Books like The Kingdom of Gods — picked by fans

I read this before I read the preceding trilogy: Phèdre’s Trilogy, and was well drawn in without the background knowledge that may have come from reading the two series in order. I later did read Phèdre’s Trilogy and enjoyed it, but it was Imriel’s Trilogy that really captured me. I love that while most Fantasy series will focus on aggressive politics and war, these series are more about the arts and diplomacy and humans being very human in all their facets. Imriel was a captivating character who I was eager to follow along with as I discovered the world he lived in.

The Gates of Heaven is book three of Seven Brothers, a four-book series, in which the presence and role of the gods become more and more apparent as the overarching story unfolds. Llesho’s story starts off as what you might expect of a young prince in exile, sold into slavery as a pearl-diver, who escapes and sets out to find his scattered brothers. It doesn’t end up where you think, and this book is the point in the series where the story of gods and goddesses and dragons involved in human affairs really takes over as the main plotline, though the threads of it have been there from start. Mountains, grasslands, ancient cities, and their trade routes—this is an excellent silk road fantasy as well.

Book 14 of Sherrilyn Kenyon’s Dark-Hunter series, Acheron is a heartbreaking masterpiece. Delving deeply into the heartbreaking past of Acheron, a demi-god and leader of the Dark-Hunters, we at long last discover his origins and true self. After years of solitude and betrayal, he is given his final redemption and love. My favorite in this stellar series.

I fell for this book like a leprechaun for gold. The world and characters are colorful, and the magic is based on color. From a sensational sensory standpoint, Warbreaker lifted my spirits to a magnificent place. 

I am drawn to this book because of the wondrous world and storytelling that revolves around the true spirit of femininity. I love books that reach for the highest virtue of the noble spirit, and Warbreaker did not disappoint. We watch as the two heroines use the true power of femininity to draw out the best in masculinity forces, thus calling them to their destiny. Talk about a story that embraces the Good, the True, and the Beautiful.

The first book in The Twilight Reign starts off an epic fantasy series of war, loyalty, sacrifice, prophecy, and Gods with their own agendas, to whom their chosen champions are game-pieces to be used in a conflict in which mortals have only a partial understanding. The hero, Isak, is a young man born to be a violent warrior, a tool of prophesy and the Gods, but he never stops struggling to be more than what he was made, and to make himself master of his own fate. This is a satisfyingly rich fantasy world to plunge yourself into.

My mind was blown when I encountered the work of Philippe Druillet in the mid-1970s. This French cartoonist is considered one of the greatest of them all, creating alien worlds of startling originality and stupefying grandeur. Fifty years later, his work is as startling and original as it appeared back then.

No one has surpassed his ability to depict scenes of such mind-boggling scale and otherworldliness, as if he had a unique glimpse of some higher realm. As a young cartoonist, I was strongly influenced by Druillet, who inspired me with his demonstration of what it was possible to achieve in the comic book form. His work is not drug-oriented but depicts the sort of visions those who take hallucinogens would hope to experience.

This book blew me away when I first read it.

Jemisin has created a world of complex politics and religion that’s as original as it is epic. In this world, the move from polytheism to monotheism has been shrouded in lies and half-truths, where the vanquished gods are now enslaved and play a pivotal role in politics.

The slow-burn romance involves Yeine, an unwitting heir to the throne, being put into the path of the brooding Nightlord, one of the enslaved gods. The instability, volatility, and omnipresent danger of their unorthodox relationship are riveting, and the writing is sublime.

The prose in this book felt like a wolf bite. Stories of destiny and power are juicy, and this has it in abundance. A young woman, Red, sacrifices herself for the good of all to the Wolf of the Wood. The woods are magickal, with haunted trees and shadows, creating an intense atmosphere that held me throughout. So moody! Murderous realms, too, which I sunk into easily.

Not quite like "Little Red Riding Hood," but the suspense certainly had me turning the pages. I admired how the author weaved in the emotional elements among the empowerment and disempowerment themes. The myth and folklore elements brought me back to my childhood nostalgia of curling up in bed, secretly turning the pages without regard for bedtime. 

I love how weird and dark this book is. Carolyn and her siblings were raised by their abusive, adopted father, who trained them each in a single portfolio of magic.

When their father goes missing, Carolyn and her allies explore the truth of his disappearance. I was with Carolyn every step of the way of her journey to claw back her identity from her abusive past. And I can’t stop thinking about the explosive ending, even years after I first read the book.

Dianna and Liam, two immortals, struggle to free themselves from their past and the expectations of their future. But when they join forces, they realise their future might be the same.

This book was amazingly written with the perfect balance of a great story and complex, morally grey characters. I especially love how Dianna does bad things to protect the one she loves and has an excuse for everything.