100 Books Like The Lungfish, the Dodo, and the Unicorn

The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?

Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyria or rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.

A nice piece of folkloric detective work, and one that influenced my own book.

The title may not sound compelling, but the story is.

One of the chief competitors of Christianity in Imperial Rome was the religion of Mithraism. We have some accounts of this mystery religion, and have excavated several of their underground worship centers, called Mithraeae, but none of the sacred texts or internal documents survive.

Why would the Romans be so taken by the ancient religion of Zoroastrianism? Ulansey suggests that Mithaism was not just a variant of Zoroastrianism, but a new religion based upon Zoroastrian images and foundations, but incorporating new scientific knowledge about the stars and the heavens, and makes a strong case for his suggestions.

Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.

Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratops and Psitticasaurus.

She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.

Terence Hanbury White is famous for writing The Sword in the Stone, The Once and Future King, and The Book of Merlin, all about King Arthur and his court. But he wrote many other books, both fiction and nonfiction.

This book is a translation of a Medieval bestiary, filled with strange animals like the Unicorn, the Dragon, the Phoenix, and the Amphisbaena. As White points out, the book was not meant as a mere rainy-day diversion, but was a serious attempt to catalog the animals of the world and how they related to man and the world.

White, a believer in the high knowledge and science of the often belittle Middle Ages, provides extensive footnotes showing that many of the apparently fantastic creatures and behaviors documented in the Bestiary do, indeed, have factual roots.

The Basilisk might stem from an imperfectly understood description of the King Cobra,… show more.

This was the first major alien arrival novel I read. I recall being awestruck by Arthur C. Clarke’s masterful mixing of incisive storytelling and a deep sense of grandeur.

The Overlords are hugely memorable, but it was the exploration of human identity that had the biggest effect on me. The story endures as a classic for a very good reason.

This is a gigantic book of 665 pages, and a reading task not for the faint-hearted. It has no index, but then, preparing one might have taken months and easily have added another 100 pages to the book.

It is a reference book which can aid anyone seriously interested in the SS security services, the SD. Much of it is based on the basic SS files seized after the War, and it summarises and reproduces those with meticulous and overwhelming thoroughness. But it must be pointed out that the higher-level secret files of the SS and SD have never been found.

The Heinrich Pfeifer book supplies a great deal of information which was unavailable to Tyas. The personnel files of the department heads of the SD have not been found, and the most detailed account of that level of the operations of the SD is to be found in Pfeifer’s… show more.

This fast-paced adventure novel, set in Leipzig after the Second World War, tells the story from a German boy’s point of view. The Bass novel explores German guilt and the strained relationships that young people had with their Nazi-era parents. That includes me and my own relationship with my father who was a pilot for the Luftwaffe. Graffiti Knight is inspired by the author’s real-life friendship with the daughter of German immigrants to Canada.

While technically a prequel to Deighton’s well-known Cold War Game, Set, Match trilogy, Winter can certainly be read as a standalone novel. As the subtitle indicates, this is a book about a family. But really, this is a novel about two brothers, Peter and Pauli. The evolution of their relationship over the course of nearly half a century, 1900-1945, is the foundation on which Deighton explores this tumultuous period of German history. From their innocent and carefree youth in the late Wilhelmine period, to the trauma of their military service during the First World War, through the rise and rule of the Nazi party – can the ties that bind the Winter brothers survive?  

This book was originally published by Doubleday, New York, in 1944. This book also contains material obtained from Heinrich Pfeifer, not only from Pfeifer’s own experience but from Pfeifer’s secret network of sympathisers and informants deep within the Nazi Establishment.

It is alarming in the extreme, detailing as it does how the Nazis of the SS and SD had since 1943 started planning to metastasize their doctrines all round the world, and found a Nazi International organisation, with the eventual hope of creating a Fourth Reich which was not dependent upon the territory of Germany, but was spread across the world invisibly, so that no armies could ever conquer it.

They planned the ratlines and escape routes to all the friendly countries such as Argentina and Chile. Their ratline HQ was in Madrid, with the full cooperation of the Franco Government. One of the two chief organisers was SS Lieutenant… show more.

When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.

Prior to its publication, Nazism was commonly perceived as anti-modern and anti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!

In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic.