Books like The Island of Happiness — picked by fans

I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places. 

My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.

I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are. 

I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.

I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.

I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.

I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!