Books like The Last Letter — picked by fans

To be honest, I could have picked multiple books by Lisa Jewell. She’s my favorite thriller writer, and many of her books use close-knit communities to set up mysteries in which I constantly change my mind about who I can trust. Exactly what I love about domestic noir!

In this book, the setting is a picturesque village in the Surrey Hills, where teenage parents Tallulah and Zach head out on a date to the local pub and never come home. There are two aspects of the seemingly idyllic community that really sucked me in: a mysterious mansion just outside the village known as Dark Place and a boarding school with its own long-kept secrets. Jewell uses the setting not only to heighten the sense of mystery–there are secret tunnels, woods where bad things happen, clues in old paintings, all the good stuff!–but also to explore themes of class, sexuality, and… show more.

Talk about a complicated mother-daughter relationship! Almost as soon as her daughter is born, Blythe suspects something is…off. And no kidding, is it ever? This book takes the idea of not being able to connect with your kid to a whole other, really terrifying level.

What I particularly love about this book is how much it challenges the idea of who is in charge in the mother-daughter relationship, and what it means if your kid is really, truly, bad. This book actually made me gasp. The title refers to the central incident of the book, but I like it because the book also pushes against all kinds of societal norms. 

Little Secrets is both brilliantly written and terrifying, making it one of my all-time favorite psychological thrillers. Eighteen months after Marin’s young son, Sebastian, was kidnapped as she shopped with him at a crowded Seattle market, both Marin and her marriage are hanging on by a thread. Desperate for answers, she hires a PI to help locate additional clues as to what happened to her son. As the secrets begin unraveling, the twists reveal themselves. Jennifer Hillier’s clean writing style and relatable characters drew me in, but the high tension and off-the-charts creep-factor kept me tearing through the pages all the way until the shocking ending.

Alice Lake finds a man on the beach outside her house, but when she asks the man who he is, he can’t give her any answers because he says he doesn’t know who he is either. He’s lost his memory and his identification. Alice decides to help the unknown man and invites him into her home.

While Alice tries to help the unknown man figure out who he is, she also can’t help but wonder who she’s let into her home. He seems perfectly harmless, but is he? It reminds me of what I’ve felt in relationships. I’ll like someone, but then I’ll get to know them and start to wonder who they really are. I’ll look at a friend and wonder, where did you come from?

This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.

Here is the other archetypal plot, the reverse of the first: “A Stranger Comes to Town.” In this case, a protagonist who seems an unlikely but brilliantly persuasive amalgam of Theodore Roosevelt and Henry Adams—a bookish Easterner—arrives in the Dakota Territory in 1883 to make a new life for himself after the death of his wife. The new life will feature lynchings, cattle drives, saloons, brothels, and an even harsher wilderness than Diony Hall found in Kentucky. The author’s cinematic Warlock is a western masterpiece. This forgotten title is every bit as good.

Welcome to Hard Times is a shorter novel. It is of the length of the classic western that was popular at the time that this novel came out (1960). This novel is sometimes described as an anti-western or an ironic western, as it takes a non-heroic view of people dealing with evil in a frontier town. It was made into a movie by the same title, but the movie is not well known. The novel is similar in tone to the movie McCabe and Mrs. Miller, which some people do not like because of its non-heroic or skeptical tone. Readers who like their westerns upbeat and unequivocal may not appreciate Doctorow’s novel, but readers who are willing to consider less-than-pristine views may find an interesting treatment here.

What's Eating Gilbert Grape is the story of a young man trapped in a dying small town, stuck in a menial job, and tethered by obligations to his dysfunctional family. The biggest event on Gilbert’s horizon is the eighteenth birthday of Artie, his mentally impaired brother, who is lucky to still be alive. Then Gilbert’s world gets turned on its head when a free-spirited girl arrives in town.

What's Eating Gilbert Grape blends poignancy, the bonds and challenges of family responsibilities, and the struggles of dealing with mental health, all told through the unique lens of the titular Gilbert Grape.

For their Golden Wedding Anniversary in 1917, a couple gathered their family for a celebration. During the day, they share their Iowa pioneering stories. What wonderful details about living arrangements, hardships in travel, hard-to-believe hordes of grasshoppers, blizzards, even a probable encounter with Jesse James. Written as a novel but based on historical events, his dear slim book also includes several photographs.

A more detailed and scholarly book than Crosby’s, this book is a description of the origin, character, and fate of the tallgrass prairie in Iowa. It is essential reading for those who wish to understand what the Iowa prairie (and by extension the prairie of neighboring states as well) was like before being settled by Euro-Americans and converted to agricultural use in the 19th century, what is left of that prairie today, and conservation and restoration efforts to replace some of what was lost.