94 Books Like The Machineries of Joy

Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.

I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.

The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.

While The Directorate follows a fairly typical path for sci-fi thrillers, its characters are what stand out. The Earth and human colonies on the moon and Mars have united after years of war and created one military/police force. Lieutenant Theresa Gannon is a loyal, young officer suddenly thrust into stardom as the person who foiled a terrorist attack. But as a broiling rebellion heats up and Gannon is now rubbing shoulders with generals and politicians, she starts questioning where her loyalties truly lie. 

This sci-fi series starts with A Princess of Mars and rambles on for like ten follow-up novels over the next 20 or so years. Is it pulp-y and sort of goofy and vaguely offensive in spots? Oh yes. If any of that bums you out, don’t dive in. But you’ll be missing a true classic from the Golden Age of Science Fiction and Fantasy, which laid the groundwork for all the epic SF & F to come. The Barsoom books are as much swash-and-buckle as ray-gun-and-aliens, which is just part of their charm. And Burroughs’ skill at conjuring up a believable-in-a-1940’s-way take on a Martian civilization is kind of wonderful as he builds up a vision of Mars as a resource-strapped planet where a bevy of unique alien races square off against each other with our oh-so-earnest Earth hero John Carter caught in the middle.  

I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.

I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.

Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer… show more.

Lots of stories are set on Mars, and each author makes the planet their own. I enjoyed how this story picks up steam as malfunctions and irritable colleagues balloon into deadly danger. I can see myself in this near-future crew, and I relate to the characters because they make mistakes as they prepare for the main colony's arrival. I was totally engaged.

If this book were episodes of Friends, it would include The One Where They Landed On Mars Before the Internet Was Invented, The One Where They Mixed Up English and Metric Units, The One Where A Lander Became A Crasher, and The One Where Everyone Fell In Love with Cute Robots.

Conway is the official JPL historian, so he has unprecedented access to the archives and the people behind NASA’s ongoing quest for Mars, and he lays each mission out with its political stakes and highs and lows in painstaking and rich detail. Reading this book reminds me that exploration is just as much about the people as it is about the machines.

As a supporter of private space exploration, I liked this novel and particularly enjoyed the atmosphere reminiscent of Around the World in 80 Days by Jules Verne. A point I liked above all is how the characters succeed in getting along, notwithstanding the stress and the interpersonal problems arising well before the launch.

As often happens, the reality is now going well beyond literature: here, the private mission is made on a meager budget, endangering the astronauts, while in the real world, company spacecraft are even more advanced than those of the space agencies.