system of conspiratorial cults!
Lamar Jimmersan, an American doughboy in 1917 France, learns that his life's purpose is to administer the brotherhood of the Gnomons, preservers of the wisdom of the lost city of Atlantis, and Gnomonism risesand eventually fades awayin America. Reprint.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As a humorous cozy mystery author, apparitions as characters are critically important members of my cast. I have introduced two ghosts—the dead wife and young daughter of one of the men in my protagonist’s life as continuing characters in my Holly Swimsuit Mystery Series. They serve as an important yet hysterically funny bridge that connects the main character’s past to her present life and creates an extra layer of conflict in her relationship with the widower and where she wants it to go.
Nothing tickles my funny bone more than the antics of a pampered princess who has to work like the rest of us if she wants to eat when the family fortune dries up. Pepper Martin takes the only job available as a cemetery tour guide–who knew such a creepy job existed?
After hitting her noggin on a gravestone, suddenly she sees dead people. I laughed out loud when a whacked Mafia Don “makes her an offer she can’t refuse” and threatens to haunt her until she hunts down his killers. If you’re like me and the image of Lucy Ricardo on the hunt for a mobster’s killer gets you giggling, this is the story for you.
Beautiful, smart, and chic, Pepper Martin never had to work a day in her life -- until her surgeon daddy was convicted of fraud, her wealthy fiancé took a powder, and the family fortune ran bone dry.
Suddenly desperate, the inexperienced ex-rich girl was forced to take the only job she could get: as a tour guide in a cemetery. But a grave situation took a turn for the worse when a head-on collision with a headstone left her with an unwanted ability to communicate with the disgruntled deceased . . . and now Pepper has…
