Here are 91 books that The Machineries of Joy fans have personally recommended if you like
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During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.
I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
A dystopian tale about Tayler's brush with deadly augmented reality players who are out to kill him, and a wise cracking robot keen to take over the world.
As reviewer Joseph Sullivan from Aurealis magazine wrote, “Virtual Insanity will resonate with readers who enjoy modern takes on science fiction…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.
I have an amazing daughter in my life, and I want there to be more books for her to read that feature strong, admirable, and good women in leading roles. That’s one of the things I keep an eye out for in the books I read as well as the books I write.
While The Directorate follows a fairly typical path for sci-fi thrillers, its characters are what stand out. The Earth and human colonies on the moon and Mars have united after years of war and created one military/police force. Lieutenant Theresa Gannon is a loyal, young officer suddenly thrust into stardom as the person who foiled a terrorist attack. But as a broiling rebellion heats up and Gannon is now rubbing shoulders with generals and politicians, she starts questioning where her loyalties truly lie.
The year is 2223. Under The Directorate, established after the Great War of Unification, there has been stability, tranquility, and prosperity for all the citizens of the Triad. One of the keystones of the society is the equality of all the peoples of Earth, Luna, and Mars. Lt. Theresa Gannon and her cohorts in the IDS are committed to preserving the peace throughout all the worlds of the Triad. But Gannon has seen fissures begin to appear when a group of daring Earth-Firsters seek to assert their rights as descendants of humanity's first homeworld. Follow Lt. Gannon as she is…
A child of scientists, I grew up planning to be a physicist, but became a novelist instead. Since I straddle the worlds of science and literature, I’ve always valued good science writing. It’s a rare talent to be able to inform and excite the general reader while not oversimplifying the science. I particularly thrill to books about exploring other planets and star systems, because when I was a teenager I read a lot of science fiction, and wished more than anything that someday, when I was much older, I would find myself on a rocket headed for, say, a colony on Mars.
Zubrin’s book proposes a tantalizing what-if. Steve Squyres’ Roving Mars presents readers with an exciting and suspenseful blow-by-blow account of an awesome thing that actually happened: the successful landing on Mars of the rovers Spirit and Opportunity, and the jaw-dropping success of those lovable little robotic beetles. It was hoped that the rovers might function for as long as 90 days. Opportunity performed for 15 years. (Spirit, that slacker, phoned it in for only 6 years.) Squyres, an astronomer, was the principal investigator for the mission, and he proves to be an enormously appealing guide: enthusiastic, excitable, grateful, humble. One of the many likable things about this book is that Squyres lets us see how scientists in charge of a years-long multimillion-dollar one-shot mission with a high chance of failure are every bit as superstitious as village peasants: Squyres makes sure to wear his tattered good-luck jeans to every…
Steve Squyres is the face and voice of NASA's Mars Exploration Rover mission. Squyres dreamed up the mission in 1987, saw it through from conception in 1995 to a successful landing in 2004, and serves as the principal scientist of its $400 million payload. He has gained a rare inside look at what it took for rovers Spirit and Opportunity to land on the red planet in January 2004--and knows firsthand their findings.
Even as the world collapses, she will cross the ruins of a nation for the love that death itself cannot silence.
In the wake of a national calamity known only as The Water Event, Brooklyn Tremain launches herself across a shattered America in pursuit of Martin Siriso—the man she loves…
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
The first movie I saw in the theater was Star Wars: Return of the Jedi. Since then, I’ve been obsessed with tales of good versus evil and coming-of-age stories that mix futuristic settings with real-world mythology and history. I moved to Los Angeles to pursue an acting career in hopes of swinging my own lightsaber one day. Along the way trained in martial arts and Shakespeare. Playing D&D with industry friends led to me writing my own sci-fi adventures and mixing elements of all those types of stories I loved growing up.
“Mythology, Shakespeare, Cthulhu, oh my!” Not as well-known as his most famous sci-fi work, Hyperion, Dan Simmon’s Ilium is just as impressive. The book bounces back and forth between characters of Greek myth reenacting the events of the Trojan War on the Martian plains, humans reawakening to their purpose on a post-apocalyptic Earth, and a pair of philosophizing robots, all in the shadow of a dark god coming to devour them all. The first in a duology, Ilium weaves its disparate storylines to a climax where readers solve the riddle of how it is that Lovecraft’s monsters are living alongside Shakespeare’s characters and Homer’s epic poem in a world that has suffered a mysterious cataclysm. Any reader of mythology and literary allusion in their speculative fiction will hungrily devour this book.
Taking the events and characters of the Iliad as his jumping- off point, Dan Simmons has created an epic of time travel and savage warfare. Travellers from 40,000 years in the future return to Homer's Greece and rewrite history forever, their technology impacting on the population in a godlike fashion.
This is broad scope space opera rich in classical and literary allusion, from one of the key figures in 1990s world SF. Ilium marks a return to the genre for one of its greats.
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
The first three books on this list are focused on the history of space exploration; The Mars Challenge is all about the future. Told us a conversation between an ambitious student and a more experienced space professional mentor, The Mars Challenge explores just that – the numerous challenges humanity will have to overcome before we can take the first steps on the Red Planet. In doing so, it threads a needle brilliantly – doing justice to the complexity of these challenges, but presenting them in a way that a lay reader can understand. The book is perfect for inspiring the next generation of explorers, and provides a fun read for adults who’d like an overview of the challenges of space.
Nadia is a teenager with a dream: to be the first woman on Mars. But there are a lot of obstacles in her way: gravity wells, interplanetary trajectories, space weather, and that pesky rocket equation. It's a good thing Nadia's friend Eleanor is a space wiz.
Eleanor explains how scientists are working to overcome the numerous challenges involved in a manned mission to Mars. Eye-catching illustrations and detailed diagrams bring to light the scientific concepts and complex machinery of interplanetary travel. The challenges are great, but not insurmountable. Humans can reach Mars in our lifetime, and this book explains how…
The aftermath of human first contact, written from the extraterrestrial's perspective.
Kelvoo is overcome with wonder at the arrival of the humans. With flawless memories and innate curiosity, Kelvoo’s community embraces the benevolent humans and their knowledge of the boundless universe beyond the cloud-covered sky. After the departure of the…
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
Most realistic fiction set on Mars is about small exploratory expeditions. There is surprisingly little available about colonization that doesn't bring in the discovery of intelligent inhabitants or a lost civilization, or at least traces of one having existed in the past. And the few novels with no fantastic elements tend to focus on political controversy. So I was happy to find this recent book that depicts what a colony on Mars might really be like. It's based on the board game "Terraforming Mars," which I haven’t seen, but doesn't depend on any knowledge of the game. The story is part murder mystery and while it’s intended to be entertainment rather than serious literature, it will be enjoyed by readers who are excited by the idea of settling a new world.
Mars is the new frontier for humanity, as we launch an epic saga of inspiring planetary exploration set in the award-winning Terraforming Mars boardgame
Mars, 2316. The recently created Terraforming Committee arbitrates the dramatic development of Mars by powerful rival corporations. When a rogue asteroid crashes into a research center and kills its lone technician, the fragile balance between corporations is shattered. The World Government's investigation into the accident reveals a multitude of motives, while a corporation insider stumbles on a dark conspiracy. Two Martians with very different agendas must navigate a trail of destruction and treachery to uncover the…