Books like The Magic Faraway Tree — picked by fans

I've been a fantasy reader since the fourth grade when my father introduced me to The Hobbit. As I grew older, I found myself drawn to female-led fantasy stories. Before I started writing fiction, I reviewed books on a (now defunct) blog, learning from those authors as I critiqued what worked and what didn’t. Now, as a fiction author in my own right, I’ve focused on the story elements that truly speak to me; characters who live and breathe on the page, adventures through magical lands and diverse cultures, myths that feel so true they could almost be real, and heart-pounding action that breaks me out of my own safe little world.

I love horses and I love the magic that exists in the world. I have always been drawn to both. My maternal grandmother had the ‘second sight’ as they called it, and I have inherited that from her. My books and poetry reflect my sincere belief that magic and wonder are alive and well and that we need to nourish them by acknowledging their existence in our everyday lives. The miracle of life, the sun rising and setting every day, the dance of the stars and moon across the sky, the glory of the northern lights—who can claim that isn’t magic? 

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?

Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles. 

Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.

This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.  

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath.
"Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.

I have always been fascinated by fairies. I remember watching dragonflies in my backyard, convinced that they carried fairies on their backs. I hung pictures of fairies on my bedroom walls. I even moved my dollhouse furniture outside and set it up under a tree so the fairies would be comfy. This wasn’t as farfetched as it sounds when you consider that I grew up before the digital age and was always encouraged to use my imagination. When the movie Peter Pan was released, I fell in love with Tinkerbell. I’m convinced that all of this prepared me to become the writer of a series of fairy books. Who knew?

Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.

I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, and Songs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.