Books like The Magic Faraway Tree

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?

I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic? 

I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.

Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles. 

Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.

This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.  

I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, and Songs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.

I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.

I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath.
"Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?

As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.