Books like The Liar's Dictionary — picked by fans

I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.

I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read. 

Much like the bibliophilic protagonist of The Shadow of the Wind, I discovered this life-changing novel in a most hidden corner of the world—in my case, tucked out of sight on the bottom shelf of a discount bookstore in the Red Light District of Amsterdam.

While the narrative focuses on one child’s unwavering perseverance to solve the mysterious disappearance of his favorite author and unmask the pyromaniac burning all his books, I became enmeshed in the noir-style, labyrinthine backdrop of 1940s-50s Barcelona in the aftermath of the Spanish Civil War.

This masterpiece is equal parts mystery, coming-of-age, midcentury gothic, and European historical fiction, and left me with eyes brimming with tears when I finished the final page.

Over the years, I’ve read hundreds, maybe thousands of books. Many of them have moved, stretched, and entertained me, but there are only a few I wandered into and realized early on that I would not get out of this one unchanged.

The author's inventiveness is astonishing, managing to create not one new world we inhabit but three, all deftly interconnected by the unlikely thread of a simple fable passed from generation to generation. Perhaps most striking to me is the sheer power of the book, its capacity to take us places and share lives we would otherwise never dreamed of.

While the mysterious document—itself a fascinating story within a story—wends its way through a narrative that spans a thousand years, its message is less important than the lives it touches.

And what lives. Each character is drawn so vividly and infused with such essential, defining human traits that we… show more.

This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.

Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.

The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.

Jonathon Green is the doyen of dirty words. Or, more respectfully, he is the premier lexicographer of the graphic, the dubious, and the obscene. For decades Green has been trawling obscure publications and other outré sources for examples of slang in the English language, and publishing dictionaries that are unmatched in their scope and detail. No term, however racist, sexist, classist, or any other kind of -ist, is too small to go unnoticed. In Odd Job Man, a mixture of autobiography and ruminations on bad language, Green describes himself as an ‘anatomist of the underbelly cutting not into ripe cadavers but into riper language.’ It’s a life’s work.

The Professor and the Madman (The Surgeon of Crawthorne in the UK) is true crime through the side door. It tells the story of the creation of the Oxford English Dictionary and the crucial role a murderer played in it. That juxtaposition alone is pure gold.

The book is exhaustively researched but doesn’t read like it, which I deeply respect. The writing is so lovely, so eloquent. I want to dress up when I read Simon Winchester, and put out the good china.

This is another Victorian Broadmoor book and also one that lives well beyond the walls. William Chester Minor, a wealthy and educated New Englander, was a Broadmoor patient who dedicated his hospital life to assisting with the first Oxford English Dictionary. Simon Winchester weaves together Minor’s story with that of James Murray: two eccentric obsessives who bond over common labour. The book puts the idea of criminal lunacy into a wider perspective and also succeeds in making a potentially dry, academic topic into a page-turning read.

Sometimes pencil and paper and a lot of scribbling can reveal a passion. As someone always searching for the right word, I love this book. Young Peter Roget became a word collector when he discovered that words “were powerful things.” With a passion to find the best word, the one that really fits, he made lists. At 8, he wrote his first book, but it was not a story. He wrote lists. Then he wrote more lists. A lifetime of lists. His efforts to create one place where everyone could find just the right word are illustrated scrapbook style in this book that is incredible, stunning, splendid, remarkable, and fun.   

This expansive collection of essays published in 2011 provides a historical accounting of the challenges involved in preparing teachers to work with diverse student populations, as well as a review of the research on multicultural education, culturally relevant pedagogy, and critical race theory.

With twenty chapters written by some of the most influential people in contemporary teacher education–such as Gloria Ladson-Billings, Carl Grant, Sonia Nieto, and Etta Hollis, to name but a few—this book is a classic that stands the test of time.

This writing instruction book came to my aid as I began to teach writing at Harvard University in the late 1990s, when I was trying to help college students cultivate their own voice as writers.

The title was brilliant, surprising the reader that the subject was revision and not writing, per se. This focused on a fundamental truth, which is that good writing – whether it be fiction or non-fiction, artistic or professional – almost always goes through several revisions. Students often recoil at the idea of revisions because they threaten to burden them with more work.

What Murray underlined (and a point I’ve reiterated) is that revisions provide the opportunity to improve your work. The more that writers are comfortable with making revisions, the easier it will be to cultivate and improve their voices in their written work.