64 Books Like The Lunatic, the Lover, and the Poet

Shakespeare’s plays can be very funny, (many of my friends disagree with this, but I swear by the goddess of Renaissance puns it’s true!), and this is a light, fluffy book that deserves a place on any bookshelf because it embraces silliness and turns it right up to eleven. Our Will’s key predicament is something everyone who has ever written can relate to, being certain you have a literary masterpiece locked up in your mind if only you can be left alone long enough to make it magically appear on the blank page. 

Readers will either be drawn to this book by a novelist who studied Shakespeare in depth or put off by Burgess’ language. His wordplay is quite mad at times, especially when ‘WS’—Will Shakespeare—is drunk. No contemporary novelist would likely create such a mixture of Elizabethan and modern English. Despite Burgess’ knowledge of Shakespeare’s life and works, much of the plot is fanciful. However, his daring is encouraging, his imagination freeing. I never considered writing a book where Shakespeare speaks, but Nothing Like the Sun suggests, why not? Many biographies seem fictional in their guesswork; Burgess’ vitality and imagination outshine the strictly biographical. I found his ground-breaking work inspiring, and it’s a bawdy lark for readers who persevere!

This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.

Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.

The chronology of my Shakespeare-era novels hasn’t reached The Tempest, but I love how this novel features a production of the play—in a prison. The relation of the inmates to their roles and the protagonist’s personal crisis give Prospero and his island new life in a setting also set apart from society. I enjoyed how the characters come to realizations about Shakespeare’s play as they rehearse, the goal of my own novels from a different angle. Many spinoffs from Shakespeare use his plot devices, but Atwood relies on The Tempest for her plot. Each ‘best’ novel here reveals new visions to the reader and gains plot and suspense from the links to Shakespeare. Though my goals aren’t identical to these authors', their works offer inspiration.

Imagine The Little Mermaid but the mermaid is actually a killer siren and the prince is actually a siren hunter/pirate, and you’ve got To Kill A Kingdom.

If you’re not sold by that alone (because I certainly was) well, this standalone fantasy also has seafaring action, a variety of vibrant kingdoms, strong character arcs, morally grey characters, dashing pirates, siren magic, and of course, a slow burn enemies to lovers romance (you may have noticed I’m a sucker for those.)

I only wish this was a series and not a standalone.

Best known for its famous quote “To be or not to be.” Shakespeare’s masterpiece Hamlet revolves around the struggles of life.

I find this piece inspiring —not because of the question of suicidal ideation but—because of how it is written. Shakespeare manages to put an entire existential crisis into such a concise statement. I wish I could write quotes like that. Also, Shakespeare’s 5 act structure, although from theatre, builds the backbone of my books.

The language is witty, stating so much in between the lines. What I find most inspiring about it as an author, though, is that Shakespeare managed to appeal to a broad mass by providing entertainment to the simpler folks while addressing sensitive political topics and philosophical questions for the intellectuals.

Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.

Again the Magic, by historical queen Lisa Kleypas, is a gorgeous historical romance that'll transport you to another time and place while tearing your heart out.

Aline Marsden and John McKenna are childhood friends who reconnect after years apart and realize they've been in love all along. There's tons of drama, including societal pressure and family expectations, but their chemistry is off the charts.

It has Kleypas' gorgeous writing, swoon-worthy romance, and plenty of tension.

What Tom Clancy did for submarines with The Hunt For Red October, Stephen Hunter did with rifles and long-range shooting in Point of Impact, which was made into the movie Shooter with Mark Wahlberg in addition to a cable TV show of the same name. 

Hunter had already proven himself a talented thriller writer when he penned Point of Impact, but the excellent plot (a famous Vietnam sniper framed for an assassination by a shadowy conspiracy) combined with never-before-seen firearms technical detail that enhanced rather than bogged down the story made this novel a huge success and catapulted Hunter to the A-list.  

Asra is a demigod with the gift of dictating the future by writing with her own blood. When her blood magic leads to the mortal girl she loves turning into a vengeful dragon, Asra must embark on a journey across the kingdom to stop her. A big-hearted protagonist grappling with her own power, complex cultural politics, two compelling love interests – who could ask for more? That so many of the primary romantic relationships in the story are same-sex is almost beside the point – except, of course, that queer characters rarely appear so matter-of-factly in epic fantasy. Inkmistress trades in deep, nuanced characters, moral complexity, and a story that often surprises in the best way, keeping the reader hooked until the incredibly satisfying conclusion.