Here are 100 books that The Last Cuentista fans have personally recommended if you like
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As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen Kingâs The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill Universityâs Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.
I was first introduced to the film adaptation of The Road in my early teens when I went through all five stages of grief in the span of 1 hour and 51 minutes.
I then made a beeline to the bookstore for a copy of McCarthyâs novel, which subsequently solidified my love of end-of-the-world stories in how they can examine what it means to survive.
The Road is a story that has stayed with me over the subsequent decade and a half and greatly influenced my post-apocalyptic novel.
NATIONAL BESTSELLER ⹠WINNER OF THE PULITZER PRIZE ⹠A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, ifâŠ
Mother of Trees is the first book in an epic fantasy series about a dying goddess, a broken world, and a young elf born without magic in a society ruled by it.
When the ancient being that anchors the worldâs power begins to fail, the consequences ripple outwardâthrough prophecy, politics,âŠ
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didnât have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
I felt so seen in this story. Elizabeth Acevedo paints a spectacular character (Xiomara) who is caught between worldsâthe âoldâ world of her parents and their strict traditions and the ânewâ world where she can perform spoken word poetry on stage.
I laughed and cried as I read this book, which was told in verse, especially regarding Xiomaraâs relationship with her mother. I could relate so much to Xiomara and the arguments she got into with her mother. I was reminded of my own adolescence and the many fights I had with my mom. Itâs all good now, but wow. We used to really get into it during those rocky years.
WINNER OF THE THE CILIP CARNEGIE MEDAL 2019
SHORTLISTED FOR THE WATERSTONES CHILDREN'S BOOK PRIZE 2019
THE WINNER OF THE 2018 NATIONAL BOOK AWARD
THE WINNER OF THE MICHAEL L.PRINTZ AWARD
THE WINNER OF THE PURA BELPRE AWARD
THE WINNER OF THE BOSTON GLOBE-HORNBOOK AWARD
'I fell in love at slam poetry. This one will stay with you a long time.' - Angie Thomas, bestselling author of The Hate U Give
'This was the type of book where "I'll just do 50 pages" turned into finishing it in 2 reads. I felt very emotional, not just because the story andâŠ
Iâve wanted to travel the world since I could look out a window. Itâs been an honor to spend my life exploring this planet, despite some of its inhabitants. I knew Iâd write books about it, even before I could write my own name. Itâs a joy to realize such a deep and early dream. My books are love letters to places Iâve lived and people Iâve met, plus some joking around in order not to scream or weep at some of whatâs out there. Iâve been a teacher, film editor, comedian, librarian, and now writer. Wherever you are, on whatever path: happy trails to you.Â
The mere thought of this book makes me smile â I enjoyed its style, which was charming and nicely wacky.Â
Environmental expert and nature writer Gerald Durrell details his extremely unusual upbringing, when his mother transported her four (untamed, wilful, contrasting, more than lively) children from England to Corfu â and this was decades ago, when few people did daring things like that. They plunged into a culture clash adventure â filled with much alarming wildlife in the house!
I loved how it was continually surprising. I donât see how his mother put up with all of them. Itâs all valiantly shambolic and funny.Â
The inspiration behind ITV's hit family drama, The Durrells.
My Family and Other Animals is Gerald Durrell's hilarious account of five years in his childhood spent living with his family on the island of Corfu. With snakes, scorpions, toads, owls and geckos competing for space with one bookworm brother and another who's gun-mad, as well as an obsessive sister, young Gerald has an awful lot of natural history to observe. This richly detailed, informative and riotously funny memoir of eccentric family life is a twentieth-century classic.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classicsâŠ
"Is this supposed to help? Christ, you've heard it a hundred times. You know the story as well as I do, and it's my story!" "Yeah, but right now it only has a middle. You can't remember how it begins, and no-one knows how it ends."
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parentsâ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
Billed as YA lit, donât let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.
I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.
At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.
But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugeeâŠ
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and familyâchosen and by bloodâwho have created spaces for honesty, vulnerability, and creative conflict.
Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to âmake America great again.â I started my platform in 2015 in the same context.
This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.
The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
--
We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power toâŠ
As a kid, being shy and often scared witless of monsters under the bed, books were my refuge. I especially loved fantasy and great story-telling, which, at first, just took my mind off of things. Then, sneakily, the stories began to teach me how to find courage when facing monsters, as well as to value hopefulness, invention, and the study of science and nature. The earth is in a pickle now. There are monsters under the bed. We need science to help us find the right tools. We need stories to fire our inventiveness and our courage. Here are some great books for that. They will suit young readers and beyond.
I am fascinated by stories of robots evolving into sentient beings. For a change, in this one, the robots do not rise up to destroy their masters. Instead, we are invited into a funny, tender, and exciting tale about a robot who finds herself castaway on a wilderness island and must learn what her purpose is and how to survive. As she and the animals who live there grow closer and closer together, she begins to find a home in the wilderness. A rich story that works on many levels at once. It is a tale about the interdependence of all things in nature, as well as about the perils and possibilities that technology is bringing to us. Best of all, itâs about kindness.Â
'An engaging tale that explores many important themes. We can only hope that Roz serves as the template for all future robots. Peter Brown's illustrations are as marvellous as ever!' Coralie Bickford-Smith, author of THE FOX AND THE STAR
When robot Roz opens her eyes for the first time, she discovers that she is alone on a remote, wild island. She has no idea how she got there or what her purpose is - but she knows she needs to survive. After battling a fierce storm and escaping a vicious bear attack, she realises that her only hope for survivalâŠ
I have always been drawn to a world of fantasy adventure; be it books or movies made from classics or current adventures. Start with an interesting title and intertwine with romance or several, even better, and my heart is a flutter. I am known for my quirky titles, and I think I love to write these fantasy adventures intertwined with romance and talk about them on podcasts because life is too real. How wonderful when I and we need to escape reality these wonderful worlds are within our fingertipsâ reach. I hope you enjoy the books on this list as much as I have!
I read this book many years ago as a young adult. Along with other classics such as Alice in Wonderland, I fell in love with a world of imagination, and imagination that pushed the envelopes in terms of literature.
Time travel for me had a place in changing the lives of characters and teaching them about love and growth. Taking on oneâs life challenges and force play, good vs. evilâŠÂ Â
Puffin Classics: the definitive collection of timeless stories, for every child.
We can't take any credit for our talents. It's how we use them that counts.
When Charles and Meg Murry go searching through a 'wrinkle in time' for their lost father, they find themselves on an evil planet where all life is enslaved by a huge pulsating brain known as 'It'.
Meg, Charles and their friend Calvin embark on a cosmic journey helped by the funny and mysterious trio of guardian angels, Mrs Whatsit, Mrs Who and Mrs Which. Together they must find the weapon that will defeat It.âŠ
When I read, I want to read something thatâs going to make me feel something. My friends make fun of me because, whether it is music or books, I want to have my heart shattered into a million pieces and then put back together. And when a little magic is added to the mix, it only makes the story richer and more heartbreaking. This list is everything I love about magical middle grades that makes me feel something on a deeper level about what it means to be human.
When I started this story, I honestly wasnât sure where it was going. And to be honest, at the time, I wasnât even sure I enjoyed fantasy all that much. But this story drew me in and made me fall in love with fantasy. I was floored by the intricacies of this enchanting and stunning tale of a found family featuring an elderly witch, a magical teen, a dragon, and a swamp monster.
Once I was in the story, it kept me breathless and stole my heart. Exploring themes of love, sacrifice, the cost of magic, and loss, this story is one I cannot wait to read again to discover new magical ways to be surprised.
THE NO 1 NEW YORK TIMES BESTSELLER AND NEWBERY MEDAL WINNER
'This beautifully written, darkly funny coming-of-age story will enchant and entertain' Daily Mail
Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest. They hope this sacrifice will keep her from terrorizing their town. But the witch in the Forest, Xan, is in fact a good witch who shares her home with a wise Swamp Monster and a Perfectly Tiny Dragon. Xan rescues the children and delivers them to welcoming families on the other side of the forest,âŠ
When I read, I want to read something thatâs going to make me feel something. My friends make fun of me because, whether it is music or books, I want to have my heart shattered into a million pieces and then put back together. And when a little magic is added to the mix, it only makes the story richer and more heartbreaking. This list is everything I love about magical middle grades that makes me feel something on a deeper level about what it means to be human.
This story is a winner, and I love it for so many reasons. It explores some tough themes in middle grade: poverty and classism, but at the root of the story, there is a boy who doesnât feel like heâs good enough and a girl who canât find her way in the world.
Through their eyes in an immersive and vibrant Thai village, you experience their journeys to finding who they really are. The writing is engrossing, and the plot keeps you guessing until the end.Â
A boy on the run. A girl determined to find him. A compelling fantasy looks at issues of privilege, protest, and justice.
All light in Chattana is created by one man â the Governor, who appeared after the Great Fire to bring peace and order to the city. For Pong, who was born in Namwon Prison, the magical lights represent freedom, and he dreams of the day he will be able to walk among them. But when Pong escapes from prison, he realizes that the world outside is no fairer than the one behind bars.âŠ
Iâve worked in many places worldwide, including Native (Amerindian) communities, West Africa, and Jamaica. Each of these experiences has enriched my life and exposed me to the fact that our society is only one of many and, similarly, that all do not share our understanding of reality. Whether visiting Adongo, a Ghanaian shaman who lived on the Burkina Faso border, and watching him go into a trance and describe my spirit, or being in the sweltering dark of a sweat lodge transported by the chanting to another place, to merging with an ancient oak tree, I have been touched by magic. Itâs out there.Â
Over the years, Iâve read hundreds, maybe thousands of books. Many of them have moved, stretched, and entertained me, but there are only a few I wandered into and realized early on that I would not get out of this one unchanged.
The author's inventiveness is astonishing, managing to create not one new world we inhabit but three, all deftly interconnected by the unlikely thread of a simple fable passed from generation to generation. Perhaps most striking to me is the sheer power of the book, its capacity to take us places and share lives we would otherwise never dreamed of.
While the mysterious documentâitself a fascinating story within a storyâwends its way through a narrative that spans a thousand years, its message is less important than the lives it touches.
And what lives. Each character is drawn so vividly and infused with such essential, defining human traits that weâŠ
On the New York Times bestseller list for over 20 weeks * A New York Times Notable Book * A National Book Award Finalist * Named a Best Book of the Year by Fresh Air, Time, Entertainment Weekly, Associated Press, and many more
âIf youâre looking for a superb novel, look no further.â âThe Washington Post
From the Pulitzer Prizeâwinning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a âwildly inventive, a humane and uplifting book for adults thatâs infused with the magic of childhood reading experiencesâ (The New York TimesâŠ
