Books like The Island of Happiness — picked by fans

I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.

I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.

For as long as I can remember, I’ve been obsessed with fairy tales and love. I had imaginary friends and would pretend to be the “damsel in distress,” waiting for my prince to find me. I’ve never lost that love as an adult, but I’ve found that certain books can give me the same feelings I had as a child. And reading these stories always fills me with hope that there is good in the world and that love conquers all!

I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.

I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.