Books like The Machineries of Joy — picked by fans

Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.

I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).

I don’t think most Lovecraft fans casual or devoted would single out The Music of Erich Zann, given the staying power of the Cthulhu mythos and everything associated with it. But what causes Lovecraft’s work to resonate so many decades later is his mastery over the disquieting, and this story about music channeled from a horrific place played on a street that doesn’t seem to exist by a violinist terrified and compelled to keep playing has stayed with me more than any of Lovecraft’s other stories in the years since I read it. Maybe it’s the musician in me, or maybe it’s the distortions of reality that tend to crop up in my own writing. Either way it’s striking, and a good introduction to the strangeness of H. P. Lovecraft.

Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.

The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.

While The Directorate follows a fairly typical path for sci-fi thrillers, its characters are what stand out. The Earth and human colonies on the moon and Mars have united after years of war and created one military/police force. Lieutenant Theresa Gannon is a loyal, young officer suddenly thrust into stardom as the person who foiled a terrorist attack. But as a broiling rebellion heats up and Gannon is now rubbing shoulders with generals and politicians, she starts questioning where her loyalties truly lie. 

I liked this book (and also the others of the trilogy) for the realistic and well-thought-out description of the terraforming of Mars.

The ethical and political aspects of this endeavor are so well described that the reader immediately gets involved in the political struggle (I personally joined the ‘green’ party advocating for immediate terraforming).

But politics on Mars is as harsh as on Earth and even more deadly since the place is a very dangerous one. The United Nations plays the part of the felon, trying to prevent Martians from becoming independent, and the war they wage causes the reader to lose several friends.

Lots of stories are set on Mars, and each author makes the planet their own. I enjoyed how this story picks up steam as malfunctions and irritable colleagues balloon into deadly danger. I can see myself in this near-future crew, and I relate to the characters because they make mistakes as they prepare for the main colony's arrival. I was totally engaged.

From the first page, I loved the self-centered, egotistic main character full of himself. When his deluded sense of self-worth got him into inevitable trouble, I smiled, thinking he walked into it with eyes open. It came as a pleasant surprise to see the character evolve beyond himself and slowly encompass a wider reality that would benefit Earth and Mars… with considerable risk to himself.

A dash of romance, this powerful story, regrettably short, blew me away. I don’t care that the book is old, but I feel the theme stands the test of time as very enjoyable entertainment. A marker with which I judge every book, and this one shines.

If this book were episodes of Friends, it would include The One Where They Landed On Mars Before the Internet Was Invented, The One Where They Mixed Up English and Metric Units, The One Where A Lander Became A Crasher, and The One Where Everyone Fell In Love with Cute Robots.

Conway is the official JPL historian, so he has unprecedented access to the archives and the people behind NASA’s ongoing quest for Mars, and he lays each mission out with its political stakes and highs and lows in painstaking and rich detail. Reading this book reminds me that exploration is just as much about the people as it is about the machines.

This nonfiction picture book takes an unusual approach in presenting the story of the Curiosity rover. Curiosity tells the reader about her extraordinary journey to Mars. I was fascinated and enlightened reading details about the construction, launch, and landing of this complex robot. The illustrator’s earthy palette compliments the subject matter. The last illustration of the tiny rover on the red planet left me in awe. It reminded me of standing at the rim of the Grand Canyon and gazing at a scene so vast I couldn’t possibly take it all in. Check out the rover’s path here!